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Historical film of Chicano Struggles
Chicanos culture
Chicanos culture
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Regardless of its political isolation and the dismiss of the Mexican intellectualism , Chicanos had a cultural impact in the media. The most more memorable figure was German Valdes who interpreted a charismatic Pachuco that spoke Spanglish in many of his movies. he was of great relevance since he was the first person to include a Chicano in his personages. Despite this particular attempt to incorporate the Chicano culture in the Mexican culture, there were also significant people who hated this idea. The only Nobel prize of literature of Mexico, Octavio Paz, who refused arduously to accept this minority group. In his book, the labyrinth of solitude, describes the issues related with Chicanos, in this time the term Chicano was not well-known …show more content…
13. Which proved that his representation of the Chicanos was shared by all the Mexicans in that time. Octavio Paz also signaled that “Queramos o no, estos seres son mexicanos, unos de los extremos a que puede llegar el mexicano.” chicanos also are Mexicans but who were born in the other side of the border and that follow an absurd stereotype that was not widely accepted. More interesting is that he also acknowledged them as Mexicans, but because of his absurd new culture, they denied their culture of origin “Pero los pachucos no reivindican su raza ni la nacionalidad de sus antepasados.” pg 13. Not only did they deny the Mexican origin, they also incorporated some traits of American culture in his new culture, this for Octavio Paz seemed contradictory and incoherent a “tangle of contradictions” p.17. “Incapaces de asimilar una civilización que, por lo demás, los rechaza, los pachucos no han encontrado más respuesta a la hostilidad ambiente que esta exasperada afirmación de su personalidad”
Introduction to Chicano Studies or Chicano Studies 1A is an introductory course at UC Santa Barbara on the historical development of Chicano people that covers topics ranging from the Aztec Society to the contemporary Latino Generation. The class includes a lecture, with 500 students, and is taught by Professor Mario T. Garcia. It is held on Tuesdays and Thursdays from 2:00 to 3:15 PM in Isla Vista Theater 1. There is also a mandatory section which is taught by a teacher’s assistant. The section is 50 minutes long, and in my case led by Sarah Latanyshyn on Friday afternoons in Girvetz Hall.
Cinco de Mayo is usually confused with Mexican Independence day but that day is when Mexico fought French invaders. During 1910, Mexico revolted against its repressive rulers and adapted its new constitution. They came up with the term for those who were told in Mexico they weren’t Mexican and in America who weren’t American. They wanted to belong to both. While the Civil Rights movement is mostly known to give African-American rights but, Chicanos also fought for their rights. The term Chicano first became accepted during the Chicano Movement. Thus, Chicanos have many things to be proud of. Their Aztec ancestors were intelligent people who built a city on water and made all Chicanos royalty. Along with their Mexican ancestors won two revolutions and won against the huge French army. Trinidad Sanchez Jr., a poet, wrote about Chicano pride in his poem, “Why Am I so Brown?” Sanchez wrote the poem in order to call attention to that all should be proud of their skin color. His poem talks about Chicanos having honor in their skin color by using imagery, metaphors, and
This is critical for the readers to know the show the bias, injustice, and premeditated ignorance of the United States educational system. It also demonstrates that Chicano Studies is not important regardless of the Hispanic population in this supposed “free” country. It seems as if the Chicano Studies was made only to fail by keeping it under funded and understaffed. By doing so, it has an affect on keeping away good scholars to maintain the historical development of Hispanics in the United States as well as its own history.
In Pocho, Rubio could not identify with any group because he didn’t want to be categorized. In fact, Rubio didn’t have a hard time fitting in with the Pachucos or queers. Although, Rubio seemed understanding about other peoples chooses he ultimately decided to identify as American. This was seen when Rubio joined the Army, as a means to escape his reality. Another theme presented was in regards to fighting social inequalities. This ultimately led to Chicano protest, which became essential to the Civil Rights Movements. The strong will of these Chicano/a activists were similar to Rodolfo “Corky” Gonzalez and his “Crusade for Justice”. The film “Quest for Homeland” acknowledged Gonzalez as an important figure for the Chicano Movement because he inspired people to demand for equality. Even though the Chicano Movement had a tragic ending with the death of Ruben Salazar, Chicanos made their voices heard. Similarly, the Chicano walkouts were the beginning of “consciousness”. For instance Castro mentions, “Chicano’s have long been sleeping giants” he continues by stating looks like we woke up”. This shows that students living in these areas were oblivious to their ability of obtaining a higher
...n, Gonzalez states his identity; "I am Aztec Prince and Christian Christ." This combination of culture is the basis of his poem, which can be found at http://www.pbs.org/chicano/joaquin.html, and is representative of the heritage of Mexican Americans. The concept of Aztlan is explained in Chicano!, and the mural ‘Corazon de Aztlan,’ found in Chicano Park (http://chicanopark.org/murals/north/n8.html ), reinforces the importance of this image in the lives of Chicanos. The myth of Aztlan symbolizes centuries of culture and struggles of Mexican Americans who went through incredibly difficult times throughout history, but never lost hope and always stayed strong, determined to one day be treated equally as citizens of the United States of America.
...l Narcotraficante: Narcocorridos & The Construction of a Cultural Persona on the U.S.-Mexican Border. Austin: University of Texas Press.
Torres, Hector Avalos. 2007. Conversations with Contemporary Chicana and Chicano Writers. U.S.: University of New Mexico press, 315-324.
The perspective of another society is always subjective, especially when two completely different cultures interact for the first time. In Bernal Diaz del Castillo’s The History of the Conquest of New Spain, the first hand account illustrates a barbaric and pagan society where sacrifices are pervasive in everyday life. However, David Carrasco’s essays titled “The Exaggeration of Human Sacrifice” and “Human Sacrifice / Debt Payments from the Aztec Point of View” shed a significant amount of insight into the religious roles that human sacrifice played in Aztec society rather than the cruel and barbaric connotations which Díaz heavily implied. Based on the readings of Bernal Diaz del Castillo, Carrasco’s essays offered an outside perspective
She explains how Mexican and Chicano literature, music, and film is alienated; their culture is considered shameful by Americans. They are forced to internalize their pride in their culture. This conflict creates an issue in a dual culture society. They can neither identify with North American culture or with the Mexican culture.
Although it is desirable to incorporate personal experiences of others to get a feel of the encounters that occurred to the typical or atypical individual within the Chicano movement, this does not entirely mean that the filmmakers left out those who studied the history of it. Historian Mario T. Garcia was a prominent addition in contributing to the historical experiences within the movement and brings in credibility. The concept of utilizing Chicanos who endured the reign of oppression and discussed their involvements to the impartiality efforts was a thrilling and clever one, there was still a need of a backbone in the factual side of it. By introducing an essence of experience, it generates a personal and emotional aspect in the documentary that can be unfavorable and stray from the informative attitude of a documentary. Having Garcia apart of the documentary grounds this enlightening dimension that insights as preventative measure which is an adept move on behalf of directors Luis Ortiz and Antonio
...community, equal rights and the right to follow your roots) with the central focus of the poem. As Susan Bassnett states in her essay Bilingual Poetry: A Chicano Phenomenon , there is a “Latin American tradition of the poet who occupies a prominent place in the struggle for freedom and national unity”, and as Cervantes and Gonzales demonstrated, the poet’s role in Latin America has not been diminished.
A significant part in being Chicano is embracing your roots and fighting for your rights. Chicano culture was at its peak in the 60’s and 70’s when Chicanos were exhausted of being oppressed. Chicanos young and old, decided that it was time to take a stand by not only expressing their feelings but their pride. This inspired the rise in Chicano art coming out at that time as well as a bunch of sayings going around like “Brown pride” and “We didn’t cross the border, the border crossed us”. Most of my mom’s side identify as Chicano, especially the ones that were growing up at that time. They appreciate the movement, the art, and the lifestyle. In fact, I know that at least one of my tias participated in the school walkouts for Chicano rights. When I’m at a family party, I still notice that Chicano pride even in my older cousins who were born years after the peak. I understand that to some, Chicanos are perceived as cholos. There are some but not all, but all the older ones do show off their pride as I’ve seen.
Gonzalez, Araceli. “Discussion #2.” Chicano Studies 10. University of California Davis. Wellman 229. 8 October 2013.
Paz, Octavio. "Pachucos and Other Extremes" in The Labyrinth of Solitude and The Other Mexico New York: Grove Press, 1985
When Gloria Anzaldua writes in The Homeland Aztlan “this land was Mexican once, was Indian always and is and will be again” one can assume or conclude that she recognizes that the land was taken away from the Indians by Americans. Therefore, you can say that she catecterize the border as Indian Land. To my way of thinking,Gloria Anzaldua blends poetry, personal narrative and history to present the view and experiences of people affected by living in the borderlands and to establish credibility to the poem. On the other hand, this chapter and the two poems present a connection because the three of them express the drwabacks of being Mexican- American.