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Society and clothing
Clothing history research assignment on corset
Society and clothing
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Gendered bodies in the West are bodies of contrasts. A masculine, sharp, inverted triangular body is contrasted to the feminine, soft, hourglass shape. Humans, throughout history, have resorted to drastic measures to meet and exemplify gendered ideals of body form. One such measure that has been in place since the Victoria era is the wearing of corsets. In attempting this research, I thought that wearing a corset would provide an insight into the ways feminine bodily ideals are appropriated by women in a Western context. Putting on the corset proved to be a challenge; only with the assistance of my roommate could I put it on. She laced the back up to as tight as it went and I wore it underneath my normal daily clothes. My first thought when wearing it was that it felt like a hug, when your body is encapsulated within something; it was quite pleasant and had an almost motherly feeling about it. As soon as I wore it, I immediately realized that I had to learn to control my breathing because the corset would feel extremely tight every time I exhaled. Travelling in the car and on the train proved to be a challenge because the corset forced my body to arch my back and sit up straight, which is not the way I normally sit. When I slouched or moved in a way that the corset did not allow, it would dig into my stomach and ribs in a painful way. While walking, I realized that I was pushing my chest out and standing very straight. This made me feel like I was embodying the typical ‘empowered woman’ image that shows a woman as sexy, confidently striding along an urban landscape, independent and beautiful. However, as the day went on, the uncomfortable sweatiness that it brought me made me loath wearing it. Coming home, I took it off and wonder... ... middle of paper ... ...er and Power at a Treatment Center. London: Duke University Press. Riordan, G. (2007). The Corset Douglas, M. (1966). External Boundaries. In Purity and Danger. (pp. 140-159). New York City: Routledge Classics . Savacool, J. (2009). The World Has Curves: The Global Quest for the Perfect Body. New York City: Rodale Books. Steele, V. (1985). Fashion and Eroticism. New York City: Oxford University Press. Turner, B. S. (1996). The Body and Society. Thousand Oaks, California: Sage Publications. Controversy: Author(is)ing the Subject in/ of Tight-lacing.Social Semiotics, 17(3). Urla, J., & Swedlund, A. C. (1995). The Anthropometry of Barbie: unsettling ideals of the feminine body in popular culture. In J. Terry & J. Urla (Eds.). Deviant Bodies. Bloomington: Indiana University Press. Wolf, N. (1991). The Beauty Myth. New York City: William Morrow and Company Inc..
3rd ed. of the year. London: Routledge, 2013. 114-80. The.
In the essay 'Our Barbies, Ourselves,' Emily Prager explores the history of the Barbie doll and talks about the Barbie doll itself. Prager seems convinced that the Barbie doll was an object created by a man and that Barbie reeks of sexuality, sexual innuendo and serves as the anti-feminist embodiment of every man's fantasy. In her own expressive and persuasive modes to fashion an essay designed to persuade the reader that the Barbie doll is a twisted and corrupt tool designed by men to combat the feminist revolution. Though her attempts at persuasion are commendable, I was not swayed in my opinions on Barbie. If anything, I just found fault with this writer's point of view, and I found her accusations to be outrageous and her 'facts' to be completely wrong.
In Marge Piercy’s, “Barbie Doll,” we see the effect that society has on the expectations of women. A woman, like the girl described in ‘Barbie Doll’, should be perfect. She should know how to cook and clean, but most importantly be attractive according to the impossible stereotypes of womanly beauty. Many women in today’s society are compared to the unrealistic life and form of the doll. The doll, throughout many years, has transformed itself from a popular toy to a role model for actual women. The extremes to which women take this role model are implicated in this short, yet truthful poem.
It seems if a woman does not follow what the television or magazines do, they will be considered a ‘disgrace’ to society. “By the 1930’s, mass advertisements on radio and in magazines persuaded women to purchase cosmetic products by appealing to her fear of growing old or being rejected by social acquaintances,” (Gourley 56). The beauty industry specifically targeted women, using the ideas of an often highly feminine related idea of vanity. This also talked about women’s apparel in clothing and how they weren’t able to dress casually since they would be titled, slob. As looks represent a lot in a woman, the body type of a woman has always struggled with maintaining since the ‘perfect’ body types are not what everyone has. “In the 1890’s women had full bosoms, round hips. In actual measurements they were probably no rounder than Miss Cox but they seemed so because they were shorter, tightened their waists into an hour-glass effect … Now, though, the ideal figure must have a round, high bosom, a slim but not wasp-like waist, and gently rounded hips” (“This is What…”). Ideals women that society has pushed onto women to be for them to have any chance in romance. Though many women can drift away from this the women, though they won’t admit to it, had struggled to meet the ‘set standard’ for women. This shows how after women have gained the rights of voting, gender roles
“The whalebone corset was much more confining than the paste-stiffened one and often worn in conjunction with other undergarments that further exaggerated the female shape” (Woodward). Later the fashion has had a slide change in the Queen Elizabeth's time where it was for “a long, firm corset reaching from the bust to below the natural waistline, paired with a huge, and whale bone-stiffened hoop skirt called a farthingale.” As time and fashion pass, corset also changes depending on the event to choose whether it should be long or short, supporting the bust or minimizing it. As the concept evolved by early nineteenth century manufactures had improved, so did the variety of materials and techniques used to create the difference of shapes that have historically been imposed on the female form and corset makers had worked on a more flexible one than the earlier stiffed corset that could be knitted in to a suitable fabric for undergarments.... ... middle of paper ...
Getting the right body can be done in a number of different ways. One of the ways that social media has induced upon many girls is the wearing of corsets. During the Victoria Era, a full-figured look with a tiny waist is fashionable for women. To achieve this look, women wore whalebone and steel corsets, which caused a variety of health problems, including difficulty breathing (ProQuest Staff). Another way to achieve the right body is to go under the knife. Women tend to go under the knife to either slim the waist by taking off the extra fat, enhance their breasts, slim their nose and
Over the past century, women aesthetic appearance has dramatically changed in western civilization. In the beginning of the 19th century the ideal woman was 5’4 tall and weighed approximately 140 pounds. The Roaring Twenties brought along a more boyish looking woman referred to as a flapper. During the 1930’s, women having larger breasts and fuller waists was the image to achieve. The 1940’s and 50’s presented contraptions such as corsets and push- up bra’s for woman to accentuate thier bust lines. A transformation was brought about in the 1960’s that has swept across the nations of the world with thinner models and a brand new doll modeled after these women: Barbie. Twiggy, a British teen model, took the media by storm. She was the skinniest model ever weighting 89 pounds, standing (“The Perfect Woman”). In the 21st century this craze of being excessively thin has dominated the media and ...
Similarly, in Some Assembly Required: Black Barbie and the Fabrication of Nicki Minaj, the author reads the appropriation of Nicki Minaj’s Black Barbie image as an attempt to challenge the shared notion of white Barbie image and to make it hers—Black Barbie. This Black Barbie image promoted Nicki Minaj as “hyperfeminine and hyper-real representation of a dismembered black Barbie doll” (Whitney 141). Whitney examines whether such appropriation could eliminate the hegemonic narratives of Barbie or whether it “leaves room for liberatory, pluralistic, and feministic interpretations” (142) and questions the definition of feminine identity by insisting on the fluidity of femininity. Even though her image does not escape criticism as she was being
Today, the ideal physical image is desperately sought after by Americans. Women seek to have a size two waist and model-thin hips. Men seek to have “manlier” facial hair and bigger, stronger muscles (TEEN TRUTH: BODY IMAGE Trailer). The ideal has not always been like this. In the 1800s, the voluptuous, plump women were thought to be healthy, wealthy, and beautiful. Even in the 1950s, people like size-fourteen Marilyn Monroe were venerated. It wasn’t until the 1960s where underweight women became ideal. In the 1980s, emphasis on fitness and dieting became more popular in the media (“Dissatisfaction”). Up to this day, the many factors of influence have caused most Americans to feel they are inadequate.
... invisible and affordable, and some would even feel comfortable. Shapewear is becoming popular. The manufacture kept changing the outlook to make it "fashion". Corset has been about 400 years history of fashion, although it may pose some health risk, but it benefit for many people physically. Wearing shapewear can mould the beautiful curve of breast enhancement, to receive an abdomen, waist, minus, carry buttock, leg effect, and it’s obvious to accentuated women’s sexy. There are many type of shapewear can make people have a great figure, such as waist & tight slimming, back slimming, shaping panties, and body slimming. As the era progress, people’s concept of shapewear change a lot and the shapewear will become more popular in today’s society; people wear shapewear to modify their bodies and many women think the feeling of slim can give them more self-confidence.
Body modification, in all forms, has always met opposition in Western society, and the modification of the human body through corsetry has historically been no less challenged. But tight-lacing is not the same as tattooing. The belief was that it not only altered a person’s figure, but it deformed her bones, compressed her viscera until they could not function properly, and interfered with her purpose in life: to become a mother. These concerns plagued the minds of female dress reformers and men alike from the corset’s advent in the fifteenth century until World War One began in 1914, when corsets were no longer mass-produced due to the military’s need for steel. The vast majority of European and American men and a percentage of middle-class Western women were those who opposed corsetry, causing those who accepted and enjoyed corsets to be the minority, and yet the undergarment persevered.
Early 19th century clothing for women was designed for style and beauty, sadly, this left practicality, safety and comfort completely out of the picture. Corsets, which were worn to slim the waist and lift the chest, presented many serious health concerns for women. These vices that women wore on their bodies increased their blood pressure and made breathing very difficult. Fainting was so commonplace that a fainting couch was designed and present in most households Prolonged wearing of corsets weakened back and stomach muscles to the point that some women, who had worn corsets for many years, struggled to hold themselves upright without them. If cinched to tightly, they had the power to bruise the internal organs and push them out of alignment, causing sever health issues. (Berkowe)
When Barbie first made the stores, back in 1959, she resembled a typical woman of the fifties. As time wore on, Barbie’s appearance also changed, and over a fifty-seven year time span approximately two million different Barbie models circulated. Among them were a few tendentious Barbies, sending questionable ideas to young girls’ heads but there were also Barbies that promoted exceptional ideals for girls. Recently Mattel, the Barbie creator, has also added a new range to the Barbie army, one that eradicates stereotypes on women’s bodies.
Marcos, I. (1998, November 14). Let's go Barbie: A doll's history. The Guardian, p. 16. Retrieved February 28, 2014, from the Lexis Nexis Academic database.
Nor did I totally grasp the grim realities of how race and culture at times co-exist. Barbie, herself, established a sort of cultural barrier, where race, beauty, and culture intertwined. Her impact on culture is profound and has been influential in many areas of existence. Why was it important for me to choose the black Barbie? Was it culturally correct to do so? The premise of this paper is to address whether Barbie, the inanimate object everyone adores, contributes to the social segregation of our