Gothic can be defined as “noting or pertaining to a style of literature characterized by a gloomy setting, grotesque, mysterious, or violent events, and an atmosphere of degeneration and decay.” (Dictionary.com). In William Faulkner’s “A Rose for Emily” the author uses many gothic elements to contribute to the overall theme of this incongruous short story. More specifically, Faulkner uses Southern Gothic as the key literary device with themes such as love, death and murder. Southern Gothic is a subgenre of Gothic fiction in American literature that takes place solely in the American South. Faulkner’s work uses these dramatic elements to highlight the foremost individual’s struggle against a domineering society that is undergoing rapid change. …show more content…
Emily Grierson’s self-imposed isolation contrasts with the town’s deep interest in her and he way she lives her life. Faulkner has appropriated the image of the damsel in distress and transformed it into Emily Grierson, a psychologically damaged woman. Her mental instability and necrophilia has pushed her to the dark side; she is willing to kill someone that she loves so that they won’t abandon her. Emily lives in a delusional world that allows these characters to still be real in her deranged mind. Faulkner uses characterization, imagery and suspense to portray the Gothic theme in this mysterious and shocking story. Miss Emily Grierson’s character can be described as shocking and tragic. Growing up in the Southern town of Jefferson, Mississippi, Emily was raised by her father; a dominant and dictatorial man. She was not allowed to date and only after her father passes was she allowed to date only one man: Homer Barron. Homer, however, would not marry her; he “was not a marrying man” (Faulkner, 43). In the climax of the story, Emily purchases arsenic from the town druggist. We do not know until the end of the story that “poor Emily” used the arsenic to kill Homer, the man who would not marry her (Faulkner, 33). The resolution of the story comes when Emily dies and the town citizens go into her home “out of curiosity” and find Homer dead, lying in a bed in an upstairs bedroom (Faulkner, 2). Upon looking closer, the citizens discovered “a long strand of iron-gray hair” belonging to Emily, lying on the indented pillow that lay beside Homer’s corpse (Faulkner, 60). Thus, by divulging to the reader that Emily is a murderer, the author is supporting his Gothic theme. Faulkner relies heavily on characterization to portray the citizens of Jefferson. Emily is described as: “a small, fat woman in black, with a thin gold chain descending to her waist and vanishing into her belt, leaning on an ebony cane with a tarnished gold head. Her skeleton was small and spare; perhaps that was why what would have been merely plumpness in another was obesity in her. She looked bloated, like a body long submerged in motionless water, and of that pallid hue. Her eyes, lost in the fatty ridges of her face, looked like two small pieces of coal pressed into a lump of dough…” (Faulkner, 6). By describing Emily as a frumpy, fat and old woman, the narrator reflects the ideas and cruel notions of the other citizens of Jefferson. They feel pity for Emily; but pity is not enough. The citizens isolated her out of fear, disgust and spite. In a journal written by John L. Skinner, it is predicted that Emily just wanted to be liked and loved; that by leaving Homer’s corpse in the bedroom she was leaving them “the legacy of just how human she was…of just how much she wanted to love” (Skinner, 2). Emily showed just how distorted and twisted the longing for love can be when it is avowed off limits. Moreover, Faulkner’s portrayal of the Gothic is also reflected through Emily’s house. The house, “a big, squarish frame house” was once a big and beautiful home, but it is now an isolated, ugly dingy shack (Faulkner, 2). The narrator describes the house as “an eyesore among eyesores” (Faulkner, 2). The house and Emily are depicted in the same way, in that they are both vestiges of the past. The neglected and decaying house “smelled of dust and disuse—a close, dank smell” (Faulkner, 5). In a scholarly journal written by Menakhem Perry, Perry writes that the empty house can be compared to Emily: “empty, dark, similar to the dry and cold voice of Emily” (Menakhem, 3). The house that “had once been white, decorated with cupolas and spires and scrolled balconies” was left to Emily when her father passed. In the many years that Emily lived in the house she allowed very few visitors; the old Negro who had become “grayer and more stooped” was the only person to enter the house during the last ten years that Emily was alive (Faulkner, 5). Emily eventually “shut up the top floor of the house” just as she was shut out from the community (Faulkner, 51). Through the secretive figure of Emily Grierson, Faulkner expresses the struggle that comes from trying to uphold custom in the face of extensive, sweeping change.
Jefferson is at a crossroads, embracing a contemporary, more profitable future while still suspended on the edge of the past, from the worn magnificence of the Grierson home to the town cemetery where nameless Civil War soldiers have been laid to rest. Emily herself is a tradition, persistently staying the same over the years in spite of many deviations in her town. She is in many ways a diverse blessing. As a living memorial to the past, she embodies the customs that people wish to admire and honor; however, she is also a “a sort of hereditary obligation upon the town” and utterly cut off from the outside world, harboring unconventionalities that others cannot understand (Faulkner, 3). Emily lives in an eternal emptiness and world of her own making. Refusing to “let them fasten the metal numbers above her door and attach a mailbox to it” when the town receives modern mail service, she is out of touch with the reality that constantly threatens to break through her carefully sealed perimeters (Faulkner, 51). “Garages and cotton gins had encroached and obliterated’ the historical homes (Faulkner, 2). The aldermen try to break with the unsanctioned arrangement about taxes once forgotten between Colonel Sartoris and Emily. This new and younger group of leaders brings in Homer’s business to pave the sidewalks. Although Jefferson still respects old-style notions of integrity and status, the narrator is perilous of the old men in their Confederate uniforms who gather for Emily’s interment. For them time is comparative. The past is not a weak spark but an ever-present, flawless empire. Emily’s morbid bridal chamber is an attempt to stop time and avoid change, although doing so comes at the expense of human
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Faulkner writes “A Rose for Emily” in the view of a memory, the people of the towns’ memory. The story goes back and forth like memories do and the reader is not exactly told whom the narrator is. This style of writing contributes to the notions Faulkner gives off during the story about Miss Emily’s past, present, and her refusal to modernize with the rest of her town. The town of Jefferson is at a turning point, embracing the more modern future while still at the edge of the past. Garages and cotton gins are replacing the elegant southern homes. Miss Emily herself is a living southern tradition. She stays the same over the years despite many changes in her community. Even though Miss Emily is a living monument, she is also seen as a burden to the town. Refusing to have numbers affixed to the side of her house when the town receives modern mail service and not paying her taxes, she is out of touch with reality. The younger generation of leaders brings in Homer’s company to pave the sidewalks. The past is not a faint glimmer but an ever-present, idealized realm. Emily’s morbid bridal ...
The present was expressed chiefly through the words of the unnamed narrator. The new Board of Aldermen, Homer Barron (the representative of Yankee attitudes toward the Griersons and thus toward the entire South), and in what is called "the next generation with its more modern ideas" all represented the present time period (Norton Anthology, 2044). Miss Emily was referred to as a "fallen monument" in the story (Norton Anthology, 2044). She was a "monument" of Southern gentility, an ideal of past values but fallen because she had shown herself susceptible to death (and decay). The description of her house "lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps--an eyesore among eyesores" represented a juxtaposition of the past and present and was an emblematic presentation of Emily herself (Norton Anthology, 2044).
William Faulkner's "A Rose for Emily" is a story that uses flashbacks to foreshadow a surprise ending. The story begins with the death of a prominent old woman, Emily, and finishes with the startling discovery that Emily as been sleeping with the corpse of her lover, whom she murdered, for the past forty years. The middle of the story is told in flashbacks by a narrator who seems to represent the collective memory of an entire town. Within these flashbacks, which jump in time from ten years past to forty years past, are hidden clues which prepare the reader for the unexpected ending, such as hints of Emily's insanity, her odd behavior concerning the deaths of loved ones, and the evidence that the murder took place.
The town of Jefferson was deeply indirectly involved in the life of Emily Grierson. They watched and debated her every move, being her analyst, they wondering why she did certain things. They had their own idea of who she was and what they wanted her to be. The reason being was that the aristocratic Grierson family that her father headed was very highly recognized in the past era of the Confederacy. Her father had much power and was close to a very popular mayor named Colonel Sartoris.
In William Faulkner’s short story “A Rose for Emily” Miss Emily Grierson holds on to the past with a grip of death. Miss Emily seems to reside in her own world, untarnished by the present time around her, maintaining her homestead as it was when her father was alive. Miss Emily’s father, the manservant, the townspeople, and even the house she lives in, shows that she remains stuck in the past incapable and perhaps reluctant to face the present.
Southern Gothic is a literature that has a style all its own. It has it unique elements such as being Southern based (characters or place), then we have characters with these righteous attitudes, and then it would not be Gothic without a tragedy. Now in Wikipedia we have Southern Gothic literature being defined as “relying on supernatural, ironic or unusual events to guide the plot.” It also state that “one feature of Southern Gothic is “the grotesque” -this includes characters with a cringe-inducing quality.” The word grotesque comes up many times when defining this style of writing as Di Renzo describe it “…freaks and cripples who wear their physical and mental deformities like badges” (4). The setting in this style of writing is an eerie, or unusual place, or circumstance. So these are the things that help define Southern Gothic literature.
William Faulkner's, "A Rose for Emily," is a short story that is narrated by an anonymous character to be considered as the voice of the home town and tells the story out of order. The story is based on the life of Emily Grierson and how it connects with the South after the Civil War. There are many parts in the story that show symbolism in varieties of ways. Some of these symbols include Emily's house, her hair, her clothing, and even the "rose" that is brought in the story. Symbolism is shown throughout many different ways through all forms of literature. It is mainly shown through the main theme as well as the smaller themes that are throughout the story. Symbolism is used to represent ideas or qualities through the use of symbols.
Southern Gothic literature is a group of words bonded together to set a mood, message, plot, etc. Overall Southern Gothic Literature can be interesting and creepy at the same time, its style has been practiced for many years by southern writers which are located in the American South. Its popular writings have grew from generation to generation and is now a world wide genre. Works Cited Alice, Petry. A Rose for Emily.’
In the first sentence the reader is informed that the main character, Emily Grierson, has died and that the entire town has attended and everyone for a different reason. The narrator begins a flashback to ten years before her death when the “backbone” of the city began to harass Emily for her taxes; the reader is introduced to a situation. Then flashback another thirty years to when her father passed and that’s when Emily began to live for herself and met Homer Barron. The towns people began to interfere out of jealousy but always stated that it was them having pity on Emily and got her upper class family involved with the socially unacceptable relationship; the reader at this point has received the conflict. The reader receives clues throughout the second flashback to conclude that Emily has killed Homer out of fear; this is where Faulkner provided us with the climax. Years pass and nothing really goes on at the Grierson house which raises the mystery of what is going on behind closed doors; the falling action of the story. Upon Emily’s death the ladies of the town enter her home and discover Homer’s corpse in a shut off bedroom upstairs with one piece of Emily’s hair on the pillow next to him; bringing the story to an end and giving the reader the denouement.
Southern decadence was famous and iconic back when the story, "A Rose for Emily" was set. It was caused by the end of the Civil War and the forced change upon the antebellum south. Decadence defined the south before the Civil War, including obscene wealth and slavery, and the aristocracy, of which Emily and her father were a part, never had to lift a finger. Emily ends up not only in deep denial, making her able to disregard the reality of her life, but also causing the townspeople to participate in her denial as well. William Faulkner grew up in this southern and self-indulgent environment, making his outlook true to life, and well illustrated in this story.
The Gothic horror tale is a literary form dating back to 1764 with the first novel identified with the genre, Horace Walpole's The Castle of Ontralto. Gothicism features an atmosphere of terror and dread: gloomy castles or mansions, sinister characters, and unexplained phenomena. Gothic novels and stories also often include unnatural combinations of sex and death. In a lecture to students documented by Frederick L. Gwynn and Joseph L. Blotner in Faulkner in the University: Class Conferences at the University of Virginia 1957-1958, Faulkner himself claimed that "A Rose for Emily" is a "ghost story." In fact, Faulkner is considered by many to be the progenitor of a sub-genre, the Southern gothic. The Southern gothic style combines the elements of classic Gothicism with particular Southern archetypes (the reclusive spinster, for example) and puts them in a Southern milieu.
William Faulkner’s “A Rose for Emily” has many gothic themes such as, when Emily buys the arsenic and the tomb that lay buried in her house. These themes show that gothic literature consists of cryptic and dark settings and tones. This mysterious story is filled with violent events and creates suspense and terror.
In “A Rose For Emily”, by William Faulkner, plot plays an important role in how
In Faulkner’s tale “A Rose for Emily” there are many historical elements throughout the story; Faulkner uses them to give an authentic feel to the story and to add to the setting. A recurring theme that I found was reference to the reconstruction of the South after the Civil War. The setting of the South after their demise in the Civil War adds character to the story and to the characters. The attitudes people had and the way people treated Emily with respect was a tradition of the “Old South” that is presented throughout this tale.
The theme of "A Rose for Emily" by William Faulkner is that people should let go of the past, moving on with the present so that they can prepare to welcome their future. Emily was the proof of a person who always lived on the shadow of the past; she clung into it and was afraid of changing. The first evident that shows to the readers right on the description of Grierson's house "it was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street." The society was changing every minutes but still, Emily's house was still remained like a symbol of seventieth century. The second evident show in the first flashback of the story, the event that Miss Emily declined to pay taxes. In her mind, her family was a powerful family and they didn't have to pay any taxes in the town of Jefferson. She even didn't believe the sheriff in front of her is the "real" sheriff, so that she talked to him as talk to the Colonel who has died for almost ten years "See Colonel Sartoris. I have no taxes in Jefferson." Third evident was the fact that Miss Emily had kept her father's death body inside the house and didn't allow burying him. She has lived under his control for so long, now all of sudden he left her, she was left all by herself, she felt lost and alone, so that she wants to keep him with her in order to think he's still living with her and continued controlling her life. The fourth evident and also the most interesting of this story, the discovery of Homer Barron's skeleton in the secret room. The arrangement inside the room showing obviously that Miss Emily has slept with the death body day by day, until all remained later was just a skeleton, she's still sleeping with it, clutching on it every night. The action of killing Homer Barron can be understood that Miss Emily was afraid that he would leave her, afraid of letting him go, so she decided to kill him, so that she doesn't have to afraid of losing him, of changing, Homer Barron would still stay with her forever.