German Cinemaphotography Essay

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For my cultural project, I decided to pick German cinemaphotography because watching movies has been one of my favorite past times for as long as I can remember. In the last few years, I have started to expand my watch list beyond American cinema and started to watch foreign movies, like The Girl with the Dragon Tattoo. Now that I am taking a German class, I figured that one of the ways I can learn more about their culture is by watching a few popular German-made films, researching what genres, films, and directors were popular through the 20th century, and what is popular in Germany in the present. German Cinema can be dated back to 1895 when the first screening of short films was shown at the Berlin Wintergarten by the Skladanowsky brothers, Max and Emil. Shortly after that, many other cinemaphotographers, like Ottomar Anschütz, Oskar Meester, and Max Mack rose to fame as well. In its earliest time, cinemaphotography was entertainment the upper class enjoyed, but this was the case for only a short period of time. Cinematographers began to make movies aimed at the lower and middle classes. These early films were shown in Kintopps, which were white rooms where films were projected. Prior to 1913, German films were short and trite, but Max Mack’s film Der Andere (The Other …show more content…

Videocassettes started to rise in this time, so not as many people were attending theatres, but were still buying and watching movies. In the 1990’s and through the present, German film beamed back to life. Many movies such as Good Bye, Lenin! (2003) by Wolfgang Becker and Run Lola Run (1998) by Tom Tykwer. The new millennium of 2000 represents the German Cinema’s revival in the film industry, but is still small and unpopular on an international level, which is a shame because I personally enjoyed watching several German films in the last month and a

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