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Japan culture introduction
Cultural norms of gender roles
Japan culture introduction
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Geishas have been part of Japanese culture for more than 400 years. However, for those that do not know about their culture, their role in society seems a mystery. A Geisha is a traditional female Japanese entertainer for male customers. They are usually hostesses for events, and geishas perform various arts and hold a conversation with the men they entertain. Geishas are often mistaken as prostitutes, but they only sell their talents, not their bodies, to the rich. The rise of the Geishas overtook the “Yujo”, a type of courtesans in popularity during the time. Geisha came to be a rival to Yujo due to cost and fashion. The Geisha provided a more sophisticated form of diversion that was more appropriate for the upper class. The artistic entertainment of a Geisha would all be offered at a good price. Geishas eventually began to appear all over Japan. Teahouses were first licensed in Gion in 1665 and then Pontocho in 1712. Kikuya was the first women to call herself ´geisha´ in 1750 in the Fukigawa region. …show more content…
The first stage is shikomi. This stage is of servitude when a girl works as a maid to the okiya, and she attends school until she turns 15. The second stage is misedashi. In this stage a girl becomes a maiko and an older geisha becomes her mentor. The next stage is a geisha’s career is minarai. After her misedashi a maiko can now become a public member of the community. However, she has not completed her training and has to learn the ways of the geisha through observation. At last a geisha comes to complete fulfillment in the stage of mizuage. In this stage a maiko loses her virginity to a client that has paid a lot for her, even though this is forbidden by Japanese prostitution
Japan lasted from 1185-1603. During that time Japan had emperors, shoguns, daimyos, samurai, and peasants who were all apart of a social class, and all together it was called the Samurai Society. The emperor was just a figurehead for the shogun. The shogun was a powerful military leader that ruled in the emperor’s name. Daimyo were powerful landlords. The daimyo often led armies of samurai. These samurai were trained professional warriors who served daimyo and shoguns. The samurai had to follow a certain code of rules for samurai called Bushido. One of their rules included to always have self-discipline to become a good samurai. The samurai warriors wore light armor, helmets (usually shaped like an animal), and had two swords around their waist. Their armor had a lot of detail and color to it, like their unique helmets. After the samurai comes the peasants, which included farmers and fishermen. They usually always work, then pay takes to the shogun. They usually gave the shogun what they earned from working like food or crops. What made their jobs a bit difficult was their topography. Japan’s topography included many mountains, undersea volcanoes, and barely any flat land to farm on. The Japanese didn’t only work they also practiced their religion. For example, they practiced Confucianism, Buddhism (...
Musui’s Story is the exciting tale of a low class samurai’s life towards the end of the Tokugawa era. Although one would normally imagine a samurai to be a noble illustrious figure, Musui’s Story portrays the rather ignominious life of an unemployed samurai. Nonetheless, this primary account demonstrates the tenacity of samurai values and privileges present at the end of the Tokugawa shogunate. The social status of samurai had been elevated to such a state that even someone like Musui was easily able to gain influence in everyday affairs with his privileges. Not only that, but he had retained his values as a warrior and still kept great pride for his arts in weaponry.
customs and traditions hidden in the roots of the Japanese empire. The Tang Dynasty displayed a
The book, Memoirs of a Geisha, is about a girl, Chiyo, who was born in a fishing village in Yoroido, Japan. Chiyo was born into a lower income village; she and her sister, Satsu, were sold by their father into the geisha society to make up for the lack of medicine that her mom needed. Satsu ended up in the pleasure district in Kyoto and Chiyo was forced to go to an Okiya house to work to become a Geisha for the rest of her life. The meaning of a geisha is artisan, it is a Japanese hostess trained to entertain men with conversation, dance, and song.
The term “Samurai” means those who serve. These mystical knights served many functions in Japanese society. During time of war, they were the masters of the battlefield. In peace they were the administrators and the aristocrats. As statesmen, soldiers, and businessmen, former samurai took the lead in building modern Japan.
The top structure of the society includes the Shoguns, Daimyos and Samurais. ‘Shogun’ was the title granted by the Emperor to Japan’s top military commander (Web-japan.org, 2013). Initially Emperors controlled the country but over time Shoguns became more powerful than the Emperor and took over the whole government, the Shogun was generally the real ruler of the country until 1867 when feudalism was abolished (Web-japan.org, 2013). Daimyos were the lords and their roles were to manage and maintain the law, collect taxes and aiding in armed forces for the Shogun (Ask.com, 2013). Samurais were the members of the military class, they were the warriors of traditional Japan. The roles of the Samurais were to protect and serve their daimyos or lords usually in wars (Answers.yahoo.com, 2013).
The geisha of Japan were more than entertainers they were a part of the bigger picture of the Japanese society from the early 1600s to today, their role as an entertainer for men was respected at a point in which man that had time with geisha were praised and they were even respected by the wives of the clients. One of the most significant historical contexts of geisha in Japanese society is the empowerment of women, they were the only women in the history to create a set of norms and social tradition for themselves, and the group of women to have control of men. Geisha are the representation of Japanese tradition and
Franklin D. Roosevelt was once quoted saying, “Men are not prisoners of fate, but only prisoners of their own minds”. Within this universe of endless possibilities, it is physically impossible for anything to stay completely constant. Human beings, as a part of the universe, are no exception. Individuals are, however, able to separate themselves from the rest by their thoughts, feelings, and actions. At any given moment, they are able to change their course of existence, possess the will and mental freedom to act and perceive in a goal directed manner. In Arthur Golden’s novel, Memoirs of a Geisha, Sayuri Nitta recalls her experiences throughout her journey of becoming a geisha. Sayuri Nitta, whose original name was Chiyo Sakamoto, is a strikingly beautiful girl who grew up in an impoverished fishing
The samurai are a type of warrior class in Japan similar to the European knights. They were not only used as soldiers for combat in war but they also replaced the court government in terms of managing the local government. They pledged to keep the peace and stay loyal to their master. This is how they were used for most of history until the end of the Tokugawa period. Their rise all begins in the Kamakura period.
Myths and Legends of Japan Japan has many myths believed to be true by the Japanese culture. Such as: "You can tell a person's character from their blood type". The Japanese creation myth starts off with brother and sister gods Izanagi and Izanani. They dipped a spear into the churning sea and when they pulled it out the drops that fell on the water surface became the islands of Japan. Next, the sun goddess Amaterasu, was created and was soon sent to heaven to rule over the world.
“Whatever our struggles and triumphs, however we may suffer them, all too soon they bleed into a wash, just like watery ink on paper” (Golden pg.428). The novel, Memoirs of a Geisha, by Arthur Golden, is about a world where deception is prominent, where the main character Sayuri faces many hardships before she is able to achieve success as a Geisha. This is shown through multiple events in the novel such as, Mr. Tanaka selling Sayuri into slavery, which leads to something better as she finds love and eventually benefits from the betrayal. This is also shown through Hatsumomo, as her constant deception throughout the novel leads to Sayuri becoming the most popular geisha in Gion, eventually rendering Hatsumomo powerless, and through the betrayal
Under postmodern conditions, persons exist in a state of continuous construction and reconstruction; it is a world where anything goes that can be negotiated. Each reality of self gives way to reflexive questioning, irony and ultimately the playful probing of yet another reality. ( Gergen, 1991) Due to the constant change in the world, the juxtaposition of cultures and communities joining and the influences of globalisation, the 21st century is never the same. Nevertheless, the mass media plays a huge role in influencing the perception of its audiences.
An American film based on the best-selling novel, Memoirs of a Geisha, is a famous movie that represents one aspect of American culture that is a review of the traditional images of Asian women as presented in the American movies. Integrating two sources from the article "Asian Women in Film: No Joy, No Luck" by Jessica Hagedorn and the film Memoirs of a Geisha, these two sources show American reviews of Asian women and Asian women’s preference which challenge the typical American cultural representation of Asian women in Hollywood. The film Memoirs of a Geisha is about the story of a young girl, Chiyo Sakamoto, who is sold into slavery by her family.
Geisha, shrouded in mystery, is an understandably fascinating subject. However, it is precisely the elusiveness of geisha that makes their image vulnerable to misconstruction. Geisha have been romanticised in much of Western literature to become for “male entertainment and pleasure” (Foreman, 2008, 2). I argue that the popular portrayals of geisha as being the Oriental feminine ideal, which has been “fetishized as the embodiment of perfect womenhood and genuine exotic femininity” (Le Espiritu 1997, 96-7 cited in Foreman, 2008, 10) are not only inaccurate, but highly problematic as well.
Memoirs of a Geisha is Arthur Golden's debut novel, written exquisitely with great detail. It was initially written as a novel that would depict the son borne of a geisha and a Japanese businessman, but once he had learned the true nature of a geisha, he changed his topic. Golden discovered the intrigue of the geisha - the attributes that draw in the geisha's customers, that make them an irreplaceable part of Japanese history, that make them human as well as the ideal of what a woman should be. When these features were displayed through Sayuri's voice, the novel became an emotionally enrapturing story, which drew in the reader and captivated the heart. I, personally, was affected deeply by this novel. I have always been drawn in by Japanese culture, even as a child. When I learned of the geisha for the first time, I thought I even wanted to be one someday. While reading this novel, any fantasies I may have had of what a geisha was were completely reshaped. This novel convinced me that the geisha truly were artists - they were trained and hired as musicians, dancers, conversationalists, jokesters, and "drinking buddies", so to speak. The geisha incorporate both the demure and the vulgar aspects of the human spirit, and created instead a playful and desirable companion for the stressed and lonely businessmen.