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Phantom of the opera history essay
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When you think “The Phantom of the Opera,” you think a brilliant musical, on Broadway but the story begins way before then. The well-loved story went through many different stages before it became a musical. Shall we look at the various ways this timeless tale has been told over the years?
It first was a novel by Gaston Leroux. In 1909, the complete “Le Fantôme de l’Opéra” was published as a book. Though the book did not sell very well. Leroux said he was inspired to write the novel after a trip to the Opera house in Paris. While wandering its lower floors where he found a wondrous lake below some iron grilles in the floor, also he remembered an accident that happened when one of the chandelier’s counterweights fell on the audience. Which
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gave him the ideas to begin writing the novel thus giving birth to what we come to know as one of the most wonderful musicals known to men. The President of Universal Pictures, Carl Laemmle, met Leroux while on vacation in France.
Laemmle confessed how delighted he’d been with the Place de l’Opéra opera house, and with that interest Leroux gave Laemmle a copy of his book. Laemmle stayed awake all night just to finish the book and then intended to turn it into a film no matter what. In 1925, he did just that, Universal Studios produced a silent film of Leroux’s “Phantom” starring Lon Chaney, which did relatively good. In 1924, they even built a replica of the Opera House in Paris as their “background” on a Hollywood staged to film the movie. On April 26, 1925, the movie premiered in San Francisco. In 1930, dialogue and sound were added for the first time. In 1945 and 1962, two more films were produced neither as successful as the movie in 1925.
May 1984 is when Andrew Lloyd Webber took the interest in The Phantom of the Opera. He read a review about a performance of the Phantom of the Opera performed by The Theatre Royal in Stratford and calls Cameron Mackintosh about the idea to turn it into a musical. In early 1985 he bought an old copy of the original story by Leroux from a bookstore. Inspiring him to create a romantic music score for his wife. Starting the journey of creating one of the most well-known
musicals. The Phantom of the Opera was written by Andrew Webber with lyrics by Charles Hart. The first act was presented to an audience he invited to his country home. The story goes from his hideout beneath a 19th century Paris opera house, the Phantom tries to get closer to vocalist Christine. The Phantom, wearing a mask to hide a congenital disfigurement, convinces management into giving the starlet key roles, but Christine starts to fall for arts benefactor Raoul. Terrified of her absence, the Phantom hatches a plan to keep Christine by his side, while Raoul tries to foil the plan. His designer visited the Paris Opera House in November 1985 to get inspiration for her sets. Andrew then test it out with a recording which captures how the musical will go. ‘The Phantom of the Opera’ was arranged as a rock number which then topped the charts at number 7. With this success he started planning for the musical. In March 1986, open auditions started for The Phantom of the Opera. Five months later rehearsals finally started. Two months later, after several previews The Phantom of the Opera has its opening night at Her Majesty's Theatre in London starring Sarah Brightman and Michael Crawford. The times magazine said it was “God’s Gift to Musical Theatre.” The opera won 3 Lawrence Olivier Awards, one being Best New Musical, in December 1986. Even Princess Diana attended the concert with none other than Andrew Webber himself. The Phantom of the Opera opens on Broadway, in Japan, Australia, Africa, and Las Vegas. On Broadway, it made $18 million at the box office. The musical wins 7 Tony Awards, one being Best Musical, in New York. Andrew Webber and Joel Schumacher agree it’s time to make the musical into a film on Christmas 2002. December 2004 the film premieres in New York and is nominated for three Golden Globes. The Broadway production even became the longest-running show ever on Broadway. The Phantom of the Opera celebrated its 25th anniversary in 2001. The Phantom of the Opera is what sparked my interest in musicals that's why I choose this as my topic. I remember when my high school chorus teacher told us we were going to watch it and I thought I wasn’t going to to enjoy it, but boy was I wrong. We didn’t get to finish in class so when I got home I went crazy trying to find it on the computer. I wished I could sing like an opera singer, but there was no way I was going to hit the notes they hit. It fascinated me how the could hit those notes. I loved how the incorporated the story with the music. I felt like it went so well together and I couldn’t wait to watch another musical. Then we got the opportunity to go see The Lion King at the Fox and I couldn’t wait to see a live performance. One day I wish to go see The Phantom of the Opera on Broadway. I really wish to see any live musical on Broadway to be truthful. Also, I wish to go see one in London. I admire any opera singer because I believe it's a really hard job especially when they have to learn it in a different language. I know it takes long and hard work to become an opera singer. Which makes me appreciate even more especially when they perform it night after night. I also think about how much care they have to put in their voices. I really enjoyed researching the history of The Phantom of Opera. I didn’t know that it was a novel first then a silent film and finally a musical. When I read that I knew this is what I wanted to write my term paper on because it’s interesting to learn that about a musical. I just thought it was just a musical, but I was totally wrong. Now I want to see if I can find the original book and the silent film. I can honestly say that The Phantom of the Opera is my all time favorite musical not only because it’s good but because it’s what sparked my interest in musicals and live performances. I was totally excited that I found the 25th anniversary live performances on Netflix, I stayed up all night just to watch the performances. I’m so glad I decided to write the paper over this because I really enjoyed learning about the history of The Phantom of the Opera. It’s amazing how much you can learn if you just sit down and take your time and research something. I even listen to the soundtracked when I researched and wrote this paper. I didn’t think I would learn so much, to be honest, but I did and I’m glad.
When Mary Zimmerman adapts a play from an ancient text her directing process and the way she engages with text are woven together, both dependent on the other. She writes these adaptations from nondramatic text, writing each evening while working through the pre-production rehearsals and improvisations during the day with the cast. The rehearsal process influences the text, and the text enriches the rehearsal process, so that one cannot exist without the other. Every rehearsal is structured the same but each production is unique because as Zimmerman states in “The Archaeology of Performance”, she is always “open to the possibilities”. The piece is open to everything happening in the world and to the people involved, so the possibilities are honest and endless.
A famous man by the name of Kahlil Gibran once said, “Beauty is not in the face; beauty is a light in the heart.” It just happens that Cyrano’s heart shined brighter than anyone I have ever known. Through insecurities and heartbreaks, Cyrano would never forget his pride or the feelings of his friends. He never lost his honor and would always bring light into any situation, even when he was near his death. Cyrano displayed many positive traits and values such as loyalty, devotion, selflessness, knowledge, and pride which all contributed to our sympathy towards him.
Kislan, Richard. The Musical: A Look at the American Musical Theater. New Jersey: Prentice-Hall, 1980. 84, 110, 116-121, 125-127, 128, 134, 163, 195, 201, 209. Print.
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
The Phantom of the Opera at the Royal Albert Hall. Dir. Nick Morris. Perf. Ramin Karimloo,
As in all genres, the musicals have had its share of failures. Some worthy dramas have been pressed into service and musicalized and sometimes butchered in the process, and audiences have had to watch a fine play diluted into a mediocre musical. But the successes have been many and spectacular and they have left a long lasting effect on the American art and culture.
thesis of how the musical brought our inner child out to realize our true struggles in life.
Lloyd Webber’s widely regarded masterpiece Phantom Of The Opera uses key motifs and themes throughout the musical to establish its characters and scenes in an effective manner. Throughout the production the motifs, themes and songs all develop to reflect the changes their respective characters undergo. This is particularly evident when analysing The Phantom, his motifs and songs, and how they develop throughout the story.
Ostlere, Hilary. “Taming The Musical.” Dance Magazine 73.12 (1999): 84. Expanded Academic ASAP. Westfield State College Library, MA. 15 April 2005.
Wagner’s first opera was composed in 1833 called “Die Feen” (The fairies). This work however was not produced until after the composers death. During the years 1834 and 1836 he worked as the music director of the theatre in Madgeburg, where he composed his next work “Das Liebesverbot” (Forbidden Love).In 1837 he began working as the first musical director of the theatre in Riga, Russia, where he remained until 1839.
On October 12th, I saw Tosca by Giacomo Puccini held at Atlanta Opera. Tosca is an Italian opera, directed by Tomer Zvulun, accompanied by an orchestra conducted by Arthur Fagen, included a cast of Kara Shay Thomson, Massimiliano Pisapia, and Luis Ledesma (The Atlanta Opera). Opera is an art form in which singers act out drama through a combination of acting and vocal performance. Singers deliver conversation in a musical manner, essentially singing the conversation. Since we recently learned about opera in class, I want to explore the future of opera - where it will go next with the ever advancing modern technology, media and entertainment, and what researches are currently being done at both the industry and academic levels. I will briefly describe what the traditional opera is like using Tosca as an example. Next, I will look at modern opera after the World War II. I will also select one example from the industry and university that are experimenting with opera. At last, I will offer my imagination of what the future of opera may be.
The Lion King musical is a well-known musical that has taken the stages of Broadway, West End and the rest of the world by storm (The Lion King, 1997). Regarding the process of the musical, Artistic Director Julie Taymor’s first thoughts for choosing the Lion King as the next big thing on stage, was classed as ‘impossible’ due to the film’s lack of theatrical material (The Lion King, 1997). Therefore, staging this particular work contained a great deal of uncertainty and the need for taking huge risks. Taymor (1997) suggests how ‘the Lion King was the worst idea possible to create a stage show.’ It has become evident that a number of significant barriers had to be overcome to secure the practicality of the production. In view of this controversy, this dissertation will critically analyse the success of the Lion King by exploring two significant aspects that have helped to make the musical a success. Firstly, the essential components that make up this theatrical production will be explored and secondly, the roles of each producer within the Lion King and their combined and individual influences they have had from the production will be evaluated. By analysing these two central themes, this paper will show how and why this musical has developed and achieved its phenomenal success.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
The Phantom of the Opera directed by Joel Schumacher is the 2004 adaptation of Andrew Lloyd Webber’s 1986 musical of the same name. The Phantom of the Opera stars Gerard Butler as the Phantom, Emmy Rossum as Christine Daaé, and Patrick Wilson as Raoul, the Vicomte de Chagny, who are embroiled in a love triangle. The film was met with generally mixed and negative reviews: Schumacher’s use of mise-en-scène, cinematography and editing, as well as symbolism contributes to the production of The Phantom of the Opera.