During the Upper East Side: A Clash of Titans tour I has the opportunity to learn about civilization and people in the 19th century. On this tour I learned many things such as The Unions club which is the name of a gentlemen’s club. A gentlemen’s club during the 1900s was where wealthy men went to hang out with other wealthy men. William Dams Delano and Chester Homes Aldrich formed The Knickerbocker Club in 1871. They formed this club because they felt the Unions Club let in anyone. In 1891, the Metropolitan club was formed by J.P. Morgan because the Unions club was to elite for himself and other men to get into. The Seventh Regiment Armory was designed by an architect by the name of Charles Clinton. The building was headquarters for the Silk Stocking regiment or as they were also known as the 7th New York Militia. …show more content…
Today, The Armory is used to hold Art fairs. Jay Gould during his timer was the most hated man in America. He was a very wealthy businessman and at one point in time tried to corner the gold market. When the Gould family was cut out of the first four hundred Jay’s oldest son, George ran off and got married to an actress by the name of Edith Kingdon. During the 19th century being an actress was not a respectable reputation. Although Helen, Georges mother disliked Edith and wasn’t happy that her son married an actress Edith actually ends up helping the Gould family back into the first four hundred. Before going on the tour I knew that the Upper East Side was a location of wealth and power. My opinion was reinforced when I learned about that many privileged people would leave New York and travel somewhere during the summer because it was too hot and the garbage would
The Lafayette Club on beautiful Lake Minnetonka was first built in 1882. It was known as the nicest place in town and it had 300 guest rooms. Everyone wanted to go there but only the rich could afford to stay there. In 1897 it was burned down in a fire and Mr. Hill, the owner, then decided to build a new one. This beautiful hotel on the lake was made out of wood and sadly, 20 years later, it burned down again! Again, a new one was built because the property it was on was too beautiful to stay empty. By 1925 the brand new club was built to last and made with concrete. It is still there today.
Samuel arrived in New York armed with a solid trade skill and a series of British union principles, which stemmed from his father’s teachings. He would further develop these vital tools and skills through active involvement in social clubs, fraternal orders, and labor unions. These affiliations were taken as a measure to endure and possibly find some success in the slums in the lower eastside of New York.
A Gathering of Old Men by Earnest J. Gaines is a great novel about race relations in the south. The novel begins with a child narrator who relates the report that there has been a shooting on a Louisiana plantation, and a white, Cajun farmer Beau Boutan, is dead. He has been killed in the yard of an old black worker, Mathu. Because of the traditional conflict between Cajuns and blacks in South Louisiana, the tension in the situation and the fear of the black people is immediately felt in the novel. I would definitely recommend this book to someone else.
Page 98 shows the menu of the male architect meeting at the University Club. This menu includes “Oysters”, wine, “Filet Mignon A la Rossini”, a cigar break, and various other expensive items. This is compared to “the streets of Chicago filled with unemployed men”(206). While the architects eat like kings; men, women, and children are on the streets starving, but the greed of the Gilded Age elites keeps them from helping the masses. Greed is also shown later in the book, when “25,000 unemployed workers converged on the downtown lakefront and heard Samuel Gompers, standing in the back of speakers wagon No. 5 ask, ‘Why should the wealth of the country be stored in banks and elevators while the idle workman wanders homeless about the streets ‘“(315). This contrasts the opening of the Columbian Exposition, where “Every bit of terrace, lawn, and railing in the Court of Honor was occupied, the men in black and gray, many of the women in gowns of extravagant hues-violet, scarlet, emerald-and wearing hats with ribbons, sprigs, and feathers.”(238). The difference between the two meetings is extraordinary: ragged workers seeking only jobs and places to sleep compared with people dressed in elaborate, expensive outfits seeking to spend their time pursuing pleasure in the Columbian Exposition. This brings light to the fact that these societal elites can spend their time and money pursuing grand visions of entertainment for themselves, but can not help those less fortunate than them. This is hammered home in page 130, where “In the city’s richest clubs, industrialists gathered to toast the fact that Carter Henry Harrison, whom they viewed as overly sympathetic to organized labor, had lost to Hempstead Washburne, a Republican” and later, “Every newspaper in the city, other than his own Times, opposed Harrison, as did
Chants Democratic, by Sean Wilentz examined the emergence of New York’s labor class during the Jacksonian era and in essence revealed Artisan Republicanism. Wilentz offered a unique perspective in his historical analysis of the social and political labor histories during 1788 through 1850. Wilentz stressed the importance of the republicanism ideology in the creation of a working class that was instrumental in a pre-industrial New York. The author stressed the significance in both the political histories and social histories of the early nineteenth century by incorporating political ideologies and labor union descriptions. He further integrated these insights by means of articulating the social working conditions and lives of small masters, journeymen, and artisans to show their respective importance to the creation of the working class scruples. Chants Democratic iterated not only on the formation of the labor class in America, but also illuminated the changes within this new social class by exploring how antebellum New York’s population began to live and think.
Then, in the play, Wilson looks at the unpleasant expense and widespread meanings of the violent urban environment in which numerous African Americans existed th...
The Great Gatsby is one of the most renowned books known to mankind. A story about a man’s quest to fit into a society built for the rich whilst wooing a childhood crush may seem extremely simple and straightforward, however, the mystery is not behind the plot, but rather, it is in the writing itself. The words F. Scott Fitzgerald used were chosen with such delicacy, one cannot even hope to assume that anything was a mere coincidence. The book is laced with intricate strands of symbolism bound together by a single plot. One of F. Scott Fitzgerald’s more major themes is the use of locations. The importance of location as symbols are further expressed through the green light at the end of the dock as well as the fresh, green breast of the new world.
As New Orleans was the center of communal roles, Edith Wharton’s’ “Roman Fever” was based in Rome, but the characters are from Old New York’s muffled Victorian society, which has the uppermost values for appropriateness. The two characters, Grace Ansley and Alida Slade were raised up in Manhattan, New York and were childhood friends ever since they can recollect.
Gangs of New York is a war-packed film directed by Martin Scorsese that takes place in New York during the Civil War. This 2002 film is about a young Irish immigrant, named Amsterdam, who returns to the Five Points to get revenge on William Cutting, a powerful gang leader who murdered his father. One scene that really sticks out within the film occurs during the draft riots that took place in New York. Although this particular scene is historically accurate, there are some parts of the scene itself that seem to have a bigger impact overall. The parts that create this impact show how important this dark period was and how violently this event played out in the real world.
These early unions had many names including societies, social societies and guilds. These primitive unions or guilds of carpenters, cordwainers, and cobblers made their appearance, often temporary, in cities around the east coast of colonial America. These groups of workers are a far cry from what unions are today. They mainly focused on friendship and trust between the workers and management. The first recorded form of a union was a group called the "Friendly Society of Cotton Spinners, who in 1775 instructed its members not to work below the usual price" (Smith).
A man will seek for what he yearns. Jay Gatsby comes from an underprivileged family but is able to rise to the top of wealth—something every American in the 1910-1920’s was trying to do. “Gatsby transforms to get to the top,” (Galley). He entirely transforms himself to a superbly prosperous young man or in other words went from “rags” t...
The article discusses the need for these early Chicago saloons as a neighborhood commune for those men who labor long hours only to come home to poverty and despair of a desolate household. Melendy focuses on the mental, physiological, and moral nature of these workingmen. He points out that this saloon culture allows it’s patrons to develop these traits by interacting with their peers—others facing the same despair. These establishments are described as the “workingman’s school. He is both scholar and teacher” (Melendy pg. 78). Patrons gather at the bar, around tables and in the next room amongst games of pool, cards, and darts to discuss political and social problems, sporting news, and other neighborhood gossip. Here men, native and immigrant, exchange opinions and views of patriotism, brotherhood, and lessons in civil government. Melendy describes this atmosphere as cosmopolitan, and articulates that these businesses advertise this issue in their names. For example one of the downtown saloons was entitled “Everybody’s Exchange.” The saloon’s customers experienced a buffet of nationalities upon which was not so for those of poverty in previous decades. Saloons also served as disguises of corruption as Melendy illustrates by declaring “...
The 1920’s was a time of prosperity, woman’s rights, and bootleggers. F. Scott Fitzgerald truly depicts the reality of this era with The Great Gatsby. Jay Gatsby, an enormously wealthy man, is famous for his extravagant parties and striking residence. However, this is all that is known about Gatsby. Even his closest friends continue to wonder what kind of man Gatsby actually is. The mysteriousness of Gatsby is demonstrated by conceivable gossip, his random departures, and the missing parts of his past.
Carlisle, Rodney P. Handbook To Life In America. Volume VI, The Roaring Twenties, 1920 To 1929. Facts on File, 2009. eBook Collection (EBSCOhost). Web. 30 May 2012
Within the text The Great Gatsby, Fitzgerald analyzes the importance of wealth within the early twentieth century in America, which allows the reader to understand the perspectives of different social status. Moreover, he proves the importance of wealth through presenting characters that are influenced by social status. Concurrently, Fitzgerald identifies how a person’s social status shapes one’s personality and motives.