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The role of art in religion
The role of art in religion
Essay on religious art
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Visiting the Getty Museum was an experience I will forever cherish. Driving up to the museum and viewing the unique architecture and immense scale was breath taking. The modern design and natural materials used was something I had never seen before. The museum is filled with natural light and open space inviting you to enter. I was so eager to get inside and see all of the art and furniture we have been learning about this semester in person. As we went from room to room, I was overwhelmed by the attention to detail every art piece had. From seeing the lavish Baroque pieces to the pastel Rococo rooms I was in awe by the creations of these times. In class there was a particular decorative piece that stuck out to me, which I was eager to see: …show more content…
They are an essential piece to uncovering information about these time periods. These manuscripts carry stories, prayers, illustrations, traditions, and worship customs. During the middle ages, the decorative arts were mostly depicting religious scenes showing the importance of god and christianity during this time. When learning about these decorative pieces in class during the middle ages, I remember thinking they reminded me of story books that were read to me when I was young. I had an instant connection to these books and was looking forward to seeing them in person at the …show more content…
After some research, I learned just how treasured and important these were during the time. It showed high status and wealth to have an illuminated manuscript designed custom for you. These manuscripts were most commonly written by monks and the illustrations were done by artists. The text would be hand written with a fine tip feather pen first and when the text was complete, the illustrator would then add all of the ornamentation. Most manuscripts were completed on parchment paper, very few still exist that were done on papyrus. The type of ornamentation depended on the local customs and style of the specific period and location. It was also intriguing to learn the design process behind the work. The monks and artists would lightly draw out the guidelines for the placement of the text and illustrations. The artist would also sketch out their designs on a notebook prior to the final draft and would either trace or refine the final drawings. The illustrations are used to portray an image to the text and tell the story of what is written. They can be visual depictions of ceremonies, worshipping, or prayers. The illustrations were so complex and detailed some of them looked three dimensional. The drawings were very organic and each detail contributed to the beauty of the whole drawing. Some manuscripts were used on a daily basis to practice and recite prayers to show ones devotion to god. The illuminated
His last and final piece, which is very interesting, is called the "Stoneware Vase*" It has two curled spiral handles, suggestive of ancient or pre-historic civilizat...
For example, Masaccio used the medium fresco. It dries quickly and requires the artist to work fast with color broadly applied. This medium enables Masaccio to create generalized forms over the precise details of oil and tempura painting. However, Campin used the oil medium. This gave him the ability to create jewel-like illusions of reality. Campin and others of this era were motivated to paint the external world and all the different facets that create it. On the other hand, Masaccio wanted to create a painting that is more realistic and wanted the people to be able to relate to the art. Also, both artists use light and shadow to highlight and emphasize different parts of the paintings. For instance, Campin lit the room with sunlight and put a focus on Mary’s dress. This lighting causes the dress to turn into a shape of a star. This can symbolize the presence of the star of Bethlehem. Many other religious symbols are found in the painting. The eyes are not drawn to a particular object. This is not the case in Masaccio’s painting. He does not particularly shine light on one object. Even though the eyes are drawn to Jesus, we get a sense of balance between all the objects. This portrays faith and it’s mysteries as well as the perfection symbolism that comes with God. Masaccio creates a three dimensional like form even though it is on a two-dimensional surface. The painting shows
First I visited the Environment Floor. This was my least favorite of all the floors. The first exhibit I looked at was called ?The Estuary.? This had many different tanks filled with fish that normally dwell in the lower Hudson River. Next I visited the solar telescope. I walked inside what the Science Center calls their lighthouse, and found that they have an actual solar telescope mounted on their roof. From this telescope I saw images of the sun?s surface. The next exhibit I visited was call the Bug Zoo, unfortunately I didn?t stay there long. It was filled with tanks holding cockroaches, millipedes, and even honeybees, along with a small greenhouse. I was very uncomfortable there. I then visited The Rock Wall. Here they asked me to try to climb a wall, just like professional rock climbers do. It?s a lot h...
The Art Bulletin, Vol. 57, No. 2 (Jun., 1975), pp. 176-185. (College Art Association), accessed November 17, 2010. http://www.jstor.org/stable/3049368.
My first experience at the museum was a good one. I had so much fun even after we were done with the Norton-Simon. Being a business major, I did not know that art could speak to me as it did. It has not influenced me so much as to change my major, but it did open my eyes to a whole new world. Now when I look at art, I do not just see a pretty picture, but what the artist is actually trying to say.
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
This painting, measuring about six-by-seven feet, is a massive work that draws viewers directly to it once they enter the room in which its displayed. It is not covered by any glass and is in a very well-lit area, thus it allows viewers to stand as close as possible to see the details of how Peter Paul Rubens handled his medium. Looking at the painting from a photograph is much different than viewing it up close and in person, because when looking at a photograph, one cannot see the texture of the paint that gives the painting its very delicate, unique, and realistic quality. The work appears to be in very good condition because most of the colors are still very rich and vibrant, such as Adonis’ red garment (Rubens). Although one cannot tell when directly viewing the piece, it has been said that previous use of radiographs for further analysis on the painting uncovered that initially, “Rubens gave A...
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
The Natural History Museum is extraordinary place to explore and learn. It’s fun and breathtaking. The museum served as an agricultural fairground from 1872 until 1910. The original structure of the building from the 1913 and today’s structure are combined with a blend of many styles. Like a Spanish Renaissance ornamentation in the terracotta trimmings. There is a Romanesque style in the arched windows and the brick walls. The Beaux-Arts tradition is a T-shape floor plan. The building measures 75 feet in diameter with three wings. The Rotunda’s walls are made of Italian marble and the floors have a mosaic tile. The statue in the center of the floor called “Three Muses.” The Rotunda’s dome is 58 feet high with a skylight 20 feet across on top, which has been restored recently into a bright colored stained glass design. The museum had its first grand opening on November 6, 1913 and was called “The Los Angeles County Museum of History, Science, and Art. It was opened formally to the public. The museum was joined by other major cultural facilities in the park; the Memorial Coliseum, Sports Arena, Swimming Stadium, California Science Center, California African American Museum and the largest Municipal-Owned Rose Garden in the nation, with a beautiful water fountain in the center.
Art is important to religion in many different ways. Perhaps none has analyzed how art and religion have influenced and affected each other through the ages. Pictures painted of past events that help to bring back the feeling and importance of the past have been forgotten by some. To the one’s that haven’t forgotten are able to see the event’s as the bible says they happened. Not only can you see the events, but it also allows the younger students of the church to understand the events. The use of images of God became widespread after the second century. This religious art has defiantly been around for centuries and plays an important role to the history of religion as well as the future.
Clearly, the piece is not in its original form, nor was it even twenty years after completion. However, due to the concern, care, diligence, and expertise of many art lovers, there remains at least a remnant of da Vinci’s masterpiece to be studied and enjoyed by future scholars and visitor.
The paintings of the Celto-Germanic period, similar the metal work, involve many intricate spiral designs, interlaced with different shapes and animal figures. “They were colored with gum, glue or gelatin binders that were used on parchment” (Cleaver151). Used to illuminate scriptures, the paintings often depicted religious themes. Celto-Germanic architecture made extensive use of wood. Between 750 and 987 A.D. the Celto-Germanic style went through some changes and new styles evolved in different geographic locations. It was during this time the second period of medieval art began.
Preparatory and schematic art work is like the paper drafting of the art world, they are used to perfect and determine the final look of the art. The schematic work I chose was “A study of the adoration of the magi” it was created by Leonardo Da Vinci in 1481 as an outline for the perspective and placement of the figures and background in the work. This schematic, although it is slightly different from the finished product is important for perfecting object placement and the perspective for the art. The artwork is made in one point perspective as you can clearly see in the schematic by the grid lines and the way the buildings shrink to show going farther. The finished product, “The adoration of the Magi,” is oil paint although it was originally
Animal shapes were also used, but they were always stylized and not lifelike. Another important characteristic of Islamic art is calligraphy (handwriting). Islamic artists used Arabic script as part of their designs for religious books, wall decorations, and art objects. Calligraphy was used for copies of the Koran, the holy book of the Islamic faith. Other significant features in Islamic architecture include columns, piers and arches, organized and interwoven with alternating sequences of niches and plinths.
When first arriving at the museum it was an old styled, rustic, building that was not very modern, which I think fits into the theme of the museum. The outside of the building had history, similar to how the inside of museum is filled with a history. There was also an impressive statue of former president Theodore Roosevelt. I thought it was an interesting display, but Theodore Roosevelt was an advocate for the preservation of national parks and the conservation of animals, moreover, I thought it was a great tribute to him. I think the outside of the museum shows how rich the history of the world is and there is so much to learn. The past has been polished for the people of the present to understand and admire. Overall, I felt every exhibit was easy to understand and not intimidating; subsequently, it was easy for children and adults to look at.