“Ghost House” is a poem by Robert Frost showing deliberating emotions and feelings. The speaker experiences loss of something significant, talking of nature, and going through a dark phase from the loss. Holding on to something and never knowing how to let it go is horrendous. Speaking of nature could relieve the mind and refresh the brain. Yet, being in darkness only makes a human decay quicker. Robert Frost knows every way to drag you and entertain ones mind.
Something can vanish right in front of your eyes without you being aware. At times, you may think it is just a waiver, but it may never recover. The speaker dwells on the past and what had been. Attached to a person, place, or thing could become detrimental, especially when you become detached. Robert Frost articulates the loss of something through the words vanished, ruined, and disused and forgotten. Frost knows exactly how to captivate the reader and the attention by being spontaneous.
When something has vanished, that substance is no longer there to be seen. The house has vanished and is no longer on the base that it had rested on for years. Going back to a place that one is so used to is hard when one is not able to enjoy the sights. The house that was once there vanished many years ago and leaving no trace. The only aspect that is there and has always been there are the cellar walls. Not only did Robert Frost use the word vanished to depict a picture of something missing, but he also used ruined to give the reader a distinct visual of a run down and old area.
“O’er ruined fences the grape-vines shield….” written by Robert Frost is used to talk about how the grape-vines guarded the fences that are ruined but still stand out front of the house that is no longer there...
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... with other humans that are now buried in the yard of a gone place.
Not only does Robert Frost cherish nature, but he also has a love for darkness in this piece. The darkness signifies the loss of something and the dark soul. The speaker was a child in a home, but that home is no longer there. Robert Frost uses words such as night, dim, unlit place, and sad to talk about the darkness.
Night comes and the day changes. The speaker has a tone that portrays the hurt and dark feeling of a soul that is absent from the body. Night is a transition over time that helps the speaker feel safe. The night aids in the sight of the stars that the speaker is standing under.
The place is gone and as the speaker stands out under the stars, the mind notices the dimness and smallness. Taking time out of the long day, the speaker has time to process the sights seen throughout the day.
Every story, every book, every legend, every belief and every poem have a reason and a background that creates them. Some might be based on historical events, some might be based on every culture´s beliefs, and some others might be based on personal experiences of the authors. When a person writes a literary piece, that person is looking for a way to express her opinion or her feelings about a certain situation. A good example is the poem “Southern Mansion” by Arna Bonptems. The main intention of “Southern Mansion” could have been to complain, or to stand against the discrimination and exploitation of black people throughout history. However, as one starts to read, to avoid thinking about unnatural beings wandering around the scene that is depicted is impossible. The poem “Southern Mansion” represents a vivid image of a typical ghost story which includes the traditional element of the haunted house. This image is recreated by the two prominent and contradictory elements constantly presented through the poem: sound and silence. The elements are used in two leading ways, each one separate to represent sound or silence, and together to represent sound and silence at the same time. The poem mixes the two elements in order to create the spooky environment.
Ted Kooser’s “Abandoned Farmhouse” is a tragic piece about a woman fleeing with her child, the husband ditched in isolation. The mood of the poem is dark and lonesome, by imagining the painting the writer was describing I felt grim because of what the family went through. As reported in the text, ”Money was scarce, say the jars of plum preserves and canned tomatoes sealed in the cellar hole.” This demonstrates the understanding of why they deserted the farmhouse. The author also composes, “And the winters cold, say the rags in the window frames.” This proves that the residence was unaccompanied. When placing the final touches, the reader begins feeling dark and lonesome, asking about the families disappearance.
Once the painting is finished “the man simply disappears” (29). The metaphor “He is a last afternoon shadow moving...darkening the fields” (31-32) relates back to the sunlight simile in the third stanza. This metaphor means that once the artist has left he is taking all the sunlight away along with him. Then the speaker goes on to explain how it was not the house that was “strange” and “gawky” it was the way that the artist looked at the house. All the other “abandoned mansions” (33) and “poorly letter storefronts” (34) will always have the same expression- “the utterly naked look of someone/ Being stared at”
Our speaker seems a solemn individual. One, whom explores a city alone and by night, a favorable past time for anybody who does not want to be bothered. Yet, as evidenced in the form of the poem, our speaker seems to feel a spark of excitement when human interaction becomes a possibility within our story. However, it seems that our poet, Robert Frost, displays an uncanny knack for misdirection throughout the entirety of this poem, and unless we meticulously pick this poem apart, we may miss the real meaning behind Frost 's words. Case in point: At first glance, this poem, about a lonely individual, appears to focus on their desire for human companionship, but, just perhaps, our speaker is actually loath to admit his true feelings, that companionship is what they desire the least.
These lines may seem confusing if not read properly. At first look, these might not make sense because the night is acquainted with darkness, but when the lines are read together as intended, one can see that the night is “cloudless” and filled with “starry skies” (1, 1-2). The remaining lines of the first stanza tell the reader that the woman's face and eyes combine all the greatness of dark and light:
We know that the lodge is remote, we see this when Rebecca describes the place as “uninhabited.” We get the impression being alive will come back to haunt the narrator time and time again when she uses the quote “passed like a spirit,” the use of this simile is very effective because it adds to the secluded effect. Rebecca uses references to nature to present the setting as mysterious and sinister, many aspects of nature shown in this extract could be perceived as unnatural. The drive is overrun with grass and moss and the rhododendrons have overtaken
Ghost hold connotations of death and spirits that now remind Jane of her uncle that tragically died there. This house always feels as if it is missing something because of the loss of Mr. Reed and the cruelty jane receives from her family, so this image of a ghost directly correlates to the idea of something missing in the
Shown here “…cheerless, and dusky chamber, which had been untenanted so long…” (Hawthorne). This quote illustrates the outside of the mansion left to rot away as well as the guests stay. Furthermore, in this sorrowful tone, the author shows a very
Frost’s poem leaves the reader enlightened on the speaker’s outlook on death. “Ghost House” is an evolution through both the reader’s mood and the speaker’s tone surrounding death. Frost accomplishes this in his signature style and voice with clever word choice, from the morbid beginning to the accepting and almost willing end.
One aspect Frost explores through his use of extended conceptual metaphor is the representation of life as a journey. The traveller, tempted by death, ultimately concludes that he has “miles to go”, where the repetition of the final line develops a sense of monotony, expressing the growing sense of enervation. Interpreted in a purely literal way the traveller is confronted by a simple conundrum: whether to stop or go. However, once read in context, Frost exposes the confrontation between “obligation and temptation” that encompasses both the poem and our lives. The traveller’s isolation from humanity and his exclusion from the woods whose owner “is in the village” perhaps mirrors Frost’s own sense of isolation. The change in rhyme scheme contributes uncertainty that, befitting of such a poe...
Robert Frost is considered by many to be one of the greatest poets of the twentieth century. Frost’s work has been regarded by many as unique. Frost’s poems mainly take place in nature, and it is through nature that he uses sense appealing-vocabulary to immerse the reader into the poem. In the poem, “Hardwood Groves”, Frost uses a Hardwood Tree that is losing its leaves as a symbol of life’s vicissitudes. “Frost recognizes that before things in life are raised up, they must fall down” (Bloom 22).
In “Home Burial” by Robert Frost, Frost portrays an argument between a couple and examines the grief two individual’s go through along with their response to each other’s grief. The poem follows a married couple and illustrates a confrontation between the two concerning their feelings towards the loss of their son, but the confrontation later reveals a deeper problem in their relationship. Frost, drawing inspiration from his own life experiences, utilizes these characters to portray that individuals have differences that cause them to respond differently to grief and how having to alter such things to please another can cause a rift in any relationship. Specifically, Frost portrays the unraveling of a relationship.
The everyday objects present in his poems provide the reader an alternative perspective of the world. Robert Frost uses all the elements of poetry to describe the darker side of nature. After analyzing the Poem Mending Wall and After Apple Picking it is clear that nature plays a dark and destructive role for Robert Frost. This dark side of Frost’s poetry could have been inspired from the hard life he lived.
"Don't ever take a fence down, until you know why it was put up"- a quote from Robert Lee Frost, a well-known American and English poet. Following the death of his father he faced many challenges, including failing to finish college and many unsuccessful jobs. Shadowing his father and mother, he began a career in poetry. With his literary career failing, he and his family moved to England and then back to America a few years later. His success in America began in 1915 when his collection of poems became a sensation. Writing over one-hundred poems and winning countless awards, Frost became a sensation, even speaking in inaugural speeches. He died at the age of eighty-eight. Frost’s most recurring theme was elusiveness. He wrote about the struggles of nature and overall life, using very vivid imagery, making the reader dig deeper into his poems to find the true meaning of each. One of “Frost’s most famous poems, “The Road Not Taken,” has been criticized many times, even one woman calling it "the best example in all of American poetry of a wolf in sheep's clothing.” Overall, Robert Frost was one of the most well-known poets in American history, and his main theme, elusiveness, caused for many varied interpretations and critiques, most of them extraordinary.
Robert Frost’s poem “Home Burial” allows readers to consider the devastation that parents experience when they lose a child. “Home Burial” captures the differences in the ways people deal with loss and grief. Munaza Hanif, Anila Jamil, and Rabia Mahmood also analyze this fascinating poem in their paper, “AN ANALYSIS OF HOME BURIAL (1914) BY FROST IN PSYCHOANALYTIC PERSPECTIVE” for its representation of people and their grief. Hanif, Jamil, and Mahmood’s analysis of Amy’s psychological breakdown displays how she and her husband’s lack of communication leads to the death of the marriage.