Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The use of symbolism in the yellow wallpaper
The yellow wallpaper critical interpretations
The yellow wallpaper critical interpretations
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The use of symbolism in the yellow wallpaper
The Dominant/Submissive Relationship in The Yellow Wallpaper In "The Yellow Wallpaper", by Charlotte Perkins Gilman, the dominant/ submissive relationship between an oppressive husband and his submissive wife pushes her from depression into insanity. It is about the growing madness of a young married woman arising out of the pressures of her life. A woman who is being treated for a case of post-partum depression is slowly driven mad by the treatment itself - enforced isolation and deprivation of her work, her writing, and her words. Error of human nature seems to play a great role in her breakdown. Her husband, a noted physician, is unwilling to admit that there might really be something wrong with his wife. This same attitude is seen in her brother, who is also a physician. While this attitude, and the actions taken because of it, certainly contributed to her breakdown; it seems to me that there is a rebellious spirit in her. Perhaps unconsciously she seems determined to prove them wrong. As the story begins, the woman tells of her depression and how her husband and brother dismiss it. " You see, he does not believe I am sick! And what can one do? If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression - a slight hysterical tendency - what is one to do?" These two men, both doctors, seem completely unable to admit that there might be more to her condition than just stress and a slight nervous condition. Even when a summer in the country and weeks of bed-rest don't help, her husband refuses to accept that she may have a real problem. Throughout the story there are examples of the dominant-submissive relationship. She is virtually imprisoned in her bedroom, supposedly to allow her to rest and recover her health. She is forbidden to work, "So I...am absolutely forbidden to "work" until I am well again." She is not even supposed to write: "There comes John, and I must put this away - he hates to have me write a work." She has no say in the location or décor of the room she is virtually imprisoned in. "I don't like our room a bit. I wanted...but John would not hear of it." Another factor is being forbidden to have visitors: "It is so discouraging not to have any advice and companionship about my work...but he says he would as soon put fireworks in my pillow-case as to let me have those stimulating people about now." Probably in large part because of her oppression, she continues to decline. "I'm getting really fond of the room in spite of the wallpaper. Perhaps because of the wallpaper. It dwells in the mind so!" Here she is expressing her feelings for the room that she has been forced to live in, as it grows on her. At this point it becomes quite apparent, to the reader, that she is not getting any better. In later lines she talks of herself laying on the bed and trying to follow the lines to their destinations, wherever they might lead. The wallpaper of the room begins to occupy her mind and her writing. Her changing attitudes toward the wallpaper reflect her changing attitudes towards her situation, and eventually towards herself as well. At the beginning she is aware of the influence the wallpaper has on her, and resents it. "This paper looks to me as if it knew what a vicious influence it had! There is a recurrent spot where the pattern lolls at you like a broken neck and two bulbous eyes stare at you upside down. I get positively angry at the impertinence of it and the everlastingness." Again and again she asks her husband to take her someplace else, where she might be able to get "advice and companionship about her work", at the home of her cousins Henry and Julia. He refuses, of course, since he cannot see what is "haunting" her and also because he does not want to give in to her "false and foolish fancy". He is especially harsh with her when she confesses to him her real worries about her situation. " 'My darling,' said he, 'I beg of you, for my sake and for our child's' sake, as well as for your own, that you will never for one instant let that idea enter your mind! There is nothing so dangerous, so fascinating, to a temperament like yours. It is a false and foolish fancy. Can you not trust me as a physician when I tell you so?' " Not only does he fail to get her help, but by keeping her virtually a prisoner in a room with nauseating wallpaper and very little to occupy her mind, let alone offer any kind of mental stimulation, he almost forces her to dwell on her problem. Prison is supposed to be depressing, and she is pretty close to being a prisoner. Perhaps if she had been allowed to come and go and do as she pleased her depression might have lifted. "I think sometimes that if I were only well enough to write a little it would relieve the press of ideas and rest me." It seems that just being able to tell someone how she really felt would have eased her depression, but John won't hear of it. The lack of an outlet caused the depression to worsen. Meanwhile, her reaction is to seek to prove him wrong on his "prescription". It seems to me that while putting on an appearance of submission she was frequently rebelling against her husband's orders. She writes when there is nobody around to see her, she tries to move her bed, but always keeps an eye open for someone coming. The tension between what she considers as her work and what her husband says is her work is clear in her mixed feelings. It is the enforcement of her husband's opinion, which deprive her of her freedom and pressure her into seeking it in the only way left to her. Even in her madness, she can identify the fact that the circumstances that trapped her and drove her to seek freedom in insanity are not unique.
The narrator is trying to get better from her illness but her husband “He laughs at me so about this wallpaper” (515). He puts her down and her insecurities do not make it any better. She is treated like a child. John says to his wife “What is it little girl” (518)? Since he is taking care of her she must obey him “There comes John, and I must put this away, he hates to have me write a word”. The narrator thinks John is the reason why she cannot get better because he wants her to stay in a room instead of communicating with the world and working outside the house.
For these two articles that we read in Crito and Apology by Plato, we could know Socrates is an enduring person with imagination, because he presents us with a mass of contradictions: Most eloquent men, yet he never wrote a word; ugliest yet most profoundly attractive; ignorant yet wise; wrongfully convicted, yet unwilling to avoid his unjust execution. Behind these conundrums is a contradiction less often explored: Socrates is at once the most Athenian, most local, citizenly, and patriotic of philosophers; and yet the most self-regarding of Athenians. Exploring that contradiction, between Socrates the loyal Athenian citizen and Socrates the philosophical critic of Athenian society, will help to position Plato's Socrates in an Athenian legal and historical context; it allows us to reunite Socrates the literary character and Athens the democratic city that tried and executed him. Moreover, those help us to understand Plato¡¦s presentation of the strange legal and ethical drama.
Plato’s "Apology" gives the substance of the defense made by Socrates to the Athenians at his trial. Meletus, Anytus and Lyncon brought Socrates to court on charges of corrupting the morals of the youth, leading the youth away from the principals of democracy, neglecting the Gods of the State and introducing new divinities.
O men of Athens! After we have heard the accusers, whom said that Socrates corrupts the youth by criticising democracy and does not believe in gods, and makes the worse appear the better cause. (Apology, Plato) I beg you to grant me a favor, please listen to a few words from me before making this decision.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The South did not seem to have a problem with the system of slavery. After all, why should they? it had been successful for over 200 years. Instead, they saw the North as a cruel society full of the treacheries caused by capitalism. They saw factory work as "wage slavery" while they viewed Southern slavery as "paternalistic" and "benevolent." Slavery, they contended, helped eliminate all class distinctions in Southern society. In the North, they saw, factory owners became rich while their employees lived in a state of poverty. Slavery was the great unifier of Southern society.
The character of the husband, John, in “The Yellow Wallpaper” by Charlotte Perkins Gilman is introduced as a respected physician and a caring husband who strives to improve the mental health of his wife, the narrator, who is diagnosed with temporary nervous condition. John tries throughout the story to apply professional treatment methods and medications in his approach to helping his wife gain strength. However, his patient, his wife, seems to disregard John’s professional opinions and act as if she is following his advices only during his awakening presence with her. The narrator seems to be in need of John’s positive opinion about the status of her mental condition in order to avoid the criticism even though she disagrees with his treatment methodology. John, without doubt, cares for his wife and her wellbeing, but he does not realize how his treatment method negatively impacts their relationship his wife’s progress towards gaining strength. Although John was portrayed as a caring and a loving physician and husband to the narrator through out most of the story, he was also suggested as being intrusive and directive to a provoking level in the mind of the narrator.
The main argument in The Apology by famous ancient Greek philosopher Plato is whether, notorious speaker and philosopher Socrates is corrupting the youth by preaching ungodly theories and teaching them unlawful ideas that do harm to individuals and society. In his words Socrates quoted the prosecution’s accusation against him: “Socrates is guilty of corrupting the minds of the young, and of believing in supernatural things of his own invention instead of the gods recognized by the state.” 1 Further Socrates consistently introduces tediously compiled number of examples to provide valid and sound arguments to prove that he is innocent of the charges brought up against him to the court.
There are times in every mans life where our actions and beliefs collide—these collisions are known as contradictions. There are endless instances in which we are so determined to make a point that we resort to using absurd overstatements, demeaning language, and false accusations in our arguments. This tendency to contradict ourselves often questions our character and morals. Similarly, in The Trial of Socrates (Plato’s Apology), Meletus’ fallacies in reason and his eventual mistake of contradicting himself will clear the accusations placed on Socrates. In this paper, I will argue that Socrates is not guilty of corrupting the youth with the idea of not believing in the Gods but of teaching the youth to think for themselves by looking to new divinities.
All through the story the yellow wallpaper acts as an antagonist causing her to become very annoyed and disturbed. There is nothing to do in the secluded room but stare at the wallpaper. The narrator tells of the haphazard pattern having no organization or symmetrical plot. Her constant examination of and reflection o...
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest. Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender.
“I cannot teach anybody anything. I can only make them think.” These words were spoken by a very famed philosopher, who in his apology, or defense, claimed his innocence in many charges, including the corruption of youth. Of course, in his era, society was spilt between recognizing him with fame or infamy. This is noticed in two of the most insightful plays of Socrates’ life: Aristophanes’ Clouds and Plato’s Apology. Clouds introduces Socrates charges with Apology concluding his trial. Despite a compelling account placing guilt on Socrates by Aristophanes’ Clouds, my belief sits along with Plato’s Apology’s more logical implication in the innocence of Socrates, who offered an alteration to the connection of thought and speech to the youth of his age rather than the accused corruption.
Plato seems to believe that matters to do with piety and justice are far beyond the understanding of young people, that it takes age and years for anyone to come to a proper understanding of the two. This argument derives from his conversation with Euthyphro when the two are talking about an ongoing case against Socrates; a case that neither of them believes is justified. After Euthyphro asks Socrates who the accuser is, Socrates says that his indicter is Meletus who is a young man seeking to advance his political career (Reeve, 2012).
While the world's attention is focused on the real threat of terrorism, the theoretical asteroid menace has been garnering a surprising amount of behind-the-scenes attention.
Anna Freud used the defenses as hints of the repressed, scary impulses (instincts) that were underlying the patient's troubles. For example, the goo...