Good and Evil in Good Country People In her short story, Good Country People, Flannery O’Connor employs all the elements of humor, irony and, paradox intermingled within the system of Christian belief in evil and redemption. This is no more evident than in the character of Joy, the daughter, who had lost a leg in a hunting accident at the age of 12 and who now has a wooden leg in his place. Throughout the story, it becomes increasingly clear that Joy’s physical affliction is closely paralleled by a spiritual one as well. As the narrative unfolds, the great lengths Joy has gone to recreate her inner self, her soul, are revealed in painstaking detail. It appears she has succeeded in fashioning her own soul into a spirit that is as hard and unyielding as the prosthesis that now takes the place of her missing naturally soft and flexible appendage. In Christian society and belief, as well as many other religions, the one true possession that a person has total control over is their everlasting soul. It is this spirit that makes one truly unique from everyone else. The fight within one’s self between good and evil and the day to day struggle to ensure that the goodness prevails is the focal point of a true believer’s life. It is only by this triumph on goodness that he can achieve Salvation in the eyes of God. Joy, on the other hand, seems intent on building barriers around her soul that would make it as rigid and unfeeling as her wooden leg. As did the surgeon who had to perform the prosthetic surgery years before to replace a natural part of her physical body, she is apparently trying to perform this same function with the spiritual side of herself as well. She has taken great care to recreate her « self » into one th... ... middle of paper ... ...ears were now completely useless. To be an atheist and realize, not that there is a God, but discover there is a Devil, must be a very chilling and disheartening experience. For if there is definitely one, there must be the other. Works Cited Asals, Frederick. Flannery O’Connor : The Imagination of Extremity. The University of Georgia Press : Athens, Georgia, 1982. Brinkmeyer, Robert H. The Art and Vision of Flannery O’Connor. Louisiana State University Press : Baton Rouge, Louisiana , 1989. DiYanni, Robert. Literature Reading Fiction, Poetry, Drama, and the Essay. McGraw Hill : Boston, Massachusette, 1998. Eggenschwiler, David. The Christian Humanism of Flannery O’Connor. Wayne State University Press : Detroit, Michigan, 1972. Feeley, Kathleen. Flannery O’Connor : Voice of the Peacock. Rugers University Press : New Brunswick, New Jersey, 1972.
In "Good Country People," Flannery O'Connor skillfully presents a story from a third-person point of view, in which the protagonist, Joy-Hulga, believes that she is not one of those good country people. Joy is an intelligent and educated but emotionally troubled young woman, struggling to live in a farm environment deep in the countryside of the southeast United States, where she feels that she does not belong. Considering herself intellectually superior to the story's other characters, she experiences an epiphany that may lead her to reconsider her assumptions. Her experience marks a personal transition for her and constitutes the story's theme--the passage from naïveté to knowledge.
“Good Country People” is a short story written by Flannery O’Connor in the mid 50’s. The story takes place on a farm in Georgia that Mrs. Hopewell owns. Flannery O’Connor uses the characters names and personalities to symbolize that they aren’t really who they think they are. The protagonist Joy-Hulga has a heart condition and a peg leg. Her heat condition and disability reflects that she is a broken and weak person on the inside.
Cofer, Jordan. "Flannery O'connor's Role In Popular Culture: A Review Essay." Southern Quarterly 47.2 (2010): 140-157. OmniFile Full Text Mega (H.W. Wilson). Web. 2 Nov. 2013.
1) O’Connor, Flannery, A Good Man Is Hard to Find (Women Writers: Text & Contexts Series). Rutgers University Press, 1993.
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest the struggle for power is conveyed in the passage using visual imagery, parallelism, and conflict between McMurphy and Nurse Ratched.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
Spivey, Ted R. "Flannery O'Connor's View of God and Man." Flannery O'Connor. Ed. Robert E. Reiter. St. Louis: B. Herder, 1966. 111-18.
Nobody like him had ever been in the ward before. He came in singing and
Although Flannery O’Connor didn’t even live to see her 40th birthday, her fiction endures to this day. In “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” O’Connor effectively deals with the two huge themes (topics) of religion and racism. These two themes are crucial to understanding much of O’Connor’s great works and are relevant to all readers of O’Connor throughout all ages.
In Ken Kesey's One Flew over the Cuckoo's Nest, the author refers to the many struggles people individually face in life. Through the conflict between Nurse Ratched and McMurphy, the novel explores the themes of individuality and rebellion against conformity. With these themes, Kesey makes various points which help us understand which situations of repression can lead an individual to insanity. These points include: the effects of sexual repression, woman as castrators, and the pressures we face from society to conform. Through these points, Kesey encourages the reader to consider that people react differently in the face of repression, and makes the reader realize the value of alternative states of perception, rather than simply writing them off as "crazy."
A common aspect of Flannery O’Connor’s literary works is her use of heavily flawed characters. O’Connor’s characters often exhibit gothic and incongruous characteristics. O’Connor’s short story, “Good Country People,” is no exception to her traditional writing style with characters such as Hulga Hopewell, Mrs. Hopewell, Mrs. Freeman, and Manley Pointer. O’Connor uses gothic characterization and symbolism to produce a great short story about a few ruthless country people.
Freedom, Freedom, Freedom are the chirps you can hear from the patients of the ward in One Flew Over the Cuckoo’s Nest by Ken Kesey. This novel explores a plethora of themes that are unraveled throughout the use of Kesey’s literary devices. Firstly, we can determine the antagonist of the novel, Nurse Ratched, symbolizes a man and his masculinity while she emasculates the patients of the ward from their freedom. Additionally, the inability for the patients to have freedom and change ward policy leads them to take their own life like worthless garbage which is what Nurse Ratched made them feel. Furthermore, Kesey analyzes the theme of freedom through the symbol of Nurse Ratched and the death of the patient, Cheswick. Secondly, we can conclude that Kesey’s include the religious item of a crucifix to symbolize purity and authority. Moreover, Nurse Ratched recognizes herself as a “good catholic girl” with the irony being she came straight from hell. Kesey uses the theme of religion by means of symbolic religious items and irony.
In reality, her writing is filled with meaning and symbolism, hidden in plain sight beneath a seamless narrative style that breathes not a word of agenda, of dogma, or of personal belief. In this way, her writing is intrinsically esoteric, in that it contains knowledge that is hidden to all but those who have been instructed as to how and where to look for it, i.e. the initiated. Flannery O'Connor is a Christian writer, and her work is message-oriented, yet she is far too brilliant a stylist to tip her hand; like all good writers, crass didacticism is abhorrent to her. Nevertheless, she achieves what no Christian writer has ever achieved: a type of writing that stands up on both literary and the religious grounds, and succeeds in doing justice to both.
Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest” is a story about a band of patients in a mental ward who struggle to find their identity and get away from the wretched Nurse. As audiences read about the tale, many common events and items seen throughout the story actually represent symbols for the bigger themes of the story. Symbols like the fishing trip, Nurse, and electroshock therapy all emphasize the bigger themes of the story.
Feeley, Kathleen, S.S.N.D. Flannery O'Connor: Voice of the Peacock. New York: Fordham University Press; 2 edition, 2010.