Evelyn Cunningham once said “women are the only oppressed group in our society that lives in intimate association with their oppressors.” While this may not be true today, it was for the narrator in the “The Yellow Wallpaper.” This story by Charlotte Gilman is considered one of the best in feminist literature. It tells the story of a woman who struggles with mental illness and her role in society. However unfortunate, this story provides the reader with a good insight of the roles of women during this time period. Through the story we see how gender roles affect each character. In particular, the author shows how the roles of women in the nineteenth century only serve to restrict and oppress women.
One of the first roles taken by the narrator
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First, the narrator says, “If a physician of high standing, and ones own husband, assures friends and relatives that there is really nothing matter” (531). She feels that no matter what she does, John will never believe she is sick. This is like how a parent ignores a child. Next, John forces his wife to live in a nursery. Out of all the rooms in the mansion, the nursery is definitely the most childish. The narrator asks repeatedly for a different room, but is given a no every time. In response to one of her requests, John holds her “in his arms” and says she is “a blessed little goose” (533). If the room didn’t make her feel like a child, calling her that probably did. When see John respond in a similar fashion when the narrator starts “crying.” This time John gathers her up “in his arms”, carries her to bed, and reads to her till she falls asleep (536). All three of these acts resemble how a child would be treated. Adults would do this by themselves.
We then see the role of the housekeeper. Unlike previous roles, we mostly see this role filled by the narrator’s sister-in-law, Jennie. She “sees to everything” in the house (535). This gives her pride, as it’s one of the few jobs given to women. As a result, the narrator doesn’t fill the role typically filled by the wife. Instead she just focuses on getting
At the time Charlotte Perkins Gilman wrote “The Yellow Wallpaper” she was considered a prominent feminist writer. This piece of background information allows the readers to see Gilman’s views on women’s rights and roles in the 18th century; “The Yellow Wallpaper” suggests that women in the 18th century were suppressed into society’s marital gender roles. Gilman uses the setting and figurative language, such as symbolism, imagery, and metaphors to convey the theme across.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
In Charlotte Perkins Gilman's short story "The Yellow Wallpaper," the reader is treated to an intimate portrait of developing insanity. At the same time, the story's first person narrator provides insight into the social attitudes of the story's late Victorian time period. The story sets up a sense of gradually increasing distrust between the narrator and her husband, John, a doctor, which suggests that gender roles were strictly defined; however, as the story is just one representation of the time period, the examination of other sources is necessary to better understand the nature of American attitudes in the late 1800s. Specifically, this essay will analyze the representation of women's roles in "The Yellow Wallpaper" alongside two other texts produced during this time period, in the effort to discover whether Gilman's depiction of women accurately reflects the society that produced it.
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
Women have been mistreated, enchained and dominated by men for most part of the human history. Until the second half of the twentieth century, there was great inequality between the social and economic conditions of men and women (Pearson Education). The battle for women's emancipation, however, had started in 1848 by the first women's rights convention, which was led by some remarkable and brave women (Pearson Education). One of the most notable feminists of that period was the writer Charlotte Perkins Gilman. She was also one of the most influential feminists who felt strongly about and spoke frequently on the nineteenth-century lives for women. Her short story, "The Yellow Wallpaper" characterizes the condition of women of the nineteenth century through the main character’s life and actions in the text. It is considered to be one of the most influential pieces because of its realism and prime examples of treatment of women in that time. This essay analyzes issues the protagonist goes through while she is trying to break the element of barter from her marriage and love with her husband. This relationship status was very common between nineteenth-century women and their husbands.
“The Yellow Wallpaper” written by Charlotte Perkins-Gilman explores the oppression of women in the nineteenth century and the constant limitation of their freedom, which many times led to their confinement. The short story illustrates male superiority and the restriction of a woman’s choice regarding her own life. The author’s diction created a horrific and creepy tone to illustrate the supernatural elements that serve as metaphors to disguise the true meaning of the story. Through the use of imagery, the reader can see that the narrator is living within a social class, so even though the author is trying to create a universal voice for all women that have been similar situations, it is not possible. This is not possible because there are many
Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” depicts a young woman suffering from depression after the birth of her child. This woman is sheltered away by her husband to a mansion in the country, where she persists to retreat into her mind from lack of other stimuli. Through the narrator’s drastic plunge to insanity, Gilman accurately depicts the limited roles available to women of the nineteenth century and the domineering and oppressing actions men took toward them.
Gender roles seem to be as old as time and have undergone constant, but sometime subtle, revisions throughout generations. Gender roles can be defined as the expectations for the behaviors, duties and attitudes of male and female members of a society, by that society. The story, “The Yellow Wallpaper,” is a great example of this. There are clear divisions between genders. The story takes place in the late nineteenth century where a rigid distinction between the domestic role of women and the active working role of men exists (“Sparknotes”). The protagonist and female antagonists of the story exemplify the women of their time; trapped in a submissive, controlled, and isolated domestic sphere, where they are treated as fragile and unstable children while the men dominate the public working sphere.
Charlotte Perkins Gilman published “The Yellow Wallpaper” in 1892 as a representation of how women and their roles were defined by society. This was a time in our nation’s history when social Darwinism was the norm, and women were beginning to push back against society’s role of women in relation to men. Society viewed women as property and both mentally and physically inferior to men, and women were thought to be chaotic, irrational, and intellectually inferior to men. Perkins Gilman viewed this repression as detrimental to a woman’s essence and their mental health. By writing “The Yellow Wallpaper,” Perkins Gilman wants to bring attention to the harm that this control could have on women and to raise awareness that every woman is capable of being their own advocate for equality. Perkins Gilman writes “The Yellow Wallpaper” to give a voice to the subjugated woman of nineteenth century society and to symbolize how this repression infectes all aspects of a woman’s existence including her personal relationships, her psyche, and her relationships in society.
The adversity women endured in a patriarchal society during the nineteenth century gave birth to female feminism. Charlotte Perkins Gilman was one of the leading feminist during that time. Gilman strived for the oppressed women during the “Victorian Age”, she dedicated her life to social reform believing ever women should have equality. She opened the door for every day women to become involved and to be the masters of their own destiny. The subjugation Gilman faced in the nineteenth century as well as her own experience with postpartum depression greatly influenced her short story “The Yellow Wallpaper.”
In the “The Yellow Wall-paper,” the author, Charlotte Perkins Gilman, writes about a struggling mentally ill woman, named Jane, trying to work through her individuality and her own depression. This story is centered around her bedroom, her mental state, and the yellow wallpaper on the walls in her room. The reader can easily feel the pain, anguish, despair, and struggles of a woman going through a depressive state. Gilman writes about the individual succession of the woman’s mental state through the disarray of the patterned yellow wall paper. The theme of feminism is exposed by the main characters use of language, her feelings of inferiority, mental struggles, and anger.
Many works of literature expose gender roles throughout history. The expectations, pressures, and reality of the way society perceives how women “should” be. The crooked expectations have drastically effected the self-esteem and confidence of women. The Brief Wondrous Life of Oscar Wao, by Jonot Diaz, recounts the life of a Dominican family whose values showed that more was expected of women than men. Similarly, “The Yellow Wallpaper”, by Charlotte Perkins Gillman, revealed the story of a women’s mental breakdown and her husband’s eventual diagnosis that kept her in chains. Although both texts represent the restrictive nature of gender roles that are tied to femininity. “The Yellow Wallpaper” demonstrates the encumbrance that women dealt with
The Yellow Paper is a short story published in 1892, and written by Charlotte Perkins Gilman. Charlotte tells of a disheartening tale of a woman who struggles to free herself from postpartum depression. The Yellow Paper gives an account of an emotionally and intellectual deteriorated woman struggles to break free from a mental prison her husband had put her into, in order to find peace. The woman lived in a male dominated society and wanted indictment from it as she had been driven crazy, because of the Victorian “rest-cure” (Gilman 45). Her husband decided to force her to have a strict bed rest by separating her from her only child. He took her to recuperate in an isolated country estate all alone. The bed rest her husband forced into made her mental state develop from bad to worst. The Yellow Paper is a story that warns the readers about the consequences of fixed gender roles in a male-dominated world. In The Yellow Paper, a woman’s role was to be a dutiful wife and she should not question her husband’s authority and even whereabouts. Whereas, a man’s role was to be a husband, main decision maker, rational thinker and his authority was not to be questioned by the wife.
The short story “The Yellow Wallpaper” the ending seemed somewhat confounding to most readers and in the end the ending sort of meant different things to other people. To myself, the ending generally meant that the main character, Mary, was finally free and the wallpaper portrayed how she really felt which was trapped. Like the woman in the wallpaper, Jenny seemed to feel trap and this also allowed her mental illness to keep progressing. I do believe that she was actually very ill in the head and part of that was being away from her children. There is somewhat of a gender inequality at the time this short story took place and that seemed as if another driving issue for her mental illness.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator and her husband John can be seen as strong representations of the effects society’s stereotypical gender roles as the dominant male and submissive female have within a marriage. Because John’s wife takes on the role as the submissive female, John essentially controlled all aspects of his wife’s life, resulting in the failure of the couple to properly communicate and understand each other. The story is intended to revolve around late 19th century America, however it still occurs today. Most marriages still follow the traditional gender stereotypes, potentially resulting in a majority of couples to uphold an unhealthy relationship or file for divorce. By comparing the “The yellow wallpaper” with the article “Eroticizing Inequality in the United States: The Consequences and Determinants of Traditional Gender Role Adherence in Intimate Relationships”, the similarities between the 19th century and 21st century marriage injustice can further be examined. If more couples were able to separate the power between the male and female, America would have less unhappy marriages and divorces.