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Shooting an elephant by George Orwell analysis
George orwell shooting elephant analysis
Shooting an elephant by George Orwell analysis
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Shooting an Elephant Analysis. “He wears a mask and his face grows into it.” The shooting of an elephant was Orwell's most defining moment in his life, in my opinion. Not only is this the thesis, but it is also the quote that changes Orwell the most. This is because Orwell found himself through the violence of others, and the duties that he had to carry out. Orwell struggles to find himself, but he does find himself by growing into his mask, and since he did not like the mask he grew into, he decided to find a different one. Shooting an elephant is an essay that George Orwell had written about his work in India as a British Officer. George Orwell talks about what it is like working near the prisons and seeing “the workings of imperialism” up close. Orwell speaks about how the Burmese feel about the British being there, and how he, himself feels about the British presence. There seems to be an alignment of dislike towards the oppressors in this case, the oppressors being the British. Orwell seems to want to be accepted by the Burmese who make fun of him and humiliate him in public events such as playing soccer. He later comes across a report of an elephant that …show more content…
Orwell says that the Burmese people despise the british and “I was all for the Burmese and all against their oppressors, the British.” Which is ironic because he was a part of the British command. Orwell makes himself out to be a person that needs acceptance in order to succeed. He loathes the hate bathed laughter of the Burmese people when he gets tripped playing soccer. It seems like Orwell was having an identity problem with himself if anything. It looks like he was more confused on who to be because he did not know what he wanted to be. The conqueror, or the conquered? It seems he wants to be accepted by the Burmese people more than the British. I think that is because the human mind is more attracted towards something that you cannot
Throughout the story, Orwell described how he was heavily pressured by the Burmese into shooting an elephant, stating that he became "... an absurd puppet pushed to and fro by the will of those yellow faces behind" (Capote 583). Through Orwell's diction it became known that Orwell was hated by the majority of his residing village since he upheld the position of a sub divisional police officer for the British Raj in colonial Burma. Orwell was driven to killing the animal out of desperation of the public dropping all forms of hatred towards him. Although killing the elephant was against his will, Orwell went through with the deed earning a new profound identity known as the elephant
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
Orwell, George. “Shooting an Elephant.” Shooting an Elephant and Other Essays. Ed. Sonia Orwell. New York: Harcourt, Brace & World, Inc., 1950. 3-12.
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
Orwell, George. "Shooting an Elephant." 50 Essays: A Portable Anthology. Ed. Samuel S. Cohen. 3rd ed. Boston: Bedford/St. Martin's, 2007. 284-91. Print.
Orwell speaks of how he is so against imperialism, but gives in to the natives by shooting the elephant to prove he is strong and to avoid humiliation. He implies that he does not want to be thought of as British, but he does not want to be thought the fool either. Orwell makes his decision to shoot the elephant appear to be reasonable but underneath it all he questions his actions just as he questions those of the British. He despised both the British Empire as well as the Burmese natives, making everything more complicated and complex. In his essy he shows us that the elephant represents imperialism; therefore, the slow destruction of the elephant must represent the slow demise of British Imperialism.
During Orwell's time in India he is exposed to several unethical situations. As an imperial officer, Orwell is often harassed, "I was an obvious target and was baited whenever it seemed safe"(Orwell 521). Therefore, Orwell's initial feelings are fear and rage toward the Burmese. He displays his hate in wanting " to drive a bayonet into the Buddhist priest's guts"(522). However, thou...
Orwell, George. "Shooting An Elephant." An Age Like This, 1920-1940, vol. 1 of The Collected Essays, Journalism and Letters of George Orwell. ed. Sonia Orwell and Ian Angus. New York: Harcourt, 1968.
He said, “I was all for the Burmese and all against their oppressors, the British” (296) which indicates that he pitied the Burmese. Orwell worked as a sub-divisional police officer and noticed the “dirty work of Empire at close quarters. The wretched prisoners huddling in the stinking cages of the lock-ups..” (Orwell 296). This demonstrates the effects of imperialism under the British Raj, which gives another reason as to why Orwell hated imperialism. Orwell states, “With one part of my mind I thought the British Raj as an unbreakable tyranny” (Orwell 296). This shows that the British Raj was very harsh on the Burmese and that the civilians were viewed as helpless. The elephant stomped on a man and destroyed many things and places. The elephant would represent the British Raj since it caused chaos for the civilians, similar to how it destroyed the huts, vans, cows, and a person. When Orwell decided to keep a rifle for defense, he said that “[the Burmese] had seen the rifle and were all shouting excitedly that I was going to shoot the elephant” (Orwell 298). This shows how the Burmese want to end the elephant’s life or the British Raj and wanted Orwell to shoot it. Before Orwell shoots the elephant, he says “Here was I, the white man with his gun, standing in front of the armed native crown-- seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
I often wondered whether any of the others grasped that I had done it solely to avoid looking a fool." So ends George Orwell's poignant reminiscence of an incident representing the imperialist British in Burma. Unlike Soyinka, who wrote about colonialism from the African's point of view, Orwell, like Joseph Conrad in Heart of Darkness, presents the moral dilemmas of the imperialist. Orwell served with the Imperialist Police in Burma while it was still part of the British Commonwealth and Empire. His service from 1922 to 1927 burdened himwith a sense of guilt about British colonialism as well a need to make some personal expiation for it (Norton 2259). "Shooting an Elephant" chronicles an incident in which Orwell confronts a moral dilemma and abandons his morals to escape the mockery of the native Burmans. He repeatedly shoots and kills an elephant which had ravaged a bazaar and scared many Burmans even though "As soon as I saw the elephant I knew with perfect certainty that I ought not to shoot him" (6).
However, one of the policemen, Orwell himself, sees the British government for their despicable nature, but also dislikes the Burmese because of their contemptuous attitude towards him. As a result, Orwell remains in a middle ground: he can choose to take advantage of his superiority as a policeman or become a victim of the Burmese’s ridicule. As the story progresses, Orwell becomes pressured by the Burmese commoners, against his will, to kill a rampant elephant, which reveals the true nature of the existing power dynamic between them. Orwell behaves as the Burmese would expect a European officer to because he feels that he must
The character, himself, is part of the British rule and is supposed to have all of the power. The Burmese, though, dangle the power in front of him. He is weak and unsure of himself, stating that he “wears a mask, and his face grows to fit it” (60). The character is not able to stand up for what he believes in -- that is, not shooting the elephant. There is a back and forth struggle in his mind about whether or not the elephant needs to be killed. Orwell’s character is fully aware that it is wrong and immoral to shoot an innocent creature, but eventually secedes to the demands of the Burmese, attempting to prove his cooperation and loyalty to those watching. In a way, the Burmese represent the pressures of society. Because of this, the audience can sympathize with the main character. There are always times when we, the readers, are unsure of ourselves, but we eventually make a decision. Whether we make the decision for ourselves or are assisted by others, in the end, we must take responsibility for our own actions. In a broader sense, Orwell’s character represents the internal conflict that everyone faces: should we conform to society or should we be our own
The Burmese never accepted the white British men, these people always talked behind the backs of the British. They don’t accept the imperialistic ways of life that they are under, the natives don’t accept Orwell so he looks at what the British are doing and notice that a intrusion. Orwell chances the way he looks at life by a need to be accepted by these people, in the story “Shooting an Elephant” by Orwell it explains the disrespect seen by the natives. When he is called to investigate the elephant after the death of a man, he then decides he needs a rifle to kill this animal. In the end he realizes that it’s not really that he wanted to kill the elephant, just he didn’t want to look foolish in front of the Natives.
Orwell?s extraordinary style is never displayed well than through ?Shooting an Elephant,? where he seemingly blends his style and subject into one. The story deals with a tame elephant that all of a sudden turns bad and kills a black Dravidian coolie Indian. A policeman kills this elephant through his conscience because the Indians socially pressurized him greatly. He justified himself as he had killed elephant as a revenge for coolie.