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Architecture of the gothic period
Architecture of the gothic period
Architecture of the gothic period
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The influence of French Gothic architecture on much of the rest of Europe was profound. In France the scheme of Bourges, with its giant arcade and short clerestory, met with little response, but in Spain it was taken up again and again, beginning in 1221 with the Cathedral of Toledo and continuing into the early 14th century with the cathedrals of Palma de Mallorca, Barcelona, and Gerona. In Germany the impact of all phases of French Gothic architecture was decisive, from the early Gothic four-story elevation of the Cathedral of Limburg-an-der-Lahn (1225?) to the choir of Cologne Cathedral (begun 1248). Modeled on the Rayonnant choir of Amiens, the interior of Cologne exceeds in height even that of Beauvais. Italy and England, however, are the exceptions to this pervasive French …show more content…
In England, French Gothic architecture intruded itself only twice, once in the 1170s in the eastern extension of Canterbury Cathedral and again in Henry III's Westminster Abbey (begun 1245), patterned on the general scheme of Reims, with Parisian Rayonnant modifications. Otherwise the English architects developed their own highly successful Gothic idiom. Rejecting the aspiring verticality and the functional logic of the French cathedrals, the English churches emphasize length and horizontality, replacing the French polygonal apse with a square east end that is sometimes further prolonged by a rectangular Lady chapel (a chapel devoted to the Virgin Mary, characteristic of English cathedrals). This extreme elongation often includes two separate transepts. The multiplication in the number of ribs, some of which are of a purely ornamental nature, is also characteristically
Taller than the ancient pyramids in Egypt, large enough to hold the statue of liberty. 100 pounds of weightless stones, heavy enough to hold the Empire state building are the Great Cathedrals (PBS, 2011). Intrigued by the beauty in structure but puzzled by the very construction, without technology for building purposes has researchers mind wondering. In reference to the NOVA program, building of Gothic cathedral begin as a race of height, which over time this plan backfired because of the recent architectural discoveries in the foundation. The NOVA program pointed out that in this race of constructing the tallest building wasn’t the only concern between two rivalry cities in Europe; it purpose was recognized as a scared space for spiritual reasoning to bring ordinary someone closer to God (PBS, 2011).
Both St. John the Baptist Cathedral and Cathedral Basilica of Our Lady of Chartres are constructed in French Gothic style which means that architecturally they have many similarities. However, the 700 year gap between their construction
The cathedral of Notre-Dame at Chartres must be one of the most beautiful and famous architectural specimens in the world today. The cathedral owns an exquisite silhouette against the sky of La Beauce. Two towers rise uncontested, to take watch over miles and miles of French countryside. Up close, the two towers, along with their spires, seem mismatched or unrelated. Yet, the two together provide for one of the most interesting juxtapositions in architecture. €Chartres cathedral has had a tumultuous history with both tragedies and triumphs. Charpentier notes that the site of the cathedral has also served various other purposes. The Romans had used the higher ground for a military camp, part of which still exists on the eastern side of the cathedral by the transition of apse to choir. In addition to the camp site, there was also the existance of a Gallo-Roman temple on the same site as Chartres cathedral. This temple is believed to have the same orientation as the cathedral and the cathedral's round apse uses the foundation of a Gallo-Roman defensive tower. This use of the Gallo-Roman defensive tower is also present at Bourges cathedral. The lower parts of the defensive tower formed a crypt which was incorporated into the ninth century Church of Gislebert, also known as Saint Lubin's chapel. On the night of September seventh 1020, the Church was completely razed by fire. €After the destruction of the church in Chartres, the bishop of Chartres, Saint Fulbert, spearheaded the campaign to build a church in Chartres. Only the crypt remained from the earlier Caroligian church and Fulbert built his Romanesque church around the enduring crypt. Fulbert's church lasted 200 years, but in 1134 the front faœade was damaged by another fire. It was at this time that a effort to update and restore the church was put into motion. The religious powers, along with the Crusaders longed for a greater monument. Thus, Chartres decided to begin a separate tower.€This adding on to Romanesque churches was not unusual for the day. The abbey-church at Cluny, outside Italy, was given a new magnificent five-bay narthex and two bell-towers. A similar renovation was attempted at La CharitŒ, but funds ran short and the upgrades could not be completed. €Hence, in 1134 the tower forming the north-west corner of the present-day cathedral, (the left tower of the west faœade elevation), underwent construction.
I chose two cathedrals for my post, the Durham Cathedral and the Chartres Cathedral. The Durham Cathedral, my example of Romanesque architecture, was built from local sandstone in 1087-1133 CE (the east wing was replaced in 1242) and is currently located in Nothern England. The Gothic style structure, the Chartres Cathedral (also known as the Cathedral of Notre-Dame), was mostly constructed between 1194 and 1220 CE due to a fire causing it to be rebuilt. Assembled utilizing limestone, this colossal structure is currently located in France and is known for it’s strikingly beautiful stained-glass windows. These structures share a few similarities, like their ribbed groin vaults (the crossing segments on the ceiling of the hallways), the high-placed windows as well as their huge circular window that were added to provide light and a
The principle behind the Gothic style was to reach greater interior heights. However, “medieval churches had solid stone vaults (the structure that supports the ceiling or roof). These were extremely heavy structures and tended to push the walls outward, which could lead to the collapse of the building. In turn, walls had to be heavy and thick enough to bear the weight of the stone vaults,” (“Gothic Art and Architecture”). Thus, the taller buildings such a churches would be more expensive to build and look bulky and ungainly, which doesn’t quite fit the style the clergy were aiming for. In response to this problem, master masons of the medieval period developed the iconic ribbed vault. This newly developed ribbed vault had several interesting characteristics. A ribbed vault was the conjunction of two or more barrel vaults. The vault itself was a collection of stone ribs traversing the vaulted ceiling and transporting the weight onto the ribs themselves. Also, instead of the traditional round arches, pointed arches were used. This gave the ceiling of Gothic buildings a light and more versatile look (Martindale). Not only did these ribbed vaults bring a (somewhat) unique look to cathedrals, they also served an incredibly vital part in the architectural design of Gothic structures. The Gothic structures’ “new arrangement significantly reduced the weight (and thus the outward thrust) of the ceiling vault,” which reduced the constant danger of collapse and cracking for the thick Romanesque walls when they tried to reach taller heights (“Gothic Architecture”). The ribs also “transmitted [weight] along a distinct stone rib, rather than along a continuous wall edge, and could be channeled from the rib to other supports, such as vertical piers or flying buttresses, which eliminated the need for solid, thick walls,” (“Gothic
The term “Gothic” was coined by Italian Renaissance writers who blamed what they considered to be the non-classical ugliness of the art and architecture of the time, to the northern tribes of Germanic barbarians known as Goths. Baron Wolfgang van Schreck’s ancestors had invaded the Roman Empire and destroyed what was considered to be the “true” art of the time; walls that were much too high and thick, arches that were too steeply pointed. The Gothic school of architecture, which included flying buttresses, rib vaulting, pointed arches and the presence of gargoyles on the inside and outside of the building. At the end of the 18th century the term Gothic switched meanings, from “medieval” to “macabre”, through the intervention of a man named Horace Walpole (1717-1797). He was the son of the famous politician Sir Robert Walpole, Horace was a well-known writer and dilettante who gradually transformed his villa, Strawberry Hill, into the most famous Gothic building of age. With this the now cliché image of a Gothic castle is now an accurate representation of the non-classical ugliness of the time period itself.
The church in the Middle Ages was a place that all people, regardless of class, could belong to. As a source of unity, its influence on art and architecture was great during this time. As society drew away from the feudal system of the Romanesque period, a new spirit of human individualism began to take hold; alas, the birth of Gothic. Here, the Church became a place where humanity became more acceptable, alas becoming the ideal place to visual such new ideals. The beauty and elegance of Gothic architecture is depicted most in the great cathedrals of the 12th, 13th and 14th centuries—St. Denis, Notre Dame, Chartres, Salisbury, Durham, Amiens, and more. The experience of looking at one of the great gothic cathedrals is to look up towards God. Indeed, most Gothic structures emphasize the vertical, drawing one’s eyes upwards toward the heavens with the awesomeness of God. These cathedrals were built with towering spires, pointed arches and flying buttresses giving impressions of harmony and luminosity. One of the major accomplishments of the 12th and 13th centuries was to develop the engineering mastery of the ribbed vault, pointed arch and flying buttress to create a great cathedral that is at once taller, lighter, wider, and more elegant than the ones before. Even though the pointed arch could support more weight than its predecessors, there was still the problem of finding a way to support the heavy masonry ceiling vaults over wide spans. In order to support the outward thrust of barrel vaults, vertical support walls have to be very thick and heavy. What makes possible the extensive use of ribbed vaulting and pointed arches to “open” and “lighten” the walls and space of the cathedral is the flying buttress—“an arched bridge above the aisle roof that extends from the upper nave wall, where the lateral thrust of the main vault is greatest, down to a solid pier.”
The Gothic Period in the twelfth century influenced the creation of Gothic Revival Architecture in the nineteenth century. Gothic architecture began in France in 1140. Some of the first buildings made using this style are the Basilica of Saint Denis and the Cathedral of Sens. (Gothic Architecture By Paul Frank) This style of architecture started losing popularity in the early sixteenth century, but did not die out completely during this time period. Gothic architecture was still predominantly in cathedrals and churches. The rise of Romanticism began in the eighteenth century–leading to an awareness and increased interest of the Middle Ages, specifically interest in church architecture. (http://en.wikipedia.org/wiki/Gothic_Revival_architecture) Thus, Gothic Revival Architecture was created. When admirers of neo-Gothic styles wanted to revive medieval Gothic architecture, Gothic Revival Architecture was created—along with many sub styles, such as Polychrome Brick Gothic and Carpenter Gothic in the nineteenth and twentieth centuries.
This style of architecture first emerged in northern France around 1140. It started with the construction of great churches in Paris and evolved to more greater height, light, and volume. Later on, they used gothic architecture for secular buildings like castles, palaces, bridges, city walls, and gates. In England, two highly important buildings: Canterbury Cathedral and Westminster Abbey were created using Gothic architecture.
This style was one of the first to utilize almost entirely stone for its construction. The Gothic style followed, originating in France during the 12th century. It was widely used across Europe until the end of the 16th century. These architectural concepts differ in three fundamental areas: arch construction, buttress style, and type of vaulting. Structures built under the Romanesque category are generally dark and solemn, with little decoration on their exteriors.
Wilson, Christopher. "Thirteenth-Century Gothic." The Gothic Cathedral: the Architecture of the Great Church 1130-1530. Reprinted ed. London: Thames & Hudson, 2008. 91-120. Print.
Gothic architecture, though also used in secular buildings, is most associated with the great cathedrals of Europe. The Basilica of Saint Denis is a large medieval abbey church on the outskirts of Paris, France. The building is of significant importance historically and architecturally because it is considered to be the first Gothic church ever built. The building of gothic cathedrals grew as design techniques progressed. Over time, as new techniques combined with new materials, cathedral architecture increased in complexity and sophistication into a recognizable gothic style.
What is America Gothic? The American Gothic movement started around the same time as the transcendentalist movement. Gothic writers unlike transcendentalist writers believed that life wasn 't all rainbows and butterflies. They saw it as a cruel and sometimes menacing place. During this time Gothic writers wrote about the true evils and that even the nicest person could have some of the worse demons.
A painting known as American Gothic was painted in 1930 by Grant Wood. It portrays a farmer with pitchfork (Grant’s dentist) and a woman (Grant’s sister) in front of a house. After Grant Wood won his competition with the painting, it became extremely well known and was often borrowed for cartoons, commercials and novels. Novels such as Gothic literature, even though Gothic literature was “invented” about two hundred years before the painting, people still somehow connected the two. Whenever people read Gothic literatures they would visualize the painting or vice versa. “Gothic literature is part of fiction that became popular during the late 1700s in Europe.”(Brooklyn.cuny.edu) Many of the stories generally have combinations of horror, mystery and romantic with a particular focus of settings. Settings such as inside a castle are used often in the earlier Gothic literature along with the supernatural elements.
Gothic art evolved from Romanesque art and lasted from the mid-12th century AD to the end of the 16th century. It was a particular style of Medieval art and was led by the concurrent development of Gothic architecture, established by the Basilica of St Denis. Through the influence of historical design methods, such as Islamic/Romanesque architecture and the impact the spread of Christianity had on Europe, Abbot Suger was able to develop a new style of architecture through his reconstruction of St Denis. This led to the development of taller buildings with thinner walls and bigger rooms on the inside.