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Shakespeare as a play wride essay
Essay on william shakespeare drama
Shakespeare as a play wride essay
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From Playwright to Production: the Process of Recreating Shakespeare
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A full understanding of Shakespeare's plays is arrived at through the process of imaginatively recreating them. Reading a play, or watching a production, or being involved in a production, or reading what someone else has to say is not enough fully grasp any given play. All of these things must be done to achieve a deeper comprehension. On the following pages I will try to organize my ten week Shakespearean experience by drawing parallels between my own experience and the experience of the rude mechanicals and royal audience of A Midsummer Night's Dream.
Origin of a Shakespearean Production: The Bard Himself Any representation of a Shakespearean work must necessarily begin with Shakespeare himself. He is the creator and the genius behind the dramatic works that hold a revered place in our literary and theatrical culture. Part of what makes Shakespeare great is his consciousness of the enduring role of the poet and a playwright. As a result, he wrote not only for his own age but, in Ben Jonson's words, 'for all time.'; Shakespeare focuses not on what was popular and relevant in his contemporary world, but on the themes that would be enduring beyond his death.
Shakespeare's musings on the function of the poet and playwright are included as themes of many of his plays. In A Midsummer Night's Dream, Theseus speaks for Shakespeare at the beginning of Act Five: the poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. (Act V.i.12-17) The poet is a visionary and his main tool is his imagination. Through his imagination he looks at heaven and earth and sees what the average person does not. The imagination gives 'bodies'; to and brings forth what cannot be seen by the naked eye. The poet is given insight into a world beyond what is seen every day of the surface of the world. He is like Bottom, who when awakening after his adventures with Titania says: I have had a most rare vision. I have had a dream, past the wit of man to say what dream it was....The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Xeones immediately died after he finished his story. His body was brought to Diomache in Athens. She cremated his body and...
Shakespeare's first tragedy has been a topic of discussion since the day it was written. Titus Andronicus "was staged on 24 January 1594 by the Earl of Sussex's Men at the Rose Theatre" (Welsh 1). Though this tidbit of information seems somewhat irrelevant to Titus, we must note that there are certain standards and practices established by a play from its first performance. It is also important to establish the general attributes that audiences attribute to Shakespearean performance.
Clark, W.G., and W. Aldis Wirhgt, eds. The Complete Works of William Shakespeare. Vol 2. USA: Nd. 2 vols.
Dienekes was one of the three hundred sent so Xeones went with him. Xeones explains the battle and how the Spartans fought until the last man was killed. Xeones tells of how he was meant to be the only survivor so that he could tell the story of the Spartans bravery. Because of the S...
The first stage of Pecola coming to believe she is ugly starts with her family's attitude toward her. Right from the very start of Pecola's life her parents have thought of her as ugly on the outside as well as on the inside. When Pecola was born, Pecola's mother, Pauline, said: "Eyes all soft and wet. A cross between a puppy and a dying man. But I knowed she was ugly. Head full of pretty hair, but Lord she was ugly" (Morrison 126). Pecola became labeled ugly as soon as she was born. The reason people think of her as ugly relates to the way she gets treated by her family. Her parents never even gave her a chance to prove that she is worth something and not just a piece of trash. In the first stage of Pecola's realization of being ugly, she starts to feel the way she does because her family does not give her any support and tell her she actually means something to them. Pecola does not really have anyone that she can go to talk about things. All of the weight of her problems rests on her shoulders with no one to help her out, not even her parents, the two people that brought her into this very world.
Throughout the years many variations of the ideas on race, class, and culture have been presented based upon different factors. In earlier times people’s views were not nearly the same as they are presented today. Ideas that women belong in the kitchen or that African-American’s were an inferior race were common. Those views were very popular during the time of Kate Chopin’s book “Desiree’s Baby.” Chopin’s book explores the controversial areas of race and class as well as touching on the subject of culture. “Desiree’s Baby” shows the life of Desiree from a young child through adulthood. The young Desiree was found by a rich family alone on the streets. Even in a time where race and social class was important the wealthy, a rich couple took in young Desiree without knowing her ancestral background. Desiree lived a good life with the family. The story then switches to when Desiree was a young adult and falls in love with Armand Aubigny. Armand also comes from a wealthy background and still falls for Desiree without knowing her racial background. Eventually, the young couple has a baby but to their surprise the baby comes out with African traits. Armand is not happy and rethinks whether she has African in her background or if maybe she had an affair with a slave. Desiree’s mother offers to have her and the baby come back and stay with them but when Desiree leaves she disappears and is never seen again. Later, Armand finds out that it may not have been Desiree that carries African roots but himself, from his mother’s side. Overall, Chopin’s work looks into the controversial issues of race, class, gender and culture using ironies and the story-line to infer the views of these topics.
In A Midsummer Night's Dream, playwright William Shakespeare creates in Bottom, Oberon, and Puck unique characters that represent different aspects of him. Like Bottom, Shakespeare aspires to rise socially; Bottom has high aims and, however slightly, interacts with a queen. Through Bottom, Shakespeare mocks these pretensions within himself. Shakespeare also resembles King Oberon, controlling the magic we see on the stage. Unseen, he and Oberon pull the strings that control what the characters act and say. Finally, Shakespeare is like Puck, standing back from the other characters, acutely aware of their weaknesses and mocks them, relishing in mischief at their expense. With these three characters and some play-within-a-play enchantment, Shakespeare mocks himself and his plays as much as he does the young lovers and the mechanicals onstage. This genius playwright who is capable of writing serious dramas such as Hamlet and Julius Caesar is still able to laugh at himself just as he does at his characters. With the help of Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions that one should remember to laugh at.
Toni Morrison’s novel The Bluest Eye provides social commentary on a lesser known portion of black society in America. The protagonist Pecola is a young black girl who desperately wants to feel beautiful and gain the “bluest eyes” as the title references. The book seeks to define beauty and love in this twisted perverse society, dragging the reader through Morrison’s emotional manipulations. Her father Cholly Breedlove steals the reader’s emotional attention from Pecola as he enters the story. In fact, Toni Morrison’s depiction of Cholly wrongfully evokes sympathy from the reader.
In the story of “Desiree’s Baby” by Kate Chopin, there are many literary themes that can be analyzed such as love, racism, gender inequality, and miscegenation. What this analysis will focus on is primarily on the central male character, Armand Aubigny, and on his views towards racism. More specifically, what this essay will aim to prove is that Armand Aubigny looked down upon the African race to the point where he hated them. One of the biggest driving points to aid this idea is how his family name shaped his behavior and actions according to the societal normalities of his time period. Another important aspect that will be considered is his very relationship towards his slaves in how he treated them cruelly even to the point where he is described as “having the spirit of Satan” (Chopin 3). In addition to this, the reader will also see Armand’s negative reaction to being aware of the implications of his son and wife having mixed blood in where he practically disowns them. With all this culminating to Armand finding out the ugly truth that the race he had treated so horribly is actually a part of his very own blood as well.
The ability of an author to capture the interest of the audience has and will always be an important factor in the art of storytelling and even the expression of research or related material. When an author is able to seize the attention of any partaking of their work, curiosity will develop which will lead to the wonder of what the conclusion my bring about. Not only is it important to snatch the audience’s attention in the beginning, it is necessary to hold it prisoner throughout the tale. Authors do this by having an interesting plot development in which many unexpected details come into play and the course of the story is thrown from the norm and into the conflict. Shakespeare was a master of this art in the work he produced throughout his life and was able to create stories of humor and those of tragedy. For example, his play King Lear is a terrible tragedy in which many awful things take place and the story ends by disastrous means. While in the play Much Ado About Nothing, very little conflict is present and if it is, it is resolved quickly and the play concludes with the joyfulness of marriage nuptials. His ability to develop plot and story in a way in which the audience who love to devour, Shakespeare will in a way immortalize himself, “Shakespeare proved himself to be both the "soul of the age" his works reflected and adorned and the consummate symbol of the artist whose poetic visions transcend their local habitation and become, in some mysterious way, contemporaneous with ‘all time.’” (Andrews) As stated, Shakespeare went beyond his time and created traditions, symbols, sayings, and even stories that people today will remember forever. King Lear and Much Ado About Nothing are each examples of Shakespeare's detailed ...
Although William Shakespeare is considered to be one of the most revered and well-renowned authors of all time, controversy surrounds the belief that he actually produced his own literary works. Some rumors even go so far as to question the reality of such a one, William Shakespeare, brought on by paralleling the quality of his pieces with his personal background and education. With such farfetched allegations, it persuaded others to peek into the person we all are taught to learn as “Shakespeare”, but who is actually the person behind these genius works of literary promise and enlightenment? To some, Shakespeare is as much accredited to his works as frequently as you see his name placed. To others, Shakespeare is a complex enigma into which we the people are supposed to unravel; the true author behind a falsely-given pseudonym. The debate pertaining to the true authorship of William Shakespeare’s works are still questioned in today’s society.
Many critics throughout the years have given the Wife of Bath a title of that of a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it, by manipulating her husbands into feeling bad for things that they didn’t do, or by saying things that put them to utter shame. No man has ever been able to give an exact answer when she asks to know how many husbands a woman may have in her life...
If any person can be credited for creating the obsession of beauty that Pecola builds it is Pauline (Pecola’s mother). Pecola experiences many insecurities and it can definitely be said that many of these are because of the way that Pauline acts in society and around Pecola. It was stated in the story that Pauline would always go to the movies and rate the characters on their beauty. This is one example that shows the obsession that Pauline has with beauty and looks. This rubbed off on to her daughter and that is where Pecola received her lack of self-esteem. It is clear that Pecola idolizes the ideals of being beautiful. It is interesting that Pecola is not the person telling the story in this book, and it is Claudia instead. It seems that the author wants the reader to build an immense amount of sympathy for Pecola because it would just be less effective if Pecola was telling the story. If it Pecola that was narrating in many parts then it would be more difficult to see her as a "total victim".
At least six or seven years pass after the writing of Midsummer Night’s Dream before we find Shakespeare engaged in Hamlet, the second of the great plays with an important Supernatural element, and, in the opinion of many, the greatest tragedy ever penned. (99) There is no more exalted ranking than the above. Richard A. Lanham in the essay “Superposed Plays” maintains that no other English tragedy has generated the literary comment which this play has produced: “Hamlet is one of the great tragedies. It has generated more comment than any other written document in English literature, one would guess, reverent, serious comment on it as a serious play” (91).
Shakespeare, William. A Midsummer Night’s Dream. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.