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Similarities between Greek and Roman civilization
Similarities and differences between roman and greek cultures
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Gift-Giving in Beowulf and the Odyssey
Literature has always been an immensely helpful resource when discerning cultural values in societies past and present. Through the study of noteworthy historic fictional and factual, texts we are able to distinguish parallel characteristics present through many different cultures and time periods. These distinguishing characteristics are one of the main things that help us to determine when and how a society, or world culture as a whole changes as time moves forward. When similarities are identified throughout many cultures in the same time period academics are able attach general titles to that specific time expanse. The “Heroic Age” is an example of a labeled span of time that generally maintains societal sameness throughout the period. The epic texts of Beowulf and The Odyssey are examples of culture revealing novels created during the heroic age. The texts help to prove the idea that societies maintain a basic status quo for many years because there is a 1500 year separation in the creation of the books. Despite this time difference in authorship, similar cultural ideals can be recognized throughout each novel. Both Greek and Germanic cultures emphasized the power and importance of receiving and giving gifts as a means of displaying and achieving power. Beowulf and The Odyssey share the general theme of giving, and when comparing the two, it is easy to conclude that giving and receiving is an integral part of both the Germanic and Grecian cultures of that time.
The circulation of treasure is a common element that is important to both Beowulf and the Odyssey’s plots. In the Odyssey, Odysseus is a revered and admired citizen of Greece. A great deal of his renown is due to ...
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... constant today. In earlier times the social purpose of a gift was to either solidify a military alliance or to secure protection from greater powers. Now the social purpose of a gift is to express thanks or, as in ancient times, to solidify a friendship. However, the transfer of wealth upon ones death to loved ones, friends and charities through a legal Will is almost identical to the bestowment of treasure Beowulf exercises upon his death. Andrew Carnegie one of the wealthiest men of the modern era mirrors the Anglo-Saxon gift giving sentiment in his quote, “The kept dollar is a stinking fish…the man who dies rich, dies thus disgraced.” It is interesting that the ideals employed many years ago are still such an important part of modern society. Ideals that transcend the barriers of history are those with the most validity and integration within society.
In this paper, I will argue that although the surface meaning of this passage is the slaughter of the suitors by Odysseus and his men, the deeper meaning of the passage is the
In today’s society, most of our life can be defined by what is occurring in the media. What trends we are following, what we find entertaining, and even the values that we hold close to our heart. As you examine the movie, Beowulf and Grendel (Gunnarsson, 2005), and compare it to the original work that it is modelled after, Beowulf (Heaney, 2000), you can see that there is a significant difference in the cultural values of the time period that Beowulf and Grendel was written compared to Beowulf. There is a multitude of differences in the values people hold close to their heart in our world today compared to Beowulf. With Beowulf representing the Anglo-Saxon time period and Beowulf and Grendel representing the early 2000s era, the differences
“Beowulf drank to those presents, not ashamed to be praised, richly rewarded in front of them all. No ring-giver has given four such gifts, passed such treasures through his hands, with the grace and warmth that Hrothgar showed.” This quote highlights one of the many themes in the book, Beowulf, that theme being wealth. Beowulf makes such an interesting topic to discuss because it covers the normalities in Anglo-Saxon culture, the ethics of gift-giving and how these customs have carried over into today’s world.
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as a cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counterpart The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and—importantly—man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men.
There has long been a fashion among critics and historians, including Sir James Frazier and Graham Hancock, to insist upon taking the account of Odysseus' voyage to Hades in Book XI of the Odyssey at near face-value as a description of people and places familiar to a Greek audience of Homer's day. Both linguistics and comparative history have been employed to discover exactly how accurately this originally oral epic conveys this gritty realism. Something, however, is not right with this purely empiric approach. What is missing is an examination through the lens of ancient religious practices. Surely a literary work so teeming with deities-wise Athena, spiteful Poseidon, impish Hermes, omnipotent Zeus-deserves such study.
In “Egil’s Saga,” the axe Skallagrim receives from King Eirik is a reminder of King Eirik and his wealth (60). The king hopes that his gaudy gift will remind Skallagrim of all that could be gained if he allied with him. In “The Saga of Gunnlaug Serpent-Tongue,” Gunnlaug gives the cloak he received from King Ethelred to Helga as a token by which to remember him (584). During Helga’s unhappy marriages, she often sent for the cloak so she could think of Gunnlaug, her true love. Her greatest pleasure is to look upon the cloak, and it is the last thing she sees before she dies from illness (594). The tapestries in “Gisli Sursson’s Saga” remind Aud of her brother, Vestein, who gave them as gifts, and this is why she is reluctant to relinquish them to Thorkel (520). Through all of the sagas, one could argue that gifts given for remembrance are more meaningful and have the greatest impact on individual
There are archetypal patterns in life. They reoccur and become familiar to people through all ages and ethnicities. Throughout history, few literary works have captivated audiences by incorporating these patterns. The epic Beowulf is one literary work that effectively incorporates timeless components. The epic poem relates the tale of Beowulf, a warrior who throughout his life overcomes evils. It has strong elements of Anglo-Saxon elements of bravery, strength and of religious tenets. Beowulf enjoys universal appeal primarily because of its elements of characterization, plot and theme that prove timeless. Beowulf’s portrayal of human nature proves eternal. The protagonist Beowulf brashly lists his accomplishments before entering battle: "But the truth is simple: no man swims in the sea as I can, no strength is a match for mine… other monsters crowded around me, continually attacking. I treated them politely, offering the edge of my razor-sharp sword," (265-294). His boasts are symbolic of his personal insecurity. Beowulf seems scared of defeat and faliure. His boastful remarks are reminders to himself of his invincibility. Because he is insecure, Beowulf is an accurate representation of human nature. The poem also discloses social behaviors through Welthow, who portrays appropriate submissiveness of a wife. Women in society and position always are hot topics for discussion in any country and time period. She is subservient to her husband and " [pours] a portion from the jeweled cup for each, till [she] had carried the mead-cup among [the guests]," (354-372). Jealousy is a accurately portrayed in the poem.
The brawl experienced by the epics central character Beowulf test his ethics his aptitude to prevail over sinister forces. All the way through its authoritative use of metaphors and illustration, Beowulf sketches a transparent difference between good and evil. Moreover good always prevails over evil. The ...
Throughout literary history authors have created and restored figures from all times that seem to represent what is honorable and chivalrous. The two literary legends compared in this paper are Beowulf and Parzival. These two figures in their own way find within them what is virtuous.
Odysseus is a peculiar mix of both heroic and intelligent qualities that make him seem both human and supernatural. The Odysseus portrayed in the Iliad somewhat contrasts the Odysseus we see in the Odyssey. For the p...
In The Odyssey, Homer, or more so, the characters, often referred to Odysseus as the ‘Great Odysseus’. In the text, it is obvious to see that Odysseus demonstrates arrogance, charisma, over-confidence, and pride. Odysseus and his m...
After leaving Aeolia with the means to be directed home by way of the contents of the ox-hide bag, Odysseus’ crew thought that he was hiding treasures of gold and silver and was unwilling to share. They saw him as greedy and one that would be taking all the glory for himself even though the crew had worked as one on their long journey. With the comfort of land in sight, Odysseus lowers his guard slightly and falls victim to sleep deprivation. The crew seize this opportunity to investigate the bag which in turn causes them to be blown off course and back to Aeolia. The crew and Odysseus are mortified and are left with doubts “to go over the side and end it all at sea or endure in silence and remain among the living”(398) says Norton
Homer’s The Odyssey is a Greek story that follows the journey of its primary character, Odysseus, back to his home in Ithaca after the Trojan War. Odysseus encounters many challenges in his journey home, from encounters with Polyphemus the Cyclops, the witch Circe and even the ghosts of dead Greeks. Meanwhile, his household in Ithaca is being threatened by suitors of his wife, Penelope, all wanting to inherit Odysseus’ possessions in the belief that he was already dead. Like many epic heroes, Odysseus possesses many admirable qualities. Three good characteristics of Odysseus are—cleverness, bravery and strength—here are some supporting instances from the epic that demonstrates Odysseus possession of such characteristics.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
“The Odyssey” is an epic poem that tells the story of Odysseus and the story of his many travels and adventures. The Odyssey tells the main character’s tale of his journey home to the island of Ithaca after spending ten years fighting in the Trojan War, and his adventures when he returns home and he is reunited with his family and close friends. This literary analysis will examine the story and its characters, relationships, major events, symbols and motifs, and literary devices.