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The theme of death used in literature
Gothic imagery in literature
Gothic imagery in literature
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The gothic theme become wildly popular after the publication of Horace Walpole’s ‘The castle of Otranto’ in 1764, this theme is prominent throughout the whole of ‘Wuthering Heights’, although it is most apparent during religious ceremony. Religious ceremony in this novel is mainly conveyed through death; ‘Jane Eyre’ also includes this in the novel. Each death is conveyed different but all have quite an eerie element, whether it’s how they die, the description of them after death, the reaction of loved ones or also where they rest such as their graves.
Catherine Earnshaw’s death in ‘Wuthering Heights’ seems to be quite a peaceful and pure, even Nelly describes her death as “divine”, she also tells Heathcliff that she dies as “quietly as a lamb” . Her appearance is also described in a very saintly manor by Nelly “Her brow smooth, her lids closed, her lips wearing the expression of a smile; no angel in heaven could be more beautiful than she appeared” , but before her death her appearance was described completely different with gothic undertones, an example is Nelly describing her “white cheek, and bloodless lip” even though Catherine is alive at this point her description imitates one of a dead person, it is almost a ghostly description because she has no colour at all. This description is foreshadowing what Catherine will become after death, which is a ghost. This reveals how this shows how the supernatural and gothic themes are similar in this novel as we see many gothic themes portrayed with somewhat of a supernatural element. Heathcliff’s reaction to Catherine’s death is very demonic and almost barbaric, “He dashed his head his head against a knotted trunk; and, lifting up his eyes, howled, not like a man, but like a sava...
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...the vampire, they are variously described as “closed”, “grinding”, “cannibal”, “tearing”, “visible”, “gnashing”, “sharp”, and “sneering”” . Despite the fact of there being an unsettling atmosphere around the death, Nelly describes Heathcliff as “perfectly still” this shows the perfection of death to Heathcliff, that in death he will be reunited with his true love. The most gothic part of Heathcliff’s death is the unknown, “Mr Kenneth was perplexed to pronounce of what disorder the master died.” This suggests that there was no real reason for his death. This could be implied about Bertha’s ‘illness’ as well as she is seen as mad throughout Jane Eyre "that there was a lady--a--a lunatic, kept in the house?" but again no one knows why. The unknown could be linked to the gothic theme as it’s quite eerie how the causes of their death and illness will remain a mystery.
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Heathcliff cried vehemently, "I cannot live without my life! I cannot live without my soul!" Emily Brontë distorts many common elements in Wuthering Heights to enhance the quality of her book. One of the distortions is Heathcliff's undying love for Catherine Earnshaw. Also, Brontë perverts the vindictive hatred that fills and runs Heathcliff's life after he loses Catherine. Finally, she prolongs death, making it even more distressing and insufferable.
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
The gothic often presents dangling characters and plot lines, which contribute to the main point of the gothic: suspense. Brown’s works depend on the use of suspense as a literary technique and is evident in Wieland within Clara’s first person point of view narrative. Her constant reflections on how difficult it is for her to continue on with the series of events. Such actions, although they may seem trivial, persuade the reader to continue on to find out what happens
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
Heathcliff is starving himself so he can be with Cathy again. This psychological disorder has immerged from his love for her. The fact that Cathy, has left him, drives him crazy. He doesn’t understand how she could be so selfish. Heathcliff’s death is long and drawn out. This is because Heathcliff believes Cathy to be haunting him, and by him drawing out his death, he also draws out Cathy’s suffering.
...ctive. Catherine is pushed to death and Heathcliff to brutal revenge, bordering on the psychotic. Yet before Cathy’s death, the knowledge that the other loves them is strong enough to make Wuthering Heights such a classic love story, and “that old man by the kitchen fire affirming he has seen two of 'em looking out of his chamber window, on every rainy night since his death,” shows that as they walk together on the moors, their self destruction may have led them to death, but also to what they most desired-being together.
A horrific, unsettling, mysterious and perversely thrilling image haunts any thoughts I currently have of Wuthering Heights. A ghastly image of a gentleman, moved by terror to cruelty, bloodstained bed-sheets and the ghostly appearance of the face of a child at a window. Coming, as it does, in the opening stages of the novel, this image and remembrance of it, changed the way I read every succeeding word. It is surprising how little critical work I can find on the subject of this scene, being as it is, I think, very much key to the creation of the oft commented upon 'power' in the novel. Camille Paglia dedicates some thought to it in her Sexual Personae. She argues that 'we, as much as Lockwood are raped and lose our innocence here' (Paglia Sexual Personae p. 452), and I must confess I did feel somewhat violated the first time I read these passages as they come suddenly, violently out of the hazy uncertainty of Lockwood's 'Jabes Branderham dream'.
In Wuthering Heights religion and religious elements are missing from almost all aspects of the novel. The closest thing to a church is Gimmerton Kirk, and the closest thing to a religious leader is Joseph. I feel that Emily Bronte's view of religion is not very influential in people's ways of carrying out their lives. Possibly religion is present but does not impact their decisions or thoughts.
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
The Gothic Features of Jane Eyre by Charlotte Bronte A Gothic novel is a type of literature, which became very popular in the late eighteenth and early nineteenth centuries. At this time, the snares are a lot more. society was governed by strict moral codes. The "Gothics" would escape. into a world of dark, supernatural, and wild passions. The word Gothic meant barbarous and wild and many writers liked to involve these elements in their novels.
The sympathetic part of Heathcliff shows through when he sees Catherine in the beginning stages of her sickness after childbirth. “He neither spoke, nor loosed his hold, for some five minutes, during which period he bestowed more kisses than ever he gave in his life before, I dare say…” (159). The sympathetic part of Heathcliff kicks in when he sees the woman he loves dying right before him. Heathcliff began to ask Catherine the questions he had not been able to ask her before, whether it had been due to his pride or to his absence - was insignificant., “‘...You loved me - then what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton?” (162). When the novel begins, it is mentioned that Heathcliff is shouting, “‘Come in! Come in!’ he sobbed. ‘Cathy, do come. Oh do - once more! Oh! My heart’s darling, hear me this time - Catherine, at last!’” (28). Heathcliff attempts to get Catherine’s ghost to speak to him, because his main goal is to be united with her in death. Heathcliff’s character changes relatively fast when he sees Catherine dying in her bed. There is a sympathetic side shown that has not been quite expressed before, and also the feelings that Heathcliff kept bottled
Bronte's Use of Language and Setting in Wuthering Heights Between pages 15 and 18 there are identifiable ways in which 'Bronte' uses 'language and setting' to establish the characters and create a distinguishable atmosphere. In this essay, themes, genres and styles will be discussed to show how 'Bronte' establishes the characters; there will also be a discussion of the 'gothic' elements which Wuthering Heights contains. Many people would argue that the style of 'Wuthering Heights' is peculiar and complex, the power of Wuthering Heights owes much to its complex narrative structure and to the device of having two conventional people relate a very unconventional tale. Bronte importantly introduces the element of 'the supernatural' into chapter 3 which is an important technique as it grips the reader. Lockwood has come into contact with the ghost of Cathy, who died 18 years before, Some might argue that she is a product of Lockwood's imagination, and it is clear that Bronte has presented these facts in this way so that the reader can make up their own mind on the subject.
In conclusion, Bronte uses the supernatural and ghosts in Wuthering Heights to emphasise the power of love between Cathy and Heathcliff and proving that love exists beyond the grave and that the quality of love is unending. Furthermore, ghosts are used to assist in the storytelling, to help in enhancing the setting and develop characterisation, particularly in the character of Heathcliff, Nelly and Lockwood. The use of the supernatural enables the reader to be intrigued by the confusing use of extraordinary beings.