Stormy Weather Georgian Bay is Group of Seven member Frederick Varley’s most recognizable landscape work. He is known for his beautiful Canadian landscape paintings and his work as a war artist, though he was primarily a figure and portrait painter. Nature landscapes like this have become a notable signature of the Group of Seven; and Varley’s piece depicting a pine tree during a storm on Georgian Bay is no exception. Varley’s Stormy Weather Georgian Bay was painted in 1920, and is a tribute to his good friend; the late Tom Thompson and his 1917 painted titled The West Wind. The similarities to Thomson’s The West Wind can easily be seen in the brush strokes used to form the chaotic waves and within the clouds. There is also the use of the dominant greens and blues seen in the sky, the waves, …show more content…
and the eye-catching pine curving towards the edge of the canvas. The use of green is very important, and it becomes the dominant colour in this painting. I chose to look into this painting because I already had some background knowledge of the Group of Seven, and because this painting had the date it was painted as part of the informational blurb underneath. I also believe Stormy Weather Georgian Bay to be one of the most influential and obvious paintings to mirror the current situation of Canadian society. There are actually multiple ways in which this painting mirrors society. Since Canada’s involvement in World War I, about four years before Varley painted Stormy Weather Georgian Bay; the people have felt a sense of nationalism and prise to be Canadian. They spent the whole war trying to show the rest of the world that they were not just a British colony, and the world was starting to see that Canada had some power of its own. Now that World War I is over, Canada is still trying to find more ways to distinguish itself from Britain and prove that they can be their own nation. Varley’s Stormy Weather Georgian Bay is not only a perfect example of Canada trying to distinguish itself from Europe through art, but it also mirrors Canada’s search for identity through the Group of Seven creating a Canadian Style of art through their unique landscapes. The Group of Seven are known for starting up the first “Canadian Style” of painting.
They captured the natural beauty of Canada’s geography and in doing so gave Canadian’s a sense of artistic identity. The Group of Seven used dominating colours, like the greens and blues mentioned earlier, to not only had colour to their work but to also distinguish the Canadian style of art from European landscape paintings. In the 20’s, European paintings were very realistic landscapes and portraits, using brown as the dominant colour. The Group of Seven moved away from the European style of art with vibrant colours and loose brush strokes to create a new sense of Canadian identity through art.
Frederick Varley and all the other members of the Group of Seven were working towards creating a new Canadian Style of painting in a time where Canada was desperate to show how independent and different from Britain they were. Varley’s Stormy Weather Georgian Bay is a perfect example of art mirroring society. With this piece we can see the use of new, vibrant colours and loose flowing brush strokes to symbolize the new role that Canada was pushing to play as an independent nation on the world
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Perhaps the most highly regarded of all Canadian portraits, the rendering of this mysterious woman sparks our curiosity through her captivating eyes and coy smile. She reappears in many of Varley’s paintings, and photographs by John Vanderpant, and later Harold Mortimer Lamb. An inspirational muse to many famous Canadian artists, her own worth as an artist is often underrated.
Representational art work is resembling the natural world and abstract art shows objects in a basic style (Sayre, Pg. 26). While Taylor uses naturalism in his art work, Wolf uses symbols to show the Native American culture. Wolf’s art is two dimensional because it is flat. Wolf also uses many colors to represent the culture of Native Americans. The colors shown in the artist image is both primary and secondary colors, and is sketched on plain paper. Taylor’s image of the signing of the treaty shows the colors of black and white. Taylor used the highlight method which is going from lighter to darker color. The artist work is also three dimensional. Also, Wolf’s art work exhibited many women (Sayre, Pg. 41) and displays the attendance being majority Native Americas. In Taylor’s image there are no women presented (Sayre, Pg. 41), and indicates at the event there are more United States government there then Native
An artwork will consist of different elements that artists bring together to create different forms of art from paintings, sculptures, movies and more. These elements make up what a viewer sees and to help them understand. In the painting Twilight in the Wilderness created by Frederic Edwin Church in 1860 on page 106, a landscape depicting a sun setting behind rows of mountains is seen. In this painting, Church used specific elements to draw the viewer’s attention directly to the middle of the painting that consisted of the sun. Church primarily uses contrast to attract attention, but it is the different aspects of contrast that he uses that makes the painting come together. In Twilight in the Wilderness, Church uses color, rhythm, and focal
The colors used in this painting are blue, white, yellow, brown, black, green, light blue. The colors Birch used seem dark in order to relate to the storm. By making it seem dark it really captures the mood of the composition. In general the quality of light in this painting is low.
Besides bright or dim colors, and fine or rough brush strokes, artists use centralized composition to convey their interpretations in "The Acrobat's Family with a Monkey," "Amercian Gothic," "The Water-Seller," and "The Third of May,1808.”
Twain's detailed images of the "gold," (1) "tinted... opal," (1) and "silver" (1) river, paint the beauty he finds in the surroundings. The "graceful curves, reflected images, woody heights, soft distances; and... marvels of coloring" (1) depict the opinion Twain has of the river. This beauty has been learned and appreciated through the years of living along the river and is revealed through his images.
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
Lawson, Mary. The Other Side of the Bridge. Vintage Canada ed. Toronto: Vintage Canada, 2007. Print.
Somehow I related to this painting at the moment. Looking back in the distance in the sky you see that there was a turbulent time. Saturday was such an awful morning. When backing up you see the bottom of the picture. The lush lively flowers show the bright side happy ending. This was my reminder that there is a calm after the storm just like in the picture.
Looking at landscape art, especially when painted by one of the masters, many have undoubtedly pondered: what would it be like to live there? Shapes and attention to detail are, of course, important in a painting. However, it is color that draws the eye and inspires the heart. Oscar Wilde, an Irish poet and dramatist, spoke well of this when he noted that, “Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways. (qtd in “color”)”. Vincent Ward had a similar understanding of this impact when, in 1998, he directed the movie What Dreams May Come. Looking at this film, one can easily imagine being inside a living painting. The use of color to emphasize the emotional state of a character or event is common in films; nevertheless, Director Ward goes even farther in using color to represent the actual characters themselves. Red is the shade chosen to signify Annie and likewise, blue is used for Chris. Both of these, as will be shown, are accurate in defining these fictitious people. However, it is the profound use of purple in this film that is the true focal point. When mixing red and blue paint, one would find that, after being mixed, they cannot be separated. Likewise, this is true of the life and love these characters build and share. Purple represents the many ways in which Chris and Annie are melded, and joined.
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
Schurbert’s Scottish Harbor was painted using watercolors on a piece of material that is approximately two feet tall by two feet wide. In this painting, the red circle buoy on the white and blue boat are the most dominate subjects of the picture. The overall color tone of the picture is made up of cool colors except for the contrasting red circle buoy. In the
The French 1884 oil on canvas painting The Song of the Lark by Jules-Adolphe Breton draws grasps a viewer’s attention. It draws an observer in by its intense but subtle subject matter and by the luminous sun in the background. Without the incandescent sun and the thoughtful look of the young woman, it would just be a bland earth-toned farm landscape. However, Breton understood what to add to his painting in order to give it drama that would instantly grab an onlooker’s interest.
In the mid 1800’s realism was developed as a style of painting to replicate the world as it was seen in a traditional artistic style. This allowed for a new style of art to be created that was based of a real moment or scene but to forget the traditional artistic laws such as distinct lines and forms. Approaching art from this impressionistic view Monet’s painted “Impression, Sunrise” bringing to life a natural scene of a hazy harbor using quick, short brush strokes and defining uses of color and natural light. Van Gough’s “Starry Night” uses similar impressionistic styles to paint a natural scene using vibrant contrasting colors, yet he embellishes the scene to create art that in not merely a landscape but a piece of self expression and shifted
Although, these important colours are not forced upon our population to wear, but it surely displays a clear symbol. The beaver is also an important animal in this culture since it symbolizes the sovereignty of Canada (Official Symbols of Canada). Another example, would be of the maple leaf tree since it symbolizes the wood and maple syrup industry present in Canada, which is certainly important in this culture. (Official Symbols of Canada). In today’s society, the casual typical t-shirts, jeans, sneakers with winter coats and boots for our cold winters can be this culture’s signature clothing. However, each Canadian surely has their own particular style and historically fur coats or Aboriginal clothing were the stereotypical clothing that outsiders associated with Canadian culture. Certainly there are numerous words that are main elements of this culture, like the term eh, a loonie or toonie, toque, snowbirds, etc (Shehori,