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Critical essays on the merchants tale
Dream and unconscious in literature
Dream and unconscious in literature
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Aurelius finds a way to complete her task. He asks a magician to create an illusion that the rocks disappeared. When Dorigen sees that the rocks are no longer there and must fulfill her promise to Aurelius, she becomes hysterical again and contemplates suicide. She would rather die than dishonor her promise to her husband. Averagus returns and Dorigen admits her failure to keep the honor of her word. Averagus forgives her, says he will suppress his own desire for her, and believes it is more important to fulfill her agreement with Aurelius. She obeys her husband’s wishes and knowing her husband has forgiven her, she controls her desire, and leaves to fulfill her promise to Aurelius. “The Merchant’s Tale,” begins with January, a sixty year …show more content…
Throughout the tale, she is referred to as “Fresh May,” emphasizing her youthful appearance. When the Chaucer describes intimate moments between January and May, he exaggerates January’s physical appearance which shows May’s perspective. “But God knows what May thought in her heart when she saw him sitting up in his nightshirt and nightcap, with his lean neck. She didn’t think his diversions worth a bean” (Chaucer, 607-610). May is not attracted to January. She is not infatuated by his presence and is unhappy in their marriage. Although her desire exists in her unconscious, she is not aware of it until she visits Damian. When May is with January she is denying her desire, Lacan refers to this as “giving ground” (Lacan, 319). As a woman from a lower economic class, May is placed in a position where she must tolerate January to leave her family’s status and obtain the privileges that January has. Lacan continues to states that toleration is betrayal to the self. “Well, if that’s how things are, we should abandon our position; neither of us is worth that much, and especially me” (Lacan, 321). May is in conflict with herself her toleration is not allowing her to give access to her
Are the characters governed by fate or free will? Fate means a power that some people believe causes and controls all events, so that you cannot change or control way things will happen. Free will means the ability to decide what to make independently of any outside influence. The different between the two they justify the causes that are in somebody else’s hands or in your own hands. The reason why I picked the background information that supports my hook because life can be influenced by the outcome of what you do regardless of what is in favor. The characters and events in the play were influenced by fate because the path and actions they chose recently reflect what happen later on in the play.
Timshel; meaning “thou mayest”, holds a significant role in East of Eden. It shows that anyone can desire to surmount vile in their hearts and create morality within them self. In the novel, Steinbeck portrays the significance of timshel through the introduction of free will, the internal conflict of Caleb, and the blessing of Adam.
Marcher is a narcissist and is unaware of his egotistical behaviors. We see evidence of Marcher’s narcissistic nature in his reunion with May. Marcher’s first impression of May is that she is “… more or less a part of the establishment…” (1149), this is a foreshadowing of May’s position in his ...
Sophocles' tragic tale of Oedipus presents the reader with a very bleak view of mankind and the world in general. According to the story, every person is predestined to enact a role scripted by fate, a "mysterious power" that rules even the greatest of Greek gods (Hamilton, 27). In this tale, the source of this fate is not as clear as its function.
In “The Franklin’s Tale,” Averagus and Dorigen get married and the vow to always respect each other and the other’s words and actions. Shortly after getting married he is gone to England for two years, and while he is away his wife weeps, fasts, and laments his absence. Dorigen sits on the shore looking at bare rocks that are near by and during this time she becomes fear...
Lastly, the characters in Candide raise questions of how an individual’s attitude impacts a situation despite society’s overarching role. Written at the end of the eighteenth-century, Voltaire’s Candide satirically narrates the tale of the young heroic Candide and his friends through torturous and lavish journeys. Throughout their experiences, Candide and his philosopher friend, Pangloss, discuss the absurdities of societal norms, particularly how the individual is forced into these practices with no choice. While the construct of society is what humanity’s fate, Voltaire rejects it by introducing a pessimistic character named Martin. By the end of their journey, Martin encourages Candide to “work without arguing [in order to] make life bearable”
In contrast, in the Merchant's Tale the reader is shown the disgusting details of January's motives and subsequent marriage. May's character is more fleshed out, the assaults against her explicitly shown. We may feel sorry for the carpenter but January never gets our sympathy.
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
Have you ever thought about whether or not people have a destiny in life, or about if they have a certain fate that could change everything they’ve ever known or dreamed of? This question usually sparks human interest. Psychologically, we all have a desire to know about ourselves and what lies before us. Three works that create the theme of fate and free will is Macbeth, Hercules, and Oedipus The King.
In Oedipus the King, the existence of prophecy promotes that of free will, thus granting the subject freedom over the way they react to fate.
At the heart of every great tragedy lies the universal struggle between the human inclination to accept fate absolutely and the natural desire to control destiny (Stockton). Like most of his plays, in Shakespeare’s masterpiece Hamlet one of the prevailing themes centers on the question, “Does fate and providence overrule man’s own choices and decisions?” Throughout the work, the main character Hamlet views Fortune in various differing lights as he plots and plans his revenge. This complex interpretation of Fate’s influence is also shared with Horatio, Hamlet’s most treasured friend. Their assessments seem to waver in different situations, or as they experience something in particular. Fate and Fortune, and Providence in all her ambiguity are all sometimes seemingly bound to the actions of man and other times they are inescapable.
Oedipus the King by Sophocles is the story of a man who was destined to kill his father and marry his mother. The story continues in the tradition of classic Greek plays, which were based upon the Greeks’ beliefs at the time. The ancient Greeks believed that their gods decided what would ultimately happen to each and every person. Since those gods destined Oedipus to kill his father and marry his mother, Oedipus’ life was definitely fated. However, the gods only decided where Oedipus’ life would eventually lead; they never planned the route he would take to get there. All the decisions that Oedipus made in order to fulfill his destiny, and the decisions he made after the fact, were of his own free will, and were largely shaped by his mien.
Whether or not the concept of fate is legitimate is regularly debated by many people. Some believe that the events of one’s life are predetermined by a supernatural power, out of human control. Others believe that free will allows us to create our own fate, and that one’s decisions determine how the events of one’s life play out. In William Shakespeare’s Macbeth, both fate and free will are predominant themes in the play. The ever-present supernatural aspect of the play can create an interesting debate over whether or not Macbeth’s downfall could have played out differently, or even been avoided completely. The witches’ prophecies had an impact on Macbeth’s actions, however, it is ultimately free-will that causes his downfall.
Eleanor Roosevelt once said, "Remember always that you not only have to be an individual, you have an obligation to be one." To be an individual means to act by choice and make decisions with free will enhanced by the power of knowledge. Only then are people true to themselves and to others. In Paradise Lost, Milton clearly conveys this concept of acting freely under God. He shows the reader that only with the freedom to choose do a person's actions become meaningful and sincere. This idea also helps Milton to explain the importance of "the fall" and God's ultimate plan. Throughout the book, free will is demonstrated not only by Adam and Eve, but also Satan and the other fallen angels, as well as God's Son. Each character's fate further explains why freedom is so important in expressing true feelings.
Choices made by Hamlet, which ultimately lead to his death, are all guided by his own free will. In mourning his father's death, Hamlet chooses to do so for what others consider to be an excessive amount of time. “But to persever/ In obstinate condolement is a course/ Of impious stubbornness”(I.ii.99-100), according to Claudius. During this period of mourning, Hamlet meets his father’s spirit and promises to avenge his father’s death. However, upon reflection, he questions the validity of the ghost’s message. At this point he carefully goes about choosing a plan of action that will inevitably show that “the king is to blame” (V.ii.340) In following his plan, Hamlet freely chooses to kill Polonius, Rosencrantz and Guildenstern, Ophelia, Laertes, Claudius and himself.