Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of american gothic
Analysis of american gothic
Analysis of american gothic
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Unlike The Red Room and The Monkey’s Paw, the setting of “The Telltale Heart is not significant to building up suspense; however there are a few elements that do. How is tension and suspense built up and maintained in at least two Gothic horror stories? The genre of Gothic Horror was developed during 19th and early 20th century and had a popular appeal to the new middle class people who sought entertainment. Gothic Horror has common characteristics of suspense, fear and would often include a rational, scientifically minded character who fails to heed warnings. Gothic horror tales often have exotic and mythical influences. The night and the unreassuring lack of light play a big part in adding to the hellish imagery. One of the key ways that tension is built up in gothic horror stories is through the setting. For example, “The Red Room” is set in an old dark castle. It is quite remote. Tension is built up with the portrayal of the “long draughty subterranean passage” which eventually leads to “that large sombre room”; the effect of such a setting is to give a feeling of impending doom. Likewise “The Monkey’s Paw” is set in a “beastly, slushy, out-of-the-way” house; this increases the tension by high lighting the isolation of the characters within. The setting of the cold and wet weather is in contrast to the cosy small parlour, in which “the blinds were drawn and the fire burned brightly”. The drawn blinds block out dark, wet outdoors and add a dimension of protection to the setting, which is invaded by the arrival of the monkey’s paw. This is similar to the old man in “The Telltale Heart” using “close fastened” shutters to stop robbers coming in to his room. The irony is that he became a vict... ... middle of paper ... ...wet environment. The effect of light and darkness has been found to increase tension by transforming every day objects into sinister shadows. Hellish imagery is common in the gothic stories. Fire is used to convey warnings of impending doom as in “The Monkey’s Paw” or is used as an image of hellfire as in “The Cone”. The colour red also has demonic associations; it is used to indicate a threat, to increase the tension with its association with blood and to create a gloomy atmosphere. The use of irony is another common feature used to continue the suspense of gothic story, it also foreshadows disaster. While it is possible to pick out key ways in which tension and suspense is built up in the five stories analysed above, I found “The Telltale Heart” the most enjoyable, perhaps because it used fewer devices associated with this genre than the other stories.
... the cause for all of the bad that had happened. This scene represents guilt and desperateness however, Simba does not fall for it. Scar ends up falling into a pit of fire which represents Hell. The hues that are used to create the fire are a monochromatic of red and orange. In the pit of fire there is no physical line for the foreground. As the story ends, Simba claims the throne and restores the Pride Land. The circle of life continues when Simba and Nala give birth to a newborn cub.
Paranoia has always been an enemy to me in the darkness. This irrational fear has accounted for many sleepless nights, and horror only fuels the fire. Yet, I am still captivated by something that produces such unpleasant results. The culprit just might be one thing-- the characteristics, events, and situations that humans all share that are the ingredients to what makes things such as emotions and ambitions exist; otherwise known as the human condition. Based on these two notions, it is safe to say that in the article “Why We Crave Horror,” Stephen King is correct in claiming that humans crave horror to display some sort of bravery, to reassure feelings of normality, and simply for the fun of it.
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
The sword in Endicott and the Red Cross is a symbol of the ideas of the Puritans. When Endicott thrust his sword through the flag, he was using their new idea to get rid of those of the English. When he pointed at people with the sword when he was talking, he was referring to his beliefs. “But Endicott, in the excitement of the moment, shook his sword wrathfully at the culprit…” This is showing how he put his ideas in the face of Williams and the English. The Red Cross represents the English power and religious ideas forced upon the citizens of the colonies. When Endicott cut the red cross out of the flag, he was ridding his people of the English power. This was going against religion, a common theme among Hawthorne’s writings.
Stephen King wrote a very brief essay titled "Why we Crave Horror Movies", in which he explained some of the reasons that people choose to go to horror movies to be entertained. In his essay, King goes on to explain that we as a people need horror movies as a sort of release; to feed the darker elements within all of us without having to sacrifice our humanity (also, civility). King does this by comparing people based on their levels of sanity whereas some societal "eccentricities" are completely acceptable, while some will get you thrown right into the loony bin. It’s summed up pretty well in this quote:
Grant Wood’s American Gothic is one of the most famous paintings in the history of American art. The painting brought Wood almost instant fame after being exhibited for the first time at the Art Institute of Chicago in 1930. It is probably the most reproduced and parodied works of art, and has become a staple within American pop-culture. The portrait of what appears to be a couple, standing solemnly in front of their mid-western home seems to be a simplistic representation of rural America. As simple as it sounds, when looking deeper into this image, it reveals something much more complex.
Southern Gothic Literature is a subgenre of Gothic fiction writing, which takes place in the American South. The Southern Gothic style is one of that employs the topics such as death, bizarre, violent, madness, and supernatural. These tools are used “to explore social issues and reveal the cultural character of the American South (Wikipedia).” The view of the South which is self-identified as the “national” or “American” view is basically a colonial Romance, with the rest of the nation identified with the forces of the light and the South with the forces of the darkness (Wacker 107).The authors of Southern Gothic typically use damaged characters to make their stories better, and to show deeper meanings of unpleasant Southern characteristics. These characters are diverse from society due to social, physical or mental disabilities. However, not all characteristics of the characters are bad; it is that a mixture of good and bad is found in most of the characters. Two authors who express the Southern Gothic writing style are William Faulkner, who wrote “A Rose for Emily,” and Flanner O Conner, the author of “Good Country People” and “A Good Man is Hard to Find.”
Afterwards as they came back, the elder was at the left, and the younger at the right, and then the pigeons pecked out the other eye from each."
I peered around through the rain, desperately searching for some shelter, I was drowning out here. The trouble was, I wasn’t in the best part of town, and in fact it was more than a little dodgy. I know this is my home turf but even I had to be careful. At least I seemed to be the only one out here on such an awful night. The rain was so powerfully loud I couldn’t hear should anyone try and creep up on me. I also couldn’t see very far with the rain so heavy and of course there were no street lights, they’d been broken long ago. The one place I knew I could safely enter was the church, so I dashed.
In the year 1897, Bram Stoker releases the crown jewel of the 20th century: his vampire epic Dracula. Ever since Dracula, Transylvania, and castles have been associative of vampirism, the world has become “bloody”. There are slight deviations to the novel, but the majority of them are fairly partial to the novel. Worldly views show Dracula as an old man with a new face. The inception of Bram Stoker’s Dracula has been the melting pot of the recreations and incarnations of the world’s deadliest, bloodsucking vampire, Count Dracula.
This depends on the location - is it a business mans office or an old
Most people are very convinced that they have memories of past experiences because of the event itself or the bigger picture of the experience. According to Ulric Neisser, memories focus on the fact that the events outlined at one level of analysis may be components of other, larger events (Rubin 1). For instance, one will only remember receiving the letter of admission as their memory of being accepted into the University of Virginia. However, people do not realize that it is actually the small details that make up their memories. What make up the memory of being accepted into the University of Virginia are the hours spent on writing essays, the anxiety faced due to fear of not making into the university and the happiness upon hearing your admission into the school; these small details are very important in creating memories of this experience. If people’s minds are preset on merely thinking that memories are the general idea of their experiences, memories become very superficial and people will miss out on what matters most in life. Therefore, in “The Amityville Horror”, Jay Anson deliberately includes small details that are unnecessary in the story to prove that only memory can give meaning to life.
We all have cravings, be it for snacks or sweets, there is always something we desire. We crave horror in the same way. In Stephen King’s essay, “Why We Crave Horror Movies,” he argues that people need to watch horror films in order to release the negative emotions within us. King believes that people feel enjoyment while watching others be terrorized or killed in horror movies. King’s argument has elements that are both agreeable and disagreeable. On one hand he is acceptable when claiming we like the thrill and excitement that comes from watching horror movies; however, his views regarding that the fun comes from seeing others suffer cannot be agreed with because the human condition is not as immoral as he claims it to be.
Stephen King believes that we are naturally attracted to the horror genre because we can identify with it to some degree and it is also considered a challenge by some to be able to withstand horror. I find it slightly unsettling that to some degree we are all insane according to King, however, I find this to be very believable.
Since the release of George Melies’s The Haunted Castle in 1896, over 90,000 horror films have been made. However, none have been more frightening and influential than that of Stanley Kubrick’s The Shining and Steven Spielberg’s Jaws. Each a product of horror’s 1970’s and 80’s golden era, the films have a reputation of engulfing viewers in fear, without the use of masked killers, vampires, or other clichés. Instead, Kubrick and Spielberg take a different approach and scare audiences on a psychological level. The Shining and Jaws evoke fear through the use of three different film aspects: the use of a “danger” color, daunting soundtracks, and suspenseful cinematography.