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Discrimination towards the LGBT community
Sexual orientation in the media
Sexuality presented in pop culture
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Recommended: Discrimination towards the LGBT community
In today’s generation, gays are one of the primary topics when it comes to gender sensitivity in mass media. And that, acceptance of the society to gays do not require religion, nationality and sexual orientation because of social media, social networks and other medium of mass media, the gays started to be judged and studied in our society. The researchers have decided to take a critical look into the portrayal of gay characters in the independent film “Brod”. This study, thus, centers on how the gay characters and their characteristics are portrayed in the film ‘Brod’ (i.e. initiating conversation, its internal and external factors and even nonverbal such as eye contact, use of personal space and touching). The researchers want to disctss the equities and inequities encountered by the gay characters in a fraternity happening in the film ‘Brod’ in terms of Linguistics, Visualization and Gay stereotypes depicted from mainstream films and independent films in the country. The gay stereotypes depicted in the selected movies are the effeminate gays and discreet gays. The effeminate gays are portrayed in the films as cross-dresser, parlorista, with flamboyant lifestyle and feminine mannerism. Majority of the stereotypes depicted on the films leaned towards the “Bakla” who is the very subject of ridicule and discrimination in a macho and paternalistic society like Philippines. (Reyes etl., 2012). The researchers want to study the portrayals of the ‘closeted gays’ inside the film ‘Brod’. The study covers the equities and inequities that the closeted gay characters with regards to their language, visuals and performance. Statement of the Problem: How are the gay characters in the film ‘Brod’ portrayed? Objectives To analyze the representation of the characteristics in the film ‘Brod’ To discuss the equities and inequities encountered by the gay characteristics in fraternity in the film ‘Brod’ in terms
In the article “Dude You’re a Fag: Adolescent Homophobia” the author uses pathos and logos to convey the audience the main point of her article. Rhetorical modes such as exemplification and description are used. C.J. Pascoe is trying to argue that the word “fag” or “faggot is not mainly used as a homophobic slur within high school boys, but more commonly used to describe unmasculinity.
Through the artful use of careful diction, emotional stories, and persuasive structure, Carmen Vàzquez made her argument very clear. She found that gender roles and the state of homophobia in today’s society was unacceptable, and requested the reader’s cooperation in the struggle to reform society’s views. “Appearances” is an excellent example of an essay with an effective delivery of an argument. This manipulation of language may one day inspire a change in the views of society.
‘Lad flicks’ or ‘lad movies’ is a type of film genre that emerged in the late 1990s. They are defined as a “‘hybrid of “buddy movies”, romantic comedies and “chick flicks”, which centre on the trials and tribulations of a young man as he grows up to become a ‘real man’. ‘Lad flicks’ respond in part to the much-debated ‘crisis in masculinity’” (Benjamin A. Brabon 116). This genre of film explored what it meant to be a ‘real man’ in the twentieth century and in order to do so, they would have to grow up and leave their juvenile ways behind to enter the heterosexual world. Gender relations in ‘lad flicks’ portray masculinity as a troubled, anxious cultural category hiding behind a humorous façade and also rely greatly on a knowing gaze and irony. The two ‘lad flicks’ that will be analyzed are The 40-Year-Old Virgin (Judd Apatow 2005) and Role Models (David Wain 2008).
Released in 1994, 14 years into the AIDS epidemic, the film had a phenomenal response around the world and in Australia. Travelling from Sydney, the three main characters, played by Hugo Weaving, Guy Peirce and Terrance Stamp, travel to Alice Springs for a cabaret show hosted by Mitzi’s wife. The audience is positioned to sympathise with the main characters during their hardships, and good times. The movie confronts different types of masculinity in an extreme environment. The film presents the stereotypical behavior of gay men that is evident in our society.
...“The people in the bar were drunk, shouting and singing loudly. Aswany continues to paint Hatim as a respectable character when he describes his professionalism, saying that though all of his employees are aware of Hatim’s homosexuality, they do not sense it nor does he make a show out of it at work; rather, he is quite stern and serious with them. Hatim’s homosexuality is identified but does not let it define or confine him intellectually or professionally. In the case of The Yacoubian Building, Aswany’s purpose was not to portray a homosexual in a negative light, but to illustrate Hatim Rasheed: a flawed but likeable character, who also happens to be homosexual. By using heartening flashbacks and positive descriptions, Aswany is able to present Hatim Rasheed as more relatable than his general audience would usually be willing to consider a homosexual character.
Kidd expands on society’s sexual perspectives in mass media and illuminates the stress pushed towards the lesbian, gay, bisexual, and transgender population. He outlines sexuality as one of many influences on the ways we interpret the culture we consume. He supposes that popular culture has five major social roles: generating basic social norms, producing social boundaries, producing rituals that generate social solidarity, generating modernization, and generating social progress. He pays particular attention to Emilie Durkeim and connects his sociological
The “lotus blossom” stereotype is an Asian American female stereotype that portrays them as feminine, submissive, and desirable romantic interests for the white male protagonist (Tajima 309). Although the stereotype is the production of films fetishizing the “traditional Orient” culture, the stere...
This paper will look at the different conceptions highlighted by Bulman in his article through the use of different methods used by the actors in the play. Twelfth Night, by William Shakespeare captures the different conceptions of gender identity and different sexualities within the Elizabethan period.
I found “Someday My Prince Will Come” to be a very interesting and enlightening article, sometimes when watching Disney movies at face value, it is easy to miss just how heterosexually driven these movies are. Many of the Disney movi...
Since the early 1990’s, “Queer Theory”, or queer study, has emerged and become very common in influential readings throughout literature. Many scholars apply this poststructuralist theory when criticizing works within the Renaissance period, including the works of William Shakespeare. Twelfth Night continues to be a commonly reviewed work when discussing the recurring homoerotic themes throughout Shakespeare’s works. Though Twelfth Night is often used for the discussion of homosexual interaction in Shakespeare, the conclusions drawn from these possible same-sex attractions are still divided and unclear. Regardless of this division, there is a large amount of substance that supports the unquestionably present homosexual relations in the play.
“The unprecedented growth of the gay community in recent history has transformed our culture and consciousness, creating radically new possibilities for people to ‘come out’ and live more openly as homosexuals”(Herdt 2). Before the 1969 Stonewall riot in New York, homosexuality was a taboo subject. Research concerning homosexuality emphasized the etiology, treatment, and psychological adjustment of homosexuals. Times have changed since 1969. Homosexuals have gained great attention in arts, entertainment, media, and politics. Yesterday’s research on homosexuality has expanded to include trying to understand the different experiences and situations of homosexuals (Ben-Ari 89-90).
The 1990s saw a surge of gay characters in both television and movies. From Ellen Degeneres and her character Ellen Morgan coming out under much scrutiny on the TV show ‘Ellen,’ to Julia Roberts and Rupert Everett comedically playing off each other in the motion picture ‘My Best Friend’s Wedding.’ Sure, gays and lesbians have been around forever, especially in Hollywood. But never has there been a time to be more out. With the popularity of shows like Will and Grace, which feature leading gay characters, as well as Dawson’s Creek
Gender is a sociological factor which is a set of relationships, attributes, roles, beliefs and attitudes of human. On the other hand, sexuality can be referred into two traits. First is Biological; second is Physiological. Biological trait is about the difference of sex organs, the production of estrogen or testosterone. Physiological trait is about the difference of facial features, size of bones, shoulders, muscles, fatty issues. According to American Psychological Association, gender and sexuality impacts and is impacted by cultural, political, legal, and philosophical aspects of life. As popular culture is the culture of today, which is always based on universal activities, it is effortless to alter the mind of human so the concept of gender and sexuality would be easier to change. Therefore, this essay is going to discuss about how popular culture affects gender and sexuality in human's attitudes.
The prevalence of sexology literature and scholarship was and remains to be a topic of discourse when questions to the origins of a ‘homosexual’ identity arise. In today’s society, one usually points to the New York City Stonewall Riots in 1969 as the beginning for the recognition of homosexual love and identity. Indeed, this event remains to be an important marker in queer* history, but there are many scholars in various interdisciplinary fields who would instead argue that emergence of homosexuality as an identity stemmed from medical and psychiatric research carried out by German psychiatrists and doctors.
middle of paper ... ... Works Cited Adam Sharpiro, Megan Schultz, Christina Roush, Cassandra Schofar, Emily Shilling, Tawnia Simpson, Natalie Sampiller. Portrayal of Homosexuality in Media. 26 March 2014 http://www.bgsu.edu/departments/tcom103fall2004/gp16.pdf>. Huegel, Kelly.