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Representation of gender in media
Representation of gender in media
Representation of gender in media
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Women are dependent on men and can not save themselves. For example In Cinderella the opening narration explains to us Cinderella's life “cinderella was abused, humiliated and finally forced to become a servant in her own house and yet through it all cinderella remained forever gentle and kind, for with each dawn she found hope that someday her dreams of happiness would come true” This explains to us that Cinderella believed that although all she ever did was clean the house and run after her stepmother and ugly step sisters, her prince would come and save her from this mess, she never thought about leaving and starting a life of her own or going and finding a better way of living, she just carried on being a maid in her own home because …show more content…
she knew her prince charming would come save her from her horrid life.
It puts across a message that all women will get saved by their prince no matter how bad the situation, that women should not try make a better lives for themselves that they shall only wait for a man to come and rescue them from their distress. The critical text History of Animation, Gender roles in Disney Animation by A Yerby, S Baron, Y Lee supports my example because Yerby, Baron and Lee stated that “she is left to stay in the same enforced servitude for the rest of her life until she escapes by marriage.” implying that she submits to being a servant until her prince saves her, which again puts across a message to the viewers which tend to be young girls, that it is normal to believe that all your happiness will come from finding love and being saved by a man. Disney makes us believe that it is okay not to make a life of your own if you are a woman and that depending on a man is your only means in …show more content…
life. Another example of this is in The Little Mermaid. In the film Ariel signs away her voice so she can become a human for a man she has met once but never talked to. She decides to leave behind her whole family because she will be miserable, beside herself and not able to go on without this man. This gives a message to the little girls viewing this film that it’s okay to give up everything if you love a man, even if you have only met them once. Disney creates an image that if you sacrifice the things dearest to you, you shall meet the man of your dreams and he will fall in love with you sweep you of your feet and invite you to live in his castle in a matter of days.
This is a very unhealthy message to be putting across to young girls because the will see this and believe that this is what is going to happen to them and that they should spend their whole lives waiting for their prince to come save them, when in reality this is not going to happen. The critical text Becoming a Princess: The Transition From Individual to Sex Object by Ali Wachutka supports this example because in the critical text Wachutka clearly states her view on these movies and how princesses are shown to be. Wachutka believes the portrayal of disney princesses show that “they lack the ability to save their own lives” and that in the film The Little Mermaid Ariel sacrifices herself from under the control of one man straight to trying to win over another. Wachutka follows up her views by stating that “Ariel transitions from being under the control of her father directly to being Eric’s wife, she is never independent.” It shows us the women are portrayed as dependent on men, in most disney films the main female will more than likely be saved by a handsome prince and they will live happily ever
after. They very rarely show a woman who is not interested in love or being swept of her feet, They tend to believe and put across a message that women do depend on men and that us women would get nowhere in life without a male figure to rescue us at our beckoning call. This is very unrealistic as we see in society we have very many authoritative females that have got where they wanted to be by their own strength and will. These representations are created because Disney alters Hans Christian Andersen's original novels to make the women play a more sexist role. Ali Wachutka states in her text Becoming a Princess: Transition from Individual to Sex Object that “While both instances depict females in a sexist role, Disney does so to a greater extent…” This gives us the evidence that Disney is changing the original stories to show women in a more sexist manner to make the women seem like they should do chores and look perfect all the time and then the man of their dreams will come running to save them from their monstrous life that they can not escape from themselves because there are incapable. These examples show us that Disney portrays women to be very dependent on men and incapable of saving themselves from any harm, They put women across as weak and worthless without a man which portrays males to be the superior sex and that we can not be equals.Women have to look less superior.
It is assumed that the women will cook, clean, and take care of the house while the men go to work and bring home the food. Women are supposed to attract the man unless something is arranged by the parents and are supposed to deal with the obligations they are given at birth because of their gender. They are supposed to be as “beautiful, polite, graceful, industrious, obedient, and passive” as they can be (Kelley). Marguerite and Danielle each attract Prince Henry in two different ways, both still characterized by womanly attributes. Marguerite uses a brooch and ladylike manner while Danielle uses her acumens and audacity. Each gender goes against his or her role and the system of which society is set up, save for a select few such as the queen who wishes to not be in her position. Prince Henry does not wish to be married to just anyone available or to be king of France and Danielle rescues him from gypsies attempting to rob them instead of letting Prince Henry be the savior. She shows that not all women are weak and vulnerable, especially when Prince Henry is held captive at sword point by one of the gypsies. At the same time the movie has respect for both genders and what they are capable of when it comes to dependence and independence from and for each other, reaching a point of compromise and equality as true feminism would have it. Prince Henry accepts Danielle for who she is and learns to
In the article “Are All Princesses Really Waiting for Princes to Come?” Jack Heckel discusses some of the most common Disney princesses and the stereotypes that come along with them, as well as some of the stereotypes that are seen in the Disney princes. He supports his article by providing a variety of sources not only from Disney movies, but also from various authors and blogs. The analysis of Disney princess stereotypes has been a very common topic for years, and this overall analysis has revealed that a lot of Disney princesses are not good role models. Heckel uses many techniques including using credible, non-Disney sources, discussing other fairytales besides Disney, displaying a timeline of Disney
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
In “Escape from Wonderland” by Deborah Ross, the writer explains how the fictional characters are admired. Although they seem to be sending a bigger message to young girls. The writer talks about drawing a line between fantasy and reality. In the end Ross’s objective is to show how some Disney characters break the femininity and imagination tradition. Which can have an effect in children and how they value their own ability to have unique visions. By comparing Alice in Wonderland (1951), The Little Mermaid (1989) and Beauty and the Beast (1991) to heroines like Arabella from The female Quixote. “Charlotte Lennox’s (The Female Quixote illustrates both these conservative and progressive plot patterns, for it both draws upon and criticizes earlier romances, which themselves often both celebrate and punished female imagination and expressiveness. Therefore, like Disney’s movies today, which also use material from romance and fairy-tale tradition”, (pg. 473, Escape from Wonderland). Young women may not only begin to fantasize about a grandeur life more exciting than reality but to be disappointed with society in the workplace and relationships. For example, Meredith from Brave she is a princess that wishes to have a different life than what her mother has planned for her. She refuses to get married and have the duties of a princess. She wants to have adventures and be
In Peter and Wendy, written by J. M. Barrie, the characters exhibit specific qualities which are stereotypical of their genders. The characters fall into traditional concepts of masculinity and femininity: Peter is cocky, stubborn, charismatic and enigmatic to the women in his life, and Wendy Darling, a young girl whose father wants to remove her from the nursery she shares with her brothers. The two characters embody and perpetuate gender stereotypes, and mirror the stereotypes embodied by the adult characters in the story, Mr. and Mrs. Darling.
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
...aves Princess Jasmine multiple times and falling in love at first sight. They also live happily ever-after together, just as every other Disney prince and princess in every other Disney movie. Parents should be aware of the subliminal messages that their children view in the Disney movies they are watching, and grow up to believe that is how life goes. The children that are growing up watching Disney movies with such strong gender stereotypes are learning things they may factor into their own futures, and think that acting the way of the Disney roles is the only way for them to live their life in a happy manner. The way Disney animated films assign gender roles to their characters effect young children’s views of right and wrong in society. It is wrong, and they should not be exposed to such material growing up because it is harmful to their future expectations.
In the past all of Disney’s Princess movies tend to follow a similar plot line. It was always the same formula, the princess falls in love with the first man she meets and relies on him for comfort and guidance as they go off to live happily ever after. This formula has worked commercially and financially for Disney with movies like, Snow White and The Seven Dwarfs (1937), Cinderella (1950), Sleeping Beauty (1959), The Little Mermaid (1989), Aladdin (1992), and Pocahontas (1995). While these movies have turned Disney a huge profit they have never given young girls a strong, independent role model to look up to. These films, while entertaining and visually appealing, have taught young girls nothing but to find the person that they will spend the rest of their life with as soon as possible. Not one of the princess movies allows the princess to be anything more than something of a housewife. These women did not pursue any type of dream or career, they just fell in love with the first man they saw. Now while the Disney princess movies of the past have only been about finding love and riding off into the sunset, there was a Disney release last year that broke the cycle. Frozen, released in November of 2013, was a box office hit grossing over $400 million domestically and $700 million internationally. It did not focus on finding love for the main female character. Instead it built two strong female lead characters while focusing on the importance of sisterhood.
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
Social factors have always encouraged the idea that men embody masculinity and women embody femininity and, thus, certain gender-norms are expected accordingly. In the past, such expectations were traditional and to go against them was frowned upon by the general public. Contemporarily speaking, there is more freedom to avail oneself of today than there was once upon a time. Jeanne-Marie LePrince de Beaumont’s fairytale adaptation of ‘Beauty and The Beast’ was published in 1740. During this time, men and women were compelled by the social conventions associated with their gender. When analyzing the literary work, the reader can grasp what gender roles are eminent in the characters identity and motives. By exploring the choice of language being
Pretty Woman is a modern take on the classic Cinderella story where a poor misguided girl meets her prince and her life is dramatically changed. This film has fairy tale elements, but the biggest element in the movie is the use of sex; Vivian, the main character, is a prostitute. She meets her “prince” and is swept off of her feet, but what this really means is that she is bought for an entire week by a handsome, wealthy business man. One would assume that he was buying her for sex, but this is not your average prostitute transaction. This movie has a lot of third wave feminism ideals. Third wave feminism deals with using the female gender and sexuality to further the cause and portray their views. The ultimate goal of this paper is to show that Vivian Ward (portrayed by Julia Roberts), is the poster girl for third wave feminism.
Women have been in movies since they first started playing on the big screen, they have played an assortment of roles, the damsel in distress, the first one to die, the poor scullery maid who ends up a princess, the evil witch, etc. While some of the roles have shed bad light on women, for example being a femme fatale, other movies have set positive examples for the future generations. As time has changed, the Disney princesses have evolved with it, each princess becoming more outspoken and independent, influencing the young women of today to want to grow up to be just like them, “They enact a shift from the "princesses" of ballet to the "heroes" of sport. Heroism, egalitarianism and autonomy are slipped into the conventions of Disney princesshood” (Do Rozario, R.,C., 2004, para. 34). In Mulan the movie, Mulan saves her father by disobeying him, and taking his place in the war by doing that she ended up saving her whole country. Disney isn’t telling young women to disobey their parents; they’re showing them that while you may be a girl, you can be brave and succeed.
Disney movies have a very narrow view of what women should be like. Since the arrival of the first Disney movie, Snow White and the Seven Dwarfs in 1937, the idea of it has expanded, but rather marginally. There is a clear distinction of what a young women should be and what she shouldn’t be. Those who do not fit the mold of Disney’s expectations are cast aside to become villains, but those who do, end up becoming the damsel in distress. Ultimately, these stereotypes are what influences young girls who watch these films, and can have devastating effects on their self worth and change their idea of what it means to be a women. Films like Sleeping Beauty, The Little Mermaid, Cinderella, and Snow White and the Seven Dwarfs,
Over the years, Disney has presented many movies to their audience—most having a Princess as the protagonist. These movies became a babysitter for most parents in the early stages of their child’s life. Most people found these movies as relatively harmless. The obvious assumption about the Disney Princesses is that they only desire true love since almost every movie ends in romance. Parents just viewed these movies as romantic movies on a child’s level. However, these movies were not solely intended for an audience of an age that can be counted on both hands. They were intended to speak to “an intelligent and active audience” (Sumera 40). However, there are many people who disagree with the ways of the Disney Princess movies. The disagreements lie within the portrayal of women gender roles in these movies. It is argued that Disney portrays women as a being nurturing individuals without any control over their identity. The women are unable to think for themselves, because they are uneducated, and they are quick to fall in love with the first man that pays them any attention. However, this is not completely true. The people that are against the portrayal of women in the Disney movies are failing to recognize the underlying concepts in these movies. For example, Belle, in Beauty and the Beast, was well educated, Mulan went to war despite the consequences, and Merida, in Brave, stood up to her mother in refusal to marry. The Disney Princesses desired intelligence, bravery, strength, and independence—not true love’s kiss.
Once given birth to a beautiful baby girl, often parents refer to her as their little princess; when having a newborn girl, that baby girl will often get all the attention from her surroundings, she will be showered in the most adorable dresses; cute shoes , baby clothes that say “princess” on it and either a bow or a bedazzled head band, perhaps a room that is nothing but pink, letters on her wall over looking her crib saying “Mommy’s little Princess”. There is nothing wrong with spoiling your baby girl. But as time goes her idea of her gender role begins to develop. Buying her princess toys, surrounding her with pink, and watching the Disney movies about how princesses are beautiful, always gets her prince charming, and lives an enchanted life for ever after, is a dangerous “reality” to create for young girls. Eventually, while growing up from child years to young adults, girls in this type of environment can develop a gender constructed identity that, they are superior and deserve an enchanted life. It’s a dangerous reality for these young girls because they will grow up to believe that, they’re entitled to the fairy tale life, having pure beauty , marry her dream man, conceive beautiful children and live happily ever after, but sometimes life is not a fairy tale and you don’t always end up getting what you want.