Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Mtvs impact on pop culture and music
Mtvs impact on popular music
Punk's subculture interests
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Mtvs impact on pop culture and music
According to the United Nations, the earth is populated by 7.3 billion people (United Nations, 2015). Many of these people who inhabit the earth have lifestyles that are considered “normal”, but some choose lifestyles that others would consider “abnormal”. These “abnormal” lifestyles are referred to by society as subcultures. One such subculture is the punk subculture.
The punk subculture began as a musical genre in the United States in the mid-1960s called garage rock (contributors, 2015). Garage rock was so called because bands, both amateur and professional, who played this genre of music typically practiced in their garages (contributors, 2015). This genre of music was made famous by such bands as The Fugs, MC5, The Stooges, New York Dolls,
…show more content…
In 1977, writers for Sounds, a British pop/rock magazine, began to describe the musical acts of some bands as “post-punk”. These were bands such as Siouxsie and the Banshees, Joy Division, Wire, Magazine, The Fall, and others, who turned away from the punk-rock scene in favor of different sounds, lyrics, and even aesthetics (contributors, Post-punk, 2016). This gave rise to the post-punk subculture, which was different from the early punk subculture in that it rejected punk's roots in rock and roll in favor of genres such as electronic music and black dance music and encouraged members to act and dress in their own way rather than emulate the early punk bands. The post-punk movement also blurred the line between pop culture and high art by incorporating modernist art, politics, cinema, and the avant-garde into their music, something that punk bands had not done (contributors, Post-punk, 2016) . However, this genre of music eventually died out as post-rock bands shifted to other genres of music such as alternative rock and new wave. Some former post-punk bands, however, such as U2, influenced or became a part of the Second British Invasion in the United States (contributors, Post-punk, 2016) . This invasion referred to the influx of synthpop and new wave bands from the United Kingdom that became popular in the Unite States from early 1982 to late 1986, due mostly to the music channel MTV (contributors, Second British Invasion, 2016). However, in the early 2000s, a post-punk revival began. Bands that emerged in this post-punk revival played a basic, no frills version of guitar rock and was influenced by such genre as blues, new wave, and grunge. These bands also popularized distorted guitar sounds, held energetic concerts, and mostly drew on the fashion of the 1950s and 60s (contributors, Post-punk revival, 2016). As a result, the post-punk subculture
Rock ‘n’ roll and 20th Century Culture According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from.
a lifestyle. “Punk is not just the sound, the music, it’s a lifestyle” stated singer Billie Joe Armstrong. (Brainyquotes.com).
When examining subcultures such as the Goth culture it is evident that many serve not only as a means of identifying one’s self by membership in that subculture, but to defy the culturally dominant set of ideas, norms and iden...
Music in America in the late 1980s saw a revolution in the form of a whole new genre, which would later be known as ‘grunge’. It is perhaps one of America’s most notable contributions to the music world. Grunge originated in Seattle and spread through the United States over the 1990s. It also influenced the international music scene, inspiring artists, and creating a huge world-wide fan base. The music was inspired by punk rock, but had more edgy riffs coupled with emotive, sometimes heavy lyrics. This type of music reached out to and addressed an oppressed and often abused audience. The angry musical riffs, paired with lyrics that most young Americans could relate to, or had even experienced, made grunge instantly popular. Grunge revolutionized not only music in America, but also left its mark on American culture. Grunge, as a genre of music and as a lifestyle, broke away from the glamour of the mainstream music world, allowing people to express themselves through music that was relatable and real.
The American rock band Nirvana impacted American culture and society by paving the way for the punk rock subculture into mainstream corporate America. Punk rock music stems from the rock genre but has its own agenda. The crux of punk rock is that it is a movement of the counterculture against the norms of society. Punk rock in itself is made up of a subculture of people who rejected the tameness of rock and roll music during the 1970s. (Masar, 2006, p. 8). The music stresses anti-establishment and anti-authoritarian ideas in its lyrics as well as scorns political idealism in American society. Before Nirvana unintentionally made punk rock a multi-million dollar commercialized genre of music, underground rock paved the way for the punk rock genre by creating core values that punk rockers drew upon.
The late 1970s gave birth to a punk culture that further distended into an evolution of the genre during the mid-1980s, particularly in Seattle, USA. A punk inspired movement called grunge became internationally recognized after Nirvana’s debut release album ‘Nevermind’, in 1995. Grunge gained a mass recognition for its punk ideology, attire and music, which stemmed further away, and was in itself a rejection to the mainstream metal and pop boom in the music industry of that time. Grunge incorporated a fusion of cultural and social threads that linked themes like feminism, liberalism, anti-authoritarianism, wry post-modernism, and not least a love of dirty, abrasive music; grunge reconciled all these into a seminal whole. (Standard grunge definition, Internet source)
Seventies punk culture spawned the visually distinctive goth and emo subcultures. Inheriting the folk tradition of the protest song, rock music associated with political activism as well as changes in social attitudes to race, sex and drug use. This was often seen as an expression of youth revolt against adult consumerism an...
In the early 1980s, the "new wave" movement, a sub genre of punk rock that began in the '70s, was generating a more sophisticated pop sound. In Britain, artists including bands such as the Clash, Squeeze, and the Police attained both critical and commercial acceptance. The Pretenders, another British band established in the late 70s, was led by an American-born singer and songwriter, Chrissie Hynde. In the United States, the Los Angeles-based band X navigated the transition from punk to new wave, and the New York-based group Talking Heads with a big assist from MTV, succeeded in fusing art rock with funk and African rhythms. Which leads me to my next new 80's genre.
In the isolated city of Seattle during the mid 1980's a new sound and attitude was developing. Although it didn't yet have a coined term it would later become know as Grunge, "originally a tounge-in cheek term for the pungent guitar noise propagated by the cultish independent label Sub Pop" ("Grunge"). This mix of 70's metal and early 80's punk blasted into mainstream America and brought the hard rock sound of the 70's back to life, but the sudden, unexpected and to some unwanted, fame and popularity would prove to much for it and like so many pop culture movements before, it would fade away under the pressure("History").
With rioting and terrorism taking place around the world, more aggressive and rebellious styles were being created. The punk look came with this; singers like Johnny Rotton and bands like The Ramones and the Sex Pistols were a few to lead a new generation of teens. There was also the introduction of glam-rock in which musicians mixed glamour with rock. Davis Bowie was the most successful. Fans copied his "rooster" hair cut. He made the androgynous look popular.
The dizzying laser lights flashed in synchronicity with the pulsating bass of the music that bounced off the psychedelic warehouse walls. As my boyfriend and I mentally attempted to organize the chaos surrounding us, we pushed our way through the crowd of spasmodic lunatics who contorted their bodies in time with the music and lights. We located a couch in a room covered with cartoonesque, hyper-graphic graffiti. An androgynous man sat himself at my feet and began massaging my thighs, while a girl with her eyes rolled back into her head demanded that my boyfriend give her a massage. Just then the deejay laid his head in my lap, told me he was in love with me, and placed a bitter pill on my tongue. This certainly was the most bizarre method of earning three graduate credit hours I could imagine.
These groups are listed as skinhead, punk, hip-hop, hardcore/heavy metal, straight edge, goths, hackers, gamers, online communities, virginity pledgers, and riot grrrls. Although the book itself is slender and small, each chapter is about fifteen pages. The chapters hold a brief description of the individual categories and explain the history of how the group became known to have that title. This comes hand-in-hand with identifying the sociological concept and theory. After providing a brief overview at the beginning of each chapter that introduces the sociological novice to some of the core elements of theories in deviance and subcultural studies, Haenfler combines a philosophical depiction of the variations that come with the subculture’s manifestations. These specific concepts help introduce the reader to more analytical/theoretical perspectives, in which these phenomena can be described and
Think about the most laid back, independent, self-sufficient, and wild or extreme music movement. What is it? The answer to that is DIY punk. DIY punk began in the mid 70’s and had a huge impact on that time period. These punk bands were ones that did not follow societal norms and did not necessarily care about making a profit from their music. In the article “Do It Yourself… and the Movement Beyond Capitalism,” Ben Holztman et al states that DIY members were collective individuals going against capitalism (45). They did not want to be involved in that sort of atmosphere. Instead, DIY music addressed value and social relationships (Holtzman et al 45). It was very important for these bands to form new friendships with others that had the same
The purpose of this report is to introduce emo subculture and the different aspects about it. It includes the history , fashion, lifestyle, values and attitude of this particular subculture. But before anything else, what does the word subculture mean? This word will be often use later on this report and therefore its important for us to know the meaning of it. Subculture is a group of people having the same/common interest which differentiates them from a larger culture to where they belong. Subcultures can be identified by age, ethnicity, class, location and gender of the members. Different subcultures have their own styles which differentiates them from the other.
The theory of social construction of reality thus showcases the general understandings of the environment as perceived by different cultures and the general correspondences as depicted by the realities of such a culture. Through experiences, individuals in time create different models of the social world and through the use of language, they communicate and ratify the general understanding as depicted by the people. This ensures that each and every individual understands their place in the society and as such their duties for the development of the same. Perhaps then we can then understand the development of subcultures through reviewing the society as perceived by different people. According to Marenin (2016), street life has in time become a subcultural facet as a result of the realities within such societies which has resulted from environmental factors within the