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Satan as hero by literary devices
From paradise lost essays about satan
From paradise lost essays about satan
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The novel Good Omens is a satirical rendition of Armageddon in almost all aspects. The story begins with the coming of the Antichrist, brought into the world as a human infant though it is anything but. An angel and a demon, Aziraphale and Crowley respectively, and rather good friends considering their rather checkered past, have teamed up to ensure that The End is, in the very least, late. They take roles in molding the child to see both the sides of good and evil, trying to make it so that the boy will not be able to choose a side wholeheartedly when the time comes. However, when the boy is supposedly meant to start showing his powers, they realize that all their hard work had been wasted, and that this boy was an entirely normal human child. The genuine son of Satan was, in actuality, Adam Young, and was misplaced at birth into the care of two very normal parents in a very normal little hamlet in South East England. Adam grows up “not [as an] Evil Incarnate or Good Incarnate… [but] a human incarnate” (366). He is as human and innocent as an eleven year old can be; still finding himself and his three best friends provoking terror and irritation amongst their more elderly or respectable neighbours, though that is more excused as a preadolescent quirk rather than wicked. Wicked happens to be what Newton Pulsifer, a relatively newly dubbed Witchfinder Detective of Witchfinder Sargent Shadwell’s Witchfinder army, is looking for. He is given the task to search through newspapers and anything of the sort to find evidence of anything remotely witchy, which happens to be precisely what Anathema Device, actual self-proclaimed witch and descendant of the most accurate and useless psychic in history, can be found doing. Admittedly, she is ... ... middle of paper ... ...ing their leaves once a week, and every few months he would threaten them with the death of one of their brethren, leaving the empty pot somewhere obvious around the flat. His treatment of the plants reflect upon how he really uses his apartment as a place where he is in charge rather than his superiors in Hell. The entirety of his flat is actually rather useless otherwise, considering his stereo system has no speakers and his computer has the intelligence of a “retarded ant” (247). Both he and Aziraphale have taken on aspects of humanity that they believe are necessary, though are in fact completely useless to them. Works Cited http://www.wonderfulcomics.com/comics01/omens.html http://goodomenslexicon.org/articles/aziraphales-bookshop-in-soho/ http://goodomenslexicon.org/articles/crowleys-flat-in-mayfair/ http://goodomenslexicon.org/articles/crowleys-houseplants/
In the novel Fahrenheit 451 by author Ray Bradbury we are taken into a place of the future where books have become outlawed, technology is at its prime, life is fast, and human interaction is scarce. The novel is seen through the eyes of middle aged man Guy Montag. A firefighter, Ray Bradbury portrays the common firefighter as a personal who creates the fire rather than extinguishing them in order to accomplish the complete annihilation of books. Throughout the book we get to understand that Montag is a fire hungry man that takes pleasure in the destruction of books. It’s not until interacting with three individuals that open Montag’s eyes helping him realize the errors of his ways. Leading Montag to change his opinion about books, and more over to a new direction in life with a mission to preserve and bring back the life once sought out in books. These three individual characters Clarisse McClellan, Faber, and Granger transformed Montag through the methods of questioning, revealing, and teaching.
One of England’s greatest literary figures, William Shakespeare, expressed the truth about coveting knowledge by saying that “ignorance is the curse of God; knowledge is the wing wherewith we fly to heaven” (William Shakespeare Quotes). One must assume that Ray Bradbury, Author of Fahrenheit 451, learned from this. Bradbury’s novel shares a similar portrayal towards coveting knowledge. In the novel the protagonist realizes that he is living in a world where knowledge is lost. People abide by rules and restrictions given to them by the government. There is nothing in this society to make people think about how valuable knowledge is, except for books. The protagonist is a fireman whose job is to seek out books and destroy the contents. The mass population believes that books are a waste of time and useless. The protagonist also believes this until a change of heart leads to a journey of identity and curiosity. Bradbury believes that this type of world will eventually turn into our own. Clearly, Ray Bradbury’s outlook for the future of man is grim because he represses intellectual endeavor, lacks critical thinking, and becomes destructive.
On the surface, O'Connor's A Good Man is Hard to Find appears innocent enough in its content. But as the reader becomes more and more involved in the symbolic underpinnings that embody the story, it is quite clear that there is a distinctive flavor of evil versus Christianity. In fact, it has been argued that the extent to which O'Connor utilizes the central theme of Christianity is as a subtle, symbolic plot to convert her readers, whom she had envisioned as nonbelievers. By demonstrating to her audience all the good that comes from faith, along with all the bad that merely begets more evil, it was her intention to enlighten her readership down the right path.
Monsters under the bed, drowning, and property damage are topics many people have nightmares about; nightmares about a dystopian future, on the other hand, are less common. Despite this, Ray Bradbury’s Fahrenheit 451 and George Orwell’s 1984 display a nightmarish vision about a dystopian society in the near future. Fahrenheit 451 tells of Guy Montag’s experience in a society where books have become illegal and the population has become addicted to television. Meanwhile, 1984 deals with Winston Smith’s affairs in Oceania, a state controlled by the totalitarian regime known as the Party. This regime is supposedly headed by a man named Big Brother. By examining the dehumanized settings, as well as the themes of individuality and manipulation, it becomes clear that novels successfully warn of a nightmarish future.
In Fahrenheit 451 by Ray Bradbury, irony is used to convey information and it contributes to the overall theme of the novel. Written during the era of McCarthyism, Fahrenheit 451 is about a society where books are illegal. This society believes that being intellectual is bad and that a lot of things that are easily accessible today should be censored. The overall message of the book is that censorship is not beneficial to society, and that it could cause great harm to one’s intelligence and social abilities. An analysis of irony in Fahrenheit 451 by Ray Bradbury shows that this literary technique is effective in contributing to the overall theme of the novel because it gives more than one perspective on how censorship can negatively affect a society.
The main character in the book Divergent is a girl named Beatrice. Beatrice is developed throughout the book by having to do things that push her out of her comfort zone. Beatrice was born in the faction of Abnegation, where everything is simple and alike. Abnegation values selflessness, but Beatrice doesn’t feel like she is selfless. She decides to change to the faction of Dauntless, who values courage. Beatrice has to do things like jump off trains, and fight people to show she is courageous. She decides to start going byTris, because Beatrice won’t fit in with the dauntless. When Beatrice makes the decision to be a dauntless she says “My fathers eyes burn into mine with a look of accusation’. This is because it was selfish of her to choose to be a Dauntless. Beatrice doesn’t like to be told what to do, and will stand up for what she thinks is right. Beatrice tries to be kind to others, but sometimes she just can’t control herself.
Ray Douglas Bradbury was one of the most distinguished science fiction writers of the last century. Having been penniless during the Depression, Bradbury did not attend college but instead spent countless hours in the library teaching himself everything he believed he would have been taught by a professor (Norman “Obituary: Ray Bradbury…”). Before long, this noble autodidact was writing for mass market publications developing a style of fantasy science fiction writing that would serve as a model for future acolytes such as Steven King and Steven Spielberg (“Bradbury’s prose style…”). In the 1950s, a year in which anti-communist hysteria was most prevalent, Bradbury began to develop an irrational fear of censorship. (Norman “Obituary: Ray Bradbury…”). Bradbury infuses his writings with man vs. society conflicts and despotic characterization which accurately depict his ambivalence towards technology that stems from his fear of these advances eventually leading to the suppression of independent thought, thus suppression of the individual. These elements, found primarily in his first novel, Fahrenheit 451, not only impacted the sci-fi genre, but also made an impact on many readers worldwide gaining Bradbury much admiration in the literary realm.
Over the course of Kurt Vonnegut’s career, an unorthodox handling of time became one of many signature features in his fictional works (Allen 37). Despite The Sirens of Titan (1959) being only his second novel, this trademark is still prevalent. When delving into science fiction, it is often helpful to incorporate ideas from other works within the genre. This concept is exemplified by the “megatext,” an aspect of science fiction that involves the application of a reader’s own knowledge of the genre to a new encounter (Evans xiii). By working within the megatext, Ursula K. Le Guin’s The Dispossessed (1974) provides an insightful avenue in exploring the handling of time and its consequences in Vonnegut’s The Sirens of Titan.
The clash between good and evil has been a prominent theme in literature. The Bible presents the conflict between good and evil in the story of Adam and Eve. Many authors use the scene in the Bible in which the snake taunts and tempts Adam and Eve to take a bite of the apple of knowledge to demonstrate the frailty of humankind. John Gardner provides these same biblical allusions of good and evil in his novel, Grendel.
Margaret Atwood’s “Happy Endings” is an Author’s telling of societal beliefs that encompass the stereotypical gender roles and the pursuit of love in the middle class with dreams of romance and marriage. Atwood writes about the predictable ways in which many life stories are concluded for the middle class; talking about the typical everyday existence of the average, ordinary person and how they live their lives. Atwood provides the framework for several possibilities regarding her characters’ lives and how each character eventually completes their life with their respective “happy ending”.
In “Antigone” by Philip Harsh, the play Antigone by Sophocles is critisized. Many argue about the originality of the play. Scholars believe that a large portion of the play was made up by Sophocles instead of being reffered to the orginal epic. Characters such as Tiresies and Ismene are only found in Sophocles’s version. The role of Haemon is the most significant in relation to the changes made by Sophocles. When one refers to the epic one will find that this character dies prior to the death of Oedipus Rex. He must have done this to give a touch of romanticism between Antigone and Haemon. Many Greek authors wrote their own versions of this play which brings more confusion to the actual story.
Wicked, dishonorable, corrupt, villainous, malicious, and vicious all have one thing in common: they define evil. A person or a group of people that display these qualities are often to be defined as evil beings or creatures. Two people that have many of these characteristics developed within them are Iago from Shakespeare’s Othello and Lucifer from the Bible. Both Iago and Lucifer are developed with many “evil” qualities woven intricately into their character development. The representation of each “evil” characteristic gives them something they have in common allowing the description and portrayal of both Iago and Lucifer in literature show the audience they share common “evil” characteristics and that they lead to chaos and downfall.
“Young Goodman Brown”, by Nathaniel Hawthorne, delves into the classic battle between good and evil; taking the protagonist, Goodman Brown, on a journey to test the resolve of his faith. Goodman ventures out on his expedition deep into the sinister forest, in order to repudiate the attempt of the devil to sway him from Christianity; a test he believes his devout faith is prepared to confront. Goodman Brown is forever altered in ways unforeseeable by taking a stroll with the ultimate antagonist, the devil himself. The prevailing theme in this literary work, which is common in Hawthorne’s gothic writing, is the realization that evil can infect people who seem perfectly respectable. Throughout the course of his journey, Goodman Brown discovers that even highly reputable people of Salem are vulnerable to the forces of darkness.
For my book I chose to read The Body by Stephen King. This novel is about four young boys taking a journey to find a body somewhere in the woods that is at the county line. This story is about more than just four boys going on an adventure its about them becoming closer to each other and learning real life lessons along the way. The four boys are all going into their first year of middle school so this is a time in their life when they learn things that will help them in life.
Adam, trying to warn readers of the dangers of intrusive evil while they are distracted