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Recommended: Reality vs fantasy
George Bricker's Tickling Chanterelle takes readers on a literary excursion back in time to 1937 Hollywood, where the young stars of a mystery radio show find themselves entwined in a web of real life intrigue as mystery, strange incidences, the incredible, the Cryptozoic and the supernatural intersect.
Set in Hollywood, 1937, with the golden age of radio still in swing as a major form of entertainment. As it happens two young up and coming radio actors Norman Felskin and Betsy Poldosky are working on a Radio show pilot; The Valley Sleuths, on the RTO (the Rensselaer Theatrical Orpheum) Studios movie lot.
Moreover, the lines of reality and fantasy obfuscate, as a real life mystery builds and suspense begins to permeate the environment when a troubling conundrum comes to their attention by way of a young cafeteria worker on the lot, Julio Velasquez. After Julio's uncle does not show up to meet him at an old movie backlot, Julio needs help tracking down what happened to him however, that is not the only mystery brewing as there are rumors of the script that they are working on, as being based on puzzling true life events. Also, adding further to the mix of intrigue and mystery, is the rash of unexplained and troubling incidences on another part of the movie lot where the progress of a horror movie in the works gets hampered. The adventure, action and intrigue fly as the young adults find their way to the heart of the mystery.
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His adept style of writing washes skillfully through the book as the adventures of Norman Felskin, Betsy Poldosky and Julio Velasquez progresses. Albeit, while the book does not have the expected flow, like other books of fiction, his words do flow with ease and paint vivid images that stimulate the reader's curiosity as well as the
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
of how John Steinbeck uses extraordinary circumstances to create appeal and realism to the reader.
Updike, John. “A&P”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 864 - 869.
The novel is organized in an unusual manner that can make it seem unclear to the reader. Krakauer does not introduce the work as a whole, yet he pieces together the story through different chapters. McCandless’s journey is described out of chronological order, requiring the audience to pay careful attention in order to understand the events that unfold.
Winner, Paul . "Paris Review - The Art of Fiction No. 176, Amy Hempel." Paris Review – Writers, Quotes, Biography, Interviews, Artists. Version No. 166. The Paris Review, n.d. Web. 30 May 2012. .
The type of narration, the plot’s rising action, and the overall imprint that is left on the reader, pushes this book above and beyond. Whaley creates a picture for the reader by using third- person omniscient point of view. This method helps the reader better understand the main characters. The rising action development was extremely easy to follow. The descriptions of the characters and the background information helps explained how the story was laid out. Also, the author seemed like he wanted the reader to realize the purpose of the three-way friendship. It represented how a relationship allows everyone to learn from their flaws and unwarranted decisions from other’s reactions. This book is truly unique, from the composure to the character’s
Suspense is a 1913 film that portrays the story of a tramp intruding into a family’s home, where a mother takes care of her child while her husband is away. The plot is a common one that had been used previous times before the film’s release, such as in The Lonely Villa (1909). However, through taking advantage of the single frame shot, the filmmakers were able to create a masterful aesthetic of two separate stories that turn a basic plot into a complex story. The film created an inventive way of illustrating stories within cinema by allowing the audience the chance to consume more narrative in less time within just one take.
Hearing a description of the story of Watership Down, you might rightly imagine that it is a children’s story, a fable about talking animals reminiscent of Beatrix Potter. This isn’t entirely untrue, as Adams derived these characters and settings for this book from stories he would tell his children on long drives through the countryside. What sets Watership Down apart from comparable children’s literature is its length--in paperback it is 481 pages--and its prose, wh...
The narrative of Vertigo tells a plot twisted story of mystery and suspense as the main character “Scottie” (James Stuart), a retired detective suffer...
The idea for the film is based on every parent’s worst nightmare. The concept based-plot is filled with twists and turns, captivating the audience. This film succeeds in creating the desired feeling of suspense with its sound score and creates heightened emotions by filming on location and often in the dead of night. Filmed in realistic color, the storyline takes place on Thanksgiving and the days after. The scenes are often filmed outside, in the cold ...
This is an odd little book, but a very important one nonetheless. The story it tells is something like an extended parablethe style is plain, the characters are nearly stick figures, the story itself is contrived. And yet ... and yet, the story is powerful, distressing, even heartbreaking because the historical trend it describes is powerful, distressing, even heartbreaking.
When authors set out to impact the lives of readers, a diverse utilization of literary aspects is often required. It is easy to come across many differences and similarities between literary aspects when one delves into a plethora of works. In the book Life of Pi author Yann Martel harnesses the use of a varied first person point of view in order to accurately portray the sense of panic and urgency in given situations; adversely, in the short story “The Lottery,” by Shirley Jackson, a detached third person point of view is taken into account in order to drag the reader along on the drawn-out, suspenseful journey that the families involved had to endure. Despite the difference in narrators amongst Life of Pi and “The Lottery,” the points of view of both of these works are exercised in order to drive the plot of two very effective literary gems.
There seems to be a worrying pattern for the genre fiction authors that have gained mainstream appeal but lost control of their craft afterwards. But if anything, the forms of popular fiction have become the place for the more serious scholarly questions where the boundaries becomes increasingly endless to the writers. Despite the fact that “fantasy fiction is an alternative to realist fiction, not the alternative, they are nonetheless viewed as opposites, if not opponents” (Wilkins, 273). An author is the “meaning maker”, that recognises the purpose of writing and to construct and communicate a specific message between the author and the reader. For the author, popular fiction offers a wide range of freedom in style of writing that the literary fiction simply no longer does. Martin 's work has been described as riveting, channelling his creativity in creating a chronicle of complex story lines with gripping characters and engaging plot that is supposedly to be a gory feature in the fantasy genre. He often portrayed his characters as “unhappy or unsatisfied” and also troubled by their own violent actions, but still holds on to the idealisms in an otherwise chaotic and ruthless world. While some critics identifies his work as a "fantasy for the grown-ups”, others however might feel that there is a dark motive behind it. In the
...res that make these books continue to live on for centuries. Due to the constraints of the essay not all aspects of the narrative perspective could be discussed and the role they play with the novellas.
In this book review I represent and analyze the three themes I found the most significant in the novel.