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Essay of graffiti cambridge
Essay of graffiti cambridge
Essay of graffiti cambridge
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GRAFFITI - The Public Art Movement
The widespread dissemination of colorful graffiti paintings on the walls of our major cities has made it impossible to ignore this form of "public art." As contact with this form of expression increases, one starts to recognize styles, recurrent themes, patterns and stylistic influences. To the masses graffiti seems to represent "vandalism," an ugly and threatening attempt to undermined social value and prestige. For graffiti writers, graffiti is a secret expression, an urban form of mystic calligraphy, a voice against the" man."
Graffiti as an act of transgression against social law and order can be traced back to the first century AD. On once public and privately owned Pompeiian walls and buildings, there can be found obscenities and political protests not unlike most of today's graffiti. In early Rome when Christianity was an underground religion, Christians "tagged" their symbolic religious graffiti on the walls of the catacombs that ran below the city. Graffiti has been recorded to be found in some form in every civilization since the dawn of urban culture.(1)
In today's graffiti, the use of spray paint , fat cap markers, shoe polish and stickers has become an extension of past graffiti movements. The public art movement of today owes much to the insurgent artists of the 60's and 80's. This movement was the community's response to the need for expression, much like the response of the Christians to Roman rule. It was espoused by ethnic and minority groups to whom access to visual creativity and expression had previously been banned. Much like the cave paintings 30,000 years ago, humans have re-discovered the wall as an expression of the self and its relationship with the other. ...
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-Eskae, Oakland California. (4)
Graffiti is a cross cultural phenomenon that has been common in all civilizations up to the present. Within the context of their production, Graffitis personalize de-personalized space, construct landscapes of identity, make public space into private space and act as promoters of ethnic unity as well as diversity. Graffiti can be understood as concrete manifestations of personal and communal ideologies which are visually striking and challenging; as such they are worthy of continued attention as an artistic movement.(5)
End Notes:
(1) Walsh, Micheal, Graffitto, North Atlantic Books, Oakland, 1996.
(2) Turner, Victor, anthropologist.
(3) Kaufmann, Walter, Basic Writings of Nietzche, New York: The Mordern Library, 1968.
(4) Walsh, Micheal.
(5) Art Crimes: THE WRITING ON THE WALL Available: http://www.graffiti.org/
The most predominant attribute of a graffiti artist is their mindset, for a graffitist is constantly surveying the streets in search for a new spot to “bomb” as well as examining the work of fellow writers. For instance, when a graffiti artist looks at an empty wall or a distant water tower they envision a canvas suitable for displaying their graffiti. A graffiti artist uses specific terminology when speaking to fellow writers as well as average people interested in this illegal art form. The use of terms, such as “tag,” “throw-up,” and “burner” are used to describe different styles of graffiti letters. In addition, the term “bomb” is used when a graffitist paints on numerous surfaces in a given area. When analyzing the desires of a graffitist, they explain the desire to go “all-city.” The term “all-city” describes a writers’ aspiration to display his graffiti throughout the entire city. The lifestyle of a graffiti artist tends to be more active than that of an average person, for graffitist go “bombing” during late hours of the night. The reason for these late-night paint excursions is to avoid cont...
According to Aristotle, integrity can be defined as the “particular quality men acquire by constantly acting in a particular way”. It is the sense of honesty and rectitude, towards our moral and ethical principles. We’ve discussed at length how compromising integrity can damage our reputation, how people decide to act against integrity for personal benefits, and ultimately cause irreparable damage among followers. So is it really worth compromising integrity for a big paycheck? Is losing reputation worth the money? Throughout the essay, numerous examples of compromised integrity will be discussed focusing on the Aristotelian view of Leadership. The philosopher’s Seven Virtues will ultimately allow us to understand and reach to a conclusion regarding such doubts.
From New York to the rest of the world, Jeff Ferrell’s “Urban Graffiti” aims to show how graffiti serves as resistance to social arrangements and political power for many. The youth use graffiti as a way to provide alternate solutions for oppressions and cultural conditions. Ferrell demonstrates how young artists utilize this art form as a way of raising awareness and resisting social constraints. For example, in London, certain billboards in 1982 were aggressively altered to advocate the voice of the feminists and animal activists. Graffiti writing usually takes place in urban areas where discrimination and division of racial groups are heavily seen. Jeff Ferrell recounts how these young taggers work exclusively during late hours to avoid
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
Being suspicious about someone is not necessarily bad for police officers, as long as you have a reason to suspect. For example, have you ever seen a person that you have never seen before, walk by your neighborhood? Law enforcement officers patrol the streets making sure there isn’t anything suspicious going on. There have been cases were the police have been accused of stopping people over for no reason. Some say they were racially profiled. Whatever the case is, police have to have reasonable suspicion to stop someone.
If one drives south on I-69 enough, they may begin to remember that “Bob loves Brenda” or that some bodies, only referred to as we, “hate people.” These things are written on the bridges, billboards, and road signs of the interstate to advertise the artist’s message to the general public, while drivers are left to think why should they care who loves who and who hates what. Graffiti is a part of the world that people see everyday and whether it is truly artful or a visual impediment is up to the individual.
We all know what Graffiti art is; well we think we know because of the “modern” graffiti art that is still occasionally seen. However Graffiti Art has been tracked back all the way to the time of 1851. Firstly graffiti comes from the Italian word “graffiato” meaning scratched and was later called graffiti through the media as we see it today. ‘Additionally early forms of graffiti were seen back in ancient Italy at the ruins of Pompeii’ in 1851. “Painting on sidewalks, and other forms of graffiti, is still common in Rome today. Whereas Romans consider graffiti as a form of urban art, many westerners consider it vandalism unless property owners give consent to the graffiti artists.” (Cyprus, Sheri, and O. Wallace. "What Are the Origins of Graffiti?" WiseGeek. Conjecture, 02 May 2014. Web. 08 May 2014.) Even though all this might seem surprising to some and maybe even considered arguable to not be graffiti; I want to go in depth on graffiti art in America.
Taylor propose the cultural significance of graffiti by exploring its history and context of ancient graffiti
Within the last few years, graffiti has been deemed an acceptable and tasteful genre of art. Long gone are the days where the spray can belonged exclusively to the local delinquent. From the past to present, there has been a shift in how street art is recognized by the general public and the government. Laws and policies are being put into place that both defend and threaten the promulgation of this creative medium. By both protecting and prohibiting, the government displays an inconsistent and confusing relationship with street art. When art is so subjective, it can become challenging to delineate the fine line between vandalism and creativity. This essay will discuss the changing public perception of graffiti, the trademark and copyright battles between graffiti artists and property owners, the categorization of street art as an artform, and the beneficial aspects of commissioned street murals.
The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble.
Looking from the taggers' point of view, one can understand why taggers and graffiti artists draw and do graffiti, but this does not justify the fact that often times this form of self-expression is not acceptable when it is done on other peoples property. Having the opportunity to listen (film, class, talk show) to why taggers and graf...
Although street art and graffiti art seem very similar, upon closer examination the differences in technique, function, culture, and intent are revealed (Weisburg.) ‘“Graffiti (sgraffiti), meaning drawings or scribblings on a flat surface and deriving from the Italian sgraffio (‘scratch’), with a nod to the Greek graphein (‘to write’), originally referred to those marks found on ancient Roman architecture”’(Weisburg). Though, it is unknown when or where graffiti first made an appearance; modern graffiti did not come around until the late 1960’s to early 1970’s in New York. The term “tagging” is the modern form of scratching (Weisburg). It also is considered the origin of all modern graffiti, including street art.
"Tracing the Roots of Modern Street-Art and Graffiti." Tracing the Roots of Modern Street-Art and Graffiti | WebUrbanist. WebUrbanist | From Urban Art & 3D Graffiti to Abandoned Cities. Webist Media Publishing, 22 Apr. 2009. Web. 05 Dec. 2011. .
No matter what people say about it, Graffiti is a form of self-expression. It is important to realize the amount of talent and work required to create a piece of graffiti. The scale of such a piece can be small found on a corner to massive one taking up an entire wall. However, there are varying
Graffiti started in the 1920s when gangs would tag train cars and walls to mark territory mainly in New York City. Graffiti took a different turn in the 1970s when young adults decided to use street art as an outlet to express their political and social outrage. This movement had soon gained the attention of the “adult” world. Graffiti was known as “creation through destruction” and to this day is still considered illegal in most parts of the world. In modern street art the mediums used have evolved past spray paint and now artists are using different methods with spray paint to progress their works past crude tags.