It was a tale of two lovers uniting in the night to express their affection and devotion. So how exactly did this tale of love, end in cruel, cold-blooded murder? Good evening and welcome to Poetry Break Down, I’m your host Mary Doe. Tonight, we will delve into the fascinating world of classic Victorian literature. Under the microscope is canonized poet, the late Robert Browning. Browning’s poetry was a reflection of his life and times living in Victorian England. Later on this evening we will analyze just how his times came to play a major role in some of his greatest works, in particular his revered poem Porphyria’s Lover. Released in 1836 (Catherine Maxwell, 1993, p.27), this esteemed text follows the murder of beloved Porphyria, the lover of the enigmatic speaker who, after inviting her to his cottage for a romantic rendezvous, strangles her. Stay tuned, for tonight we explore just how this poem come to be a perfect representation of a society that was obsessed with the dominate preoccupation of male dominance.
Robert Browning’s Porphyria’s Lover skillfully epitomizes the male desire to dominate women in all spheres of life during the Victorian Era. This power construct is foregrounded as the dominant reading through a range of literary devices in the poem, pertaining to gender roles. Originally, the dramatic monologue highlights Porphyria and her strong presence in contrast to her passive male lover.
She put my arm about her waist,
And made her smooth white shoulder bare,
And all her yellow hair displaced,
And, stooping, made my cheek lie there
(Browning, Porphyria’s Lover, Lines 16-19)
Porphyria dominates her partner’s actions, forcing his check against her bare shoulder; a symbol of control. Narrating the sto...
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... been Jemima Hazell from Poetry Break Down, goodnight Australia.
Works Cited
The Norton Anthology of English Literature: The Victorian Age: Introduction." The Norton Anthology of English Literature: The Victorian Age: Introduction. 2010. Web. 23 Feb. 2014
(http://www.poetryfoundation.org/bio/elizabeth-barrett-browning)
"San Fransisco Browning Society." San Francisco Browning Society. N.p., 2011. Web. 24 Feb. 2014.
"Literature and the Canon." English and Media Centre. N.p., 2000. Web. 24 Feb. 2014
http://www.cswnet.com/~erin/rb6.htm catharine
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The death of the female beloved is the only way deemed possible by the insecure, possessive male to seize her undivided attention. This beloved woman represents the "reflector and guarantor of male identity. Hence, the male anxiety about the woman's independence for her liberty puts his masculine self-estimation at risk" (Maxwell 29). The jealous and controlling males in Robert Browning's "Porphyria's Lover" and "My Last Duchess" possess a fervent desire to fix and monopolize their unconstrained female beloveds. Due to a fear of death, both speakers attempt to achieve control and deny object loss; by turning their lovers (once subjects) into objects, they ultimately attain the role of masterful subject.
Most people have fallen in love at least once in their lives. I too fall in this category. Just like any Disney movie that you watch, people fall in love with each other, and they get married and live happily ever after right? Wrong! In real life, there are some strange things that can happen, including death, divorce, or other weird things that you never see in Disney movies. Robert Browning’s literary works are great examples of “Non-Fairytale Endings.” Not only does Browning have endings in his stories that aren’t the norm in children movies, but he also has some twisted and interesting things happen in the story of lovers. In Robert Browning’s works, Porphyria’s Lover, and My Last Duchess, the speakers can be both compared and contrasted.
The Norton Anthology of English Literature, Volume 1c. New York: W.W. Norton & Co, 2006. Print. The.
"The Condition of England" in Victorian Literature: 1830-1900. Ed. Dorothy Mermin, and Herbert Tucker. Accessed on 3 Nov. 2003.
Through her endeavors, this seems to be a new way of thoroughly expressing her admiration and vast affection for her husband. Emily Barrett Browning has proved herself a master poet. Not only does she use almost every literary device in the book, but she also delves deep into her feelings. These explanations of her feelings that she adds into the sonnets are rich in metaphors, alliteration, personification, and many more.
...ll “And thus we sit together now, And all night long we have not stirred”. This allows the reader entry into the lover’s state of mind - he is clearly insane. Consequently, some critics believe that "Porphyria's Lover" was inspired by a murder that was described in gory detail when published in Blackwood's Magazine in 1818 by John Wilson, which was eighteen years before Browning wrote this poem. The story, "Extracts from Gosschen's Diary," is about a murderer who stabs his lover to death and describes her blonde hair and blue eyes in doting detail. This not only outlines that women are only considered convenient if docile and attractive but also that writers, including female writers, “were regularly found to have succumbed to the lure of stereotypical representations”. For those reasons, the private and the public are intimately interlinked and not wholly separate.
In “Sonnet 43,” Browning wrote a deeply committed poem describing her love for her husband, fellow poet Robert Browning. Here, she writes in a Petrarchan sonnet, traditionally about an unattainable love following the styles of Francesco Petrarca. This may be partly true in Browning’s case; at the time she wrote Sonnets from the Portuguese, Browning was in courtship with Robert and the love had not yet been consummated into marriage. But nevertheless, the sonnet serves as an excellent ...
In ‘Porphyria’s Lover,’ the speaker appears to be honestly and simply recounting the events of his final encounter with Porphyria. However, Robert Browning’s careful use of meter (Iambic Tetrameter), rhyme and repetition betrays his true state of mind. He uses phrases like “Mine, Mine!” to help enforce this.
"The Norton Anthology of English Literature: The 20th Century: Topic 2: Overview." The Norton Anthology of English Literature: The 20th Century: Topic 2: Overview. N.p., n.d. Web. 31 Jan. 2014.
113- The Norton Anthology of English Literature. 6th ed. of the book. Vol.
Westport, Connecticut: Greenwood Press, 1998. Reidhead, Julia, ed., pp. 113-117. Norton Anthology of English Literature, vol. 7, 2nd ed.
Godfrey, E. (2005). Studies in English Literature, 1500-1900, Vol. 45, No. 4 -. 4, The Nineteenth Century (Autumn, 2005), pp. 113-117. 853-871.
"Porphyria's Lover" is an exhilarating love story given from a lunatic's point of view. It is the story of a man who is so obsessed with Porphyria that he decides to keep her for himself. The only way he feels he can keep her, though, is by killing her. Robert Browning's poem depicts the separation of social classes and describes the "triumph" of one man over an unjust society. As is often the case in fiction, the speaker of "Porphyria's Lover" does not give accurate information in the story.
The Norton Anthology of English Literature. Ed. Christ Carol T., Catherine Robson, and Stephen Greenblatt. New York: W. W. Norton, 2006. Print.
"The Victorian Period." Holt Elements of Literature British and World Literature Sixth Edition. Austin, Texas: Holt, Rinehart and Winston, 2008.