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Position of women in Victorian society by Jane Eyre
Changing roles of women in twentieth century literature
Views of women in the Victorian era
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Recommended: Position of women in Victorian society by Jane Eyre
Introduction
George Eliot (Mary Ann Evans) is renowned for her revolutionary views on gender issues. She herself experienced gender biases in her life, no wonder; she had to write under male pseudonym. She is considered to be far ahead of her times as she always supported higher education and work rights for women. Her writing made it explicit that she never wanted women to be forced into marriage and to be dependent on men. She struggled constantly for equal rights for women. She believed that rigid class and racial divisions were unfair although she knew it very well that during her lifetime, it cannot be changed. Nevertheless she made an effort to push these boundaries a little bit by writing novels whereby she could exemplify her views
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Maggie is always compared to her cousin Lucy Deane who is seen as an emblem of femininity. She is a passive, submissive and quite child. Maggie on the other hand is wilful, careless, awkward girl who is always scolded by her mother and aunts. She has a dark complexion and straight black hair unlike Lucy. The author compares her to “a rough, dark, overgrown puppy” and Lucy to a “white Kitten”. So whenever Lucy visits Tullivers Maggie is compared to her. Her mother holds Lucy up to Maggie as an example of a perfect feminine girl: “And there’s Lucy Deane’s such a good child- you can set her on a stool and there she’ll sit for an hour together, and never offer to get off”. This comparison makes Maggie miserable. This notion of passivity is skilfully explained by de Beauvoir. She says that girls are taught to be submissive and obedient. She puts it like …show more content…
In Victorian times, education was not considered necessary for girls. Mr. Riley’s conversation with Maggie brings to light her intellectual bent of mind which is visible from the kind of books she reads: The History of the Devil by Daniel Defoe, The Pilgrim’s Progress and Aesop’s Fables. Her father is aware of her intelligence and cleverness but at the same time he feels that “a woman’s no business wi’ being so clever; it’ll turn to trouble...” (Eliot 13). Mr. Tulliver’s remark is significant, “It’s a pity but what she’d been the lad- she’d ha’ been a match for the lawyers, she would” (16). Maggie struggles to learn all through her life but is deprived of her most cherished dream. In this regard, Purkis notes that Maggie Tulliver has a particular place in the history of Feminism as she rebels against her lot which “is the misfortune of being born into the wrong family and into a narrow and unfeeling society. Because she is also born into the wrong sex, she does not get opportunities offered to Tom… Maggie is desperate for education, and succumbs to a variety of books”
1. George Eliot's purpose from the excerpt in the novel was to satirically beign the argument and to portray "a woman of extraordinary talent" can "[appreciate] the special tragedy that biological labeling impose[s] upon members of unfortunate groups”. Gould then refers to Eliot through the centering of his article giving the fact that she wrote Middlemarch previous to "Broca measur[ing] the cranial capacities". By using his quotes, he provides the readers a feminine perspective and states they can also be just as "extraordinary" as Eliot, a man.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
Irigaray, Luce. "This Sex Which Is Not One." Feminism: An Anthology of Literary Theory and Criticism. Ed. Robyn R. Warhol and Diane Price Herndle. New Brunswick, NJ: Rutgers UP, 1991.
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
”The History of Sexuality” is a three-volumes book, published around 1976 and 1984 by the french historical philosopher Michel Foucault. The three volumes are “An Introduction” (which later is known also as “The Will of Knowledge”), “The Use of the Self” and “The Care of the Self”.
Irigaray, Luce. “That Sex Which is Not One.” The Critical Tradition: Classic Texts and Contemporary Trends. Ed. David H. Richter. Boston: Bedford Books, 1998. 1467-1471.
(6) Simone deBeauvoir, The Second Sex, translated by H.M. Parshley (New York: Random House, 1972) p. xxx
Charlotte Brontë’s Jane Eyre entails a social criticism of the oppressive social ideas and practices of nineteenth-century Victorian society. The presentation of male and female relationships emphases men’s domination and perceived superiority over women. Jane Eyre is a reflection of Brontë’s own observation on gender roles of the Victorian era, from the vantage point of her position as governess much like Jane’s. Margaret Atwood’s novel was written during a period of conservative revival in the West partly fueled by a strong, well-organized movement of religious conservatives who criticized ‘the excesses of the sexual revolution.’ Where Brontë’s Jane Eyre is a clear depiction of the subjugation of women by men in nineteenth-century Western culture, Atwood’s The Handmaid’s Tale explores the consequences of a reversal of women’s rights by men. This twentieth-century tradition of dystopian novels is a possible influence, with classics like Aldous Huxley’s Brave New World and George Orwell’s 1984 standing prominence. The pessimism associated with novels of this genre—where society is presented as frightening and restrictive—exposes the gender inequality between men and women to be deleterious.
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
de Beauvoir, Simone. "The Woman in Love." The Second Sex. New York: Vintage Books, 1989. . Print.
In this paper I am not going to be glorifying the heroes that I hold true to my womanhood, though I would like to, but I will be explaining and making known the mental torture a woman was put through during the Victorian Ages. A woman, during these times, was basically on earth for the following reasons: cleaning, cooking and bringing pleasure to their husbands. The guidelines of how to treat a woman were probably the same as the ones used on how to treat a servant or animal. In the writing of this paper it is important that I stress and teach the treatment of women during these times, and let you the reader understand the role they played. I have read two different novels that took place within the times I am describing and have learned about two diverse characters, they will give a background and p...
Other images of Eliot’s, in contrast, are much larger than Shakespeare, but again succeed in making Eliot’s character look small and insignificant in comparison. Eliot describes the enormous amount of adornments around the room, including her ‘vials of ivory and coloured glass’, which contain many perfumes, which are described as ‘drowning the sense in odours’ and again it is the lack of subtlety t...
Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a
There has been a long and on going discourse on the battle of the sexes, and Simone De Beauvoir’s The Second Sex reconfigures the social relation that defines man and women, and how far women has evolved from the second position given to them. In order for us to define what a woman is, we first need to clarify what a man is, for this is said to be the point of derivation (De Beauvoir). And this notion presents to us the concept of duality, which states that women will always be treated as the second sex, the dominated and lacking one. Woman as the sexed being that differs from men, in which they are simply placed in the others category. As men treat their bodies as a concrete connection to the world that they inhabit; women are simply treated as bodies to be objectified and used for pleasure, pleasure that arise from the beauty that the bodies behold. This draws us to form the statement that beauty is a powerful means of objectification that every woman aims to attain in order to consequently attain acceptance and approval from the patriarchal society. The society that set up the vague standard of beauty based on satisfaction of sexual drives. Here, women constantly seek to be the center of attention and inevitably the medium of erection.
The women in the novel, Great Expectations, are not given the ample opportunities that they would have liked in order to live out their lifelong dreams and hopes. Instead, they have some type of devastating impact that has been brought upon them through a situation that they themselves cannot help. This is evident in the lives of Mrs. Joe, a mere teenager who is forced to raise her brother in a time that is hard to support herself, and Miss Havisham, an elderly woman who’s dreams were torn away when she was left at the altar. Dickens’ female characters do not fit into the ideals of Victorian society as a wife and mother, which causes them to be destructive to themselves and/or men.