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Essays and presentations about corsets in the 18th century
An essay on body modifications
An essay on body modifications
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Body modification, in all forms, has always met opposition in Western society, and the modification of the human body through corsetry has historically been no less challenged. But tight-lacing is not the same as tattooing. The belief was that it not only altered a person’s figure, but it deformed her bones, compressed her viscera until they could not function properly, and interfered with her purpose in life: to become a mother. These concerns plagued the minds of female dress reformers and men alike from the corset’s advent in the fifteenth century until World War One began in 1914, when corsets were no longer mass-produced due to the military’s need for steel. The vast majority of European and American men and a percentage of middle-class Western women were those who opposed corsetry, causing those who accepted and enjoyed corsets to be the minority, and yet the undergarment persevered. …show more content…
That corsets were worn daily and were the subject of controversy for over four hundred years and have continued to be a symbol of oppression and the macabre well into the twenty-first century are the grounds for an investigation into their true function and their effects on the bodies of people living in that time period.
The investigation will begin by addressing the myth of rib removal in Victorian women and proceed to analyze the effects of tight-lacing on the organs and spine. The psychological benefits, drawing heavily on Temple Grandin’s research on “deep touch pressure” will also be considered. The investigation will conclude with an examination of corset in relation to women’s role in Western society, culminating to answer the question of why the majority of Western society has sustained a negative attitude toward corsetry throughout history. An analysis of the opinions of those opposed to corsetry reveals primarily medical misinformation and secondarily a misogynistic view of women to be at the heart of the distrust of
corsets.
Today we can see items of clothing that are commonly worn that have grown out of this initial innovation of freeing a woman’s body. This can be seen in clothing from the Spring 2017 New York Fashion week (see Figure 2), as the model’s bodies are freed by the more minimal use of material. The lowering of necklines and the increase in skin shown in haute couture over the decades is owed to Art Deco fashion and is symbolic of the rise of women’s rights over the years, as the physical discomfort and restrictions that the tight corsets of previous eras could be considered of women’s place in society. The new style being a stance against the oppression. It dictates that a persons own comfort and style is to the upmost importance, not to contort one’s body into something it is not meant to. Today it is shown in loose and cropped pants, shorts, low necklines, cropped tops, and various other clothing that reveals skin that was once covered. Art Deco fashion is also seen today through “chic garçonne” ideal that emerged out of early feminism that made women want to do the same things that men could, and so adopted smoking, sport, an interest in vehicles, a flirty sense of
Victorian Fashion refers to the styles and clothing worn before and during the Civil War era of the United States, 1860-1900. This era was filled with a very difficult way of dressing oneself and to deviate from this line of dress was unheard of, and worthy of being outcaste. Victorian women’s clothing was layers, heavy, and barely manageable to even wear. Many different articles made up the full garment such as the undergarments, the skirt, top, shoes, accessories, and even the hair. How did women ready themselves for the day in this era and how did they deal with all the cumbersome attire?
The first purpose of Clothes . . . was not warmth or decency, but ornament . . .
In the mid 1960s more and more women started to look like men (maga 103). Although the trousers suit for women was launched, people suspected that some of the inspiration of the way women started dressing came from father down the ...
...d women’s fashion to break free from convention. Bras and corsets were seen as symbols of oppression and conformity. They were discarded by many women as many new fads appeared,(). Women also exhibited their newfound freedom by wearing traditional male clothing such as baggy trousers, men's jackets, vests, over-sized shirts, ties and hats.
The reading assigned titled “The Socially Constructed Body” by Judith Lorber and Yancey Martin dives into the sociology of gender with a specific focus on how the male and female body is compromised by social ideals in the Western culture. She introduces the phenomenon of body ideals pressed on men and women by introducing the shift in cosmetic surgery toward body modifications.
“Aunt Alexandra was fanatical on the subject of my attire. I could not possibly hope to be a lady if I wore breeches…” (Lee, 81).
We, as humans, face the most difficult challenges: conformity. We inadvertently aim to be what we see depicted in the environment around us. In many instances, we do so under extreme circumstances without regard to the consequences. Around the globe, different beauty practices of enduring violence and pain, mutilation and self-mutilation can be found in almost every culture. In the Chinese culture, binding one's feet are done in order to achieve a certain length. Foot binding has disappeared from modern-day China, but it was once accepted and a promoted practice among many Chinese women. The origin of such culture, beauty practice is somewhat a mystery; there are many theories as to why women began to bind their feet. The reasons why women began binding their feet are not the only field of importance, why it became popular for women to bind their feet, how and why it became accepted in the Chinese culture and the consequences due to these practices are considered as well. Foot binding was known as a cultural practice that represented femininity and eroticism through physical and mental violence. In this cultural practice, it is believed that foot binding speaks multiple languages; seduction, eroticism, virtue, discipline and sacrifice. Both mother and daughter mutilated their feet in hopes of fulfilling
The Victorian Era had lasted from the years 1837-1901. People in this era were known through their social class and how efficiently they were able to present themselves. Those who were obligated to carry themselves is such a proficient manner, were the women of Victorian Era. Although they had been expected to perform and execute many tasks, they were never recognized just as equal to the men in society. They were never acknowledged to make judgments or decisions, rather were best known for marriage, prostitution, and motherhood. As the men, dominated and took control of every decision possible. They were known for their aggressive and independent attitude. This led an extraordinary women named, Charlotte Brontë to begin a revolution of change and improvement in the social standings. As her living in the Victorian Era, set her upon a journey of many hardships but her well-known classics, Jane Eyre, depicted her strength and courage to step up for women equality and portray who she truly was in society.
During the early 19th century women were expected to wear long, heavy skirts and tight corsets, which often made breathing strenuous. Those who rejected these styles found themselves the center of public humiliation. Gerrit Smith, a top United States politician and abolonist declared, “Women could not hope to be accepted by men as equals until they began to dress more practically.” (George Sullivan) Gerrit Smith’s ideas sparked an idea in his daughter, Elizabeth Smith Miller’s mind. Elizabeth thought of wearing a pair of ballooning pants under a skirt at knee level. This impressed Elizabeth’s cousin Elizabeth Cady Stanton, who was an American social activist and was extremely influential in the Women’s right movement. Elizabeth loved her cousin, Elizabeth Smith...
The 1800s were full of corsets. They were meant to give any woman that slim, hourglass shape. Corsets constricted the torso and were reinforced with stiffeners. These stiffeners fit the body so tightly that the body was then molded to the shape of the corset (Caelleigh). The definition given in an article titled, "A Short History of the Corset", states, “A corset is a close-fitting piece of clothing that has been stiffened by various means in order to shape a woman 's (also a man 's, but rarely) torso to conform to the fashionable silhouette of the time” ("A Short History of the Corset.") This was a very popular item to wear in throughout the 1800s, but what happened when the women became pregnant?
The brassier, whose concept emerged centuries ago as a functional object, has taken center stage in modern history. The brassiere has almost inadvertently played a crucial role in political and sexual revolutions worldwide. As the revolution lives on, all of this tries to answer two age old problems: breast support and style.
The women of the 19th century had a unique style, very little rights, and hard roles. The waistline was at the natural place. This made the clothes tighter. The skirt shaped to look like a bell. Many types of sleeves were found, but it was common to find long sleeves for night and short sleeves for daytime. Found underneath skirts were feather- quilted petticoats. They supported the skirt. Women would also wear some sort of hat. Outside, they would wear a bonnet; inside, they would wear linen caps. As the 19th century continued, decorations were added to hats. They included birds, feathers, or fake flowers. Also, as the century moved on, pads were worn in the back to support the skirt. For informal dressing, wearing a hat was required. Women could either wear a large- brimmed hat or a straw boater. Skirts were still down to their feet. Their hair was put into a bun either in the back or on top of the head (“Women’s Dress”). The clothes were made with the material of silk, wool, or cotton. Cotton was not used in colored clothing. It was usually woven or put into a pattern. Wool and silk were the opposite; they were colored. It was very rare to see these fabrics woven or in a pattern (“Material”). When the 19th century was around, women have very little rights. At this time, they could not vote nor could they have property or make their own earnings. When it came to divorcing, men took the kids; women were not allowed to have th...
Early 19th century clothing for women was designed for style and beauty, sadly, this left practicality, safety and comfort completely out of the picture. Corsets, which were worn to slim the waist and lift the chest, presented many serious health concerns for women. These vices that women wore on their bodies increased their blood pressure and made breathing very difficult. Fainting was so commonplace that a fainting couch was designed and present in most households Prolonged wearing of corsets weakened back and stomach muscles to the point that some women, who had worn corsets for many years, struggled to hold themselves upright without them. If cinched to tightly, they had the power to bruise the internal organs and push them out of alignment, causing sever health issues. (Berkowe)
“The Victorian era was a time of prosperity, broad imperial expansion, and great political reform” (Miller). It was an age in British history when Queen Victoria ruled from 1837 to 1901 ("Victorian Britain: An Introduction"). During this time there were no televisions, computers, central heating, or cars ("Victorian Britain: An Introduction"). Rather than going to school, most children began working around the age of six, which was mostly because of the Industrial Revolution which had also been going on at the time ("Victorian Britain: An Introduction"). Another unique part of the Victorian era was its fashion. Men, women, and children were expected to dress a certain way, even though their styles differed from one another.