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The theme of death in literature
The theme of death in literature
Death theme in literature
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Mia Hall is not the average high school student. She lives in a home filled with punk-rock parents and a little brother whose favorite way to pass time is banging on the family set of drums. Even though her whole family prefers rock music, Mia is dedicated to classical music. Adam, Mia’s boyfriend, is also involved in the punk-rock scene, and Mia also felt out of place in his world. However, Adam soon makes her comfortable when he invites her to a classical concert in honor of their first date. All of these characters make choices in this novel, but none of them compare to the final choice Mia has to make. In the touching and poignant novel, If I Stay, Gayle Forman conveys a heart-wrenching tale relevant to the concept of choice. 7:09 A.M. …show more content…
It is not even an inch, but even the slightest bit of snow will stop the whole town. The school district decided to cancel school for the day. Mia’s parents also choose to skip work and plan for the day ahead of them. The family decides to drive to their grandparents’ house, despite the slippery and wet roads. Her Dad sits behind the wheel, and the rest of the family piles into the car after him. They battle over who controls the music. NPR, Frank Sinatra, Spongebob Squarepants, or Classical? Regardless of all the many options, Mia eventually wins stereo dominance with the classical-music station. Eventually, Mia gives in to the soothing sound of Beethoven’s Cello Sonata no. 3 and slowly drifts away. Suddenly she’s awake, the sound of Beethoven still in her hears, but something is not right. The impact of a four-ton pickup truck going sixty miles an hour crushes the passenger side of the car. Parts of the car thrown into the forest for someone to find at a later date. Mia’s mother was killed …show more content…
Gramps takes a moment to tell Mia that it is okay if she needs to go. He is the only one who truly understands both options. As bad as he may want Mia to be alive, he knows deep down how hard it would be to live. Image coming back to life, knowing you do not have a family to go back to. No more staying up late because of her little brother playing the drums during the ungodly hours of the night. No more talks about life and love with her fierce and sassy mom. No more calming and thoughtful talks from her dad when she is scared to go back on stage. Mia would come back to nothing, and she knows it. “I realize now that dying is easy. Living is hard”(Forman 175). Mia recognizes this feeling in her head, and even though it is impossible for her to say it out loud, Gramps seems to understand. In the ICU he says, “So I just wanted to tell you that I understand if you go. It’s okay if you have to leave us. It’s okay if you want to stop fighting”(Forman 181). Gramps gave Mia a gift when he said this, a gift of choice. He finally acknowledged the fact that Mia has nothing left, when everyone else was too scared to. The social worker told Gran and Gramps to not upset Mia, but his recognition of her choice empowered her. Even though Gramps wants nothing more than to speak to his granddaughter again, he still gives her permission to choose. The room goes silent after Gramps eventually falls asleep. So quiet that
After the death of her brother, Werner, she becomes despondent and irrational. As she numbly follows her mother to the burial
William Miller, our unlikely hero, lives at home with his protective mother Elaine and rebellious older sister, Anita. His ORDINARY WORLD is the sheltered existence of a San Diego junior high school student. When Anita has a fight with her mother and decides to leave home to become a stewardess, her parting words to William make her the HERALD of his adventures to come. With the car packed and running, Anita takes hold of William on the front lawn, looks him dead in the eye and says: “One day, you’ll be cool.” Under his bed, the stack of albums she has left for him includes the Who’s Tommy, with a note taped to it. “Listen to Tommy with a candle burning and you will see your entire future,” it reads prophetically. And so it was written. Rock music is about to change William forever.
He fig-ured that the normal half hour walk home might take as long as two hours in snow this deep. And then there was the wind and the cold to contend with. The wind was blowing across the river and up over the embankment making the snow it carried colder and wetter than the snow blanketing the ground. He would have to use every skill he’d learned, living in these hills, to complete the journey without getting lost, freezing to death, or at the very least ending up with a severe case of frostbite be-fore he made it back to Ruby.
Steven Alper’s life started out completely normal. Steven starts out as your average teenage middle school boy; skinny, wears glasses, has braces, and last but not least, invisible to the hottest girl in 8th grade, Renee Albert. Besides being a complete geek, Steven excels at playing the drums; even making into the All-City Jazz Band. But after troubling times come after attempting to make “moatmeal” for his younger brother Jeffery, Steven’s world gets turned completely upside down; changing and challenging the rest of his 8th grade year.
At first the author paints a picture of a small village or town that is getting hit by a ice storm. The narrator shows how cold it is by commenting, “But the freezing rain kept coming. Tree branches glistened like glass. Then broke like glass. Ice thickened the windows until everything outside blurred” (Heynen 1). From this the reader can tell this isn't a regular snow day. Tree branches are freezing so much that they are just breaking like glass. Also the windows have become translucent from how thick the frozen ice is on them. The narrator also states, “Some farmers went ice-skating down gravel roads” (Heynen 1). The gravel road is so frozen that a person can ice skate on it. That itself shows how cold it is outside in this story. The reader should be able to tell
Winter is brought up in the projects of Brooklyn with her three younger siblings. They live a very wealthy life and get whatever they want whenever they want it. Her mother is more of sister than the typical mother role model, since Winter looks up to her she ends up becoming like her from the shallow self-centered individual, being motivated by material possessions, attractiveness and to attract as many men as she can, especially if they have money. When the family is moved to a mansion in Long Island the ‘ghettoness’ isn’t taking out of Winter and her father 's 'empire ' collapses, her father is arrested and locked up; the FBI ended up taking everything they owned. Winter and her three younger sisters are put into foster homes, while her mother becomes addicted to crack.
An example of the cycle followed by her father, his father, and his father before him is told when Blunt recalls a major blizzard in December 1964 that trapped the family and some neighbors in their small homestead. She unemotionally describes how her father simply proceeded to go through the motions of keeping the pipes from freezing, calmly accepting the fact that he could do nothing as the storm progressed and he could not prevent loss of a of their livestock. Or how when he first ventured out to check on the animals in their nearby barn and nearly lost his way back in whiteout conditions. Later, when the storm passed, she told of playing amongst the frozen corpses of the cattle, jumping from ribcage to ribcage, daring her older brother and sister to cut off pieces of the animals, all with the calm acceptance that this was so normal, nothing strange about it.
In his early teenage years a young boy looses his mother after she committed suicide and then is followed by the tragedy of losing his father in a car crash.
father's death. He is forced to act insane in order to find out the truth
The silence was okay, she could’ve lived with that. But it was the coldness that scared her; the coldness suspended in the air between them: her mommy washing dishes in the kitchen, head bent, hair swooped to the side, hiding her left cheek, and her daddy, sitting on the sofa reading the Sunday paper in silent indifference. She was caught in the middle, with her toys scattered around her, shivering at the coldness of it all. She knew.
On their way, they hit a rough snowstorm, and they end up in a ditch along the highway. A police officer, that Jeanine and Holly name “Trooper Joe” comes to the rescue and takes them out to eat at a truck stop. On the way to the truck stop, Holly falls asleep and Jeanine is stuck talking to Trooper Joe about religion and the girls’ plans for Chicago. Jeanine tells Joe their cover-up story that they are going to cosmetology school and staying with a friend. When they get to the truck stop, Holly wakes up and goes to the restroom with Jeanine where she tells Jeanine that she does not want to go through with the plan anymore. This bothers Jeanine because she is always trying to control Holly. Holly then goes back out to eat with Trooper Joe and the two seem to hit it off pretty well. Jeanine is disgusted by the two, so she gets up and walks out into the snowstorm. While she’s walking, she sees lights in the sky that she calls “Ice
Its 7:09 a.m. and Mia Tall, a cello player, doesn't have school today due to the snow that flew in over the night. Mia's parents decide to go to Portland to visit family friends. On the way there, they crash with another car because of the weather condition Afterwards, Mia notices her parents’ bodies, her little brother’s, and disturbingly her body too. Throughout the whole book Mia is having an "out- of -body experience." Mia gives the readers flashbacks of her gleeful, loving life. Mia spends several days juggling two important decisions, life or death. Mia finally decides to stay, and goes on with her life.
The 2016 film The Choice, directed by Ross Katz, reveals that choices made in life can affect an individual for the rest of their life, whether they are big or small. The main characters Gabby and Travis, have an interesting connection and somehow resemble one another through many symbols to develop a strong love for each other. Through the use of repetition, context, and visual emphasis, Ross Katz, uses the seashell wind chime as a charged symbol in The Choice, because life can be so fragile and all depends on what choices an individual makes in life.
Mina comes back home only fifteen minutes later, crying. The grandmother is blamed once again for Mina’s actions. Mina reacts to her grandmothers questions of the tears by saying “ You m...
By Friday afternoon it had begun to snow and quickly several inches had accumulated. As the snow was falling, clean up quickly began. The neighborhood soon filled with children excited over the freshly fallen snow. Since all of the schools were closed, the children were assured enjoyment for several days.