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Analysis of a hunger artist
Literary theories for isolation
Literary theories for isolation
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Hunger is defined as a feeling of discomfort or weakness caused by lack of food; in other words, the desire or craving to eat food. However, in Franz Kafka’s “A Hunger Artist,” this character gives a different, more compound definition to this term. As stated towards the end of the story, the Hunger Artist says that he was in fact never hungry, he just never found anything that he liked. With this being said, what does this character’s hunger truly insinuate? This insinuates that the Hunger Artist was not hungry for food, because instead he had a hunger for attention, fame, reputation, and honor. Franz Kafka was well-groomed to write a story about an isolated character, for he never married, his father detested him, and he was a Jew during …show more content…
a time when anti-Semitism was growing dominance in Europe. “The Hunger Artist” by Franz Kafka is actually an autobiographical representation of Kafka himself. This story is about a hunger artist who fasts for the entertainment and amusement of the people in his town, but begins to struggle to withhold his reputation and maintain the town’s interest while trying to beat the fasting record. At the beginning of the story, people stayed with him throughout the night and watched him out of curiosity, but then slowly stopped visiting him and began to claim that he was sneaking food at night when he was alone. His manager limits his fasting for forty days, although the Hunger Artist believes he can last longer. In short, the audience deserts the artist. He then hires himself to a circus, where people only look at him because his cage is located on the way towards the most popular attraction, the menagerie, a collection of wild animals kept in captivity for exhibition. As many more days go by, the hunger artist battles his emotions of abandonment until one day an overseer asks him if he is still fasting, and when he plans to stop. The Hunger Artist asks for forgiveness, and then explains that “people should not admire his fasting because he could not help it; he simply could not find food that he liked, but if he had, he would have stuffed himself like everyone else did.” With that, those were his last words. Into his cage the circus placed a young panther, wild and full of joy. Author Franz Kafka was born into a German-speaking Jewish family in Prague, Bohemia. Kafka was the oldest of the six children, with two younger brothers, Georg and Heinrich, who both died at infancy, and three younger sisters, Gabriele, Valerie, and Ottillie. Kafka’s sisters were later on sent with their families to the ghetto and either died there or at concentration camps. Ottillie, the oldest of the sisters, is believed to have been sent to the death camp at Auschwitz. In college, Kafka first began studying chemistry, but two weeks later switched to law, which pleased his father. Kafka was engaged twice to be married with Felice Bauer, and their relationship finally ended in 1917, when he was diagnosed with tuberculosis. It is generally accepted that Kafka suffered from medical depression, social anxiety, migraines, insomnia, constipation, and boils, all conditions usually brought about by excessive stress or strain. He died on June 3, 1924, requesting for his best friend Max Brod to burn everything that he left behind, unread, but Max published several of Kafka’s works posthumously. It is known that Kafka had difficult relationships with his parents. His mother was a devoted homemaker who lacked the intellectual insight to grasp her son’s dreams to become a writer. Although he had a tough relationship with his mom, the relationship with his father was even more challenging. With a wicked temper and little appreciation for his son’s creative literature, his father had an overpowering impact on Kafka’s life and writing. Kafka claimed that most of his personal struggles, in romance and other relationships, originated from his complicated relationship with his father. In his literature works, Kafka’s characteristics were often put up against some sort of overbearing power, one so strong that it could effortlessly crush a man’s will and destroy his self-worth. The character of the Hunger Artist represents Kafka himself as a “starving artist” which symbolizes the distress an artist must suffer to eventually gain success.
He struggles as an artist himself, as a writer, and as a human being. He feels misunderstood and tormented, perhaps exactly what this story is all about. The irrationality in the people that surround the Hunger Artist, and the inconsistency of the audience is reflective of this vision that Kafka wrote an autobiography of himself, as there is no reader who can truly understand what he is experiencing in life, his thoughts, ideologies, emotions, or intentions. Not even the remarkable admiration of the spectators for the Hunger Artist can, at least in the beginning of the story, be considered to be a success for him in Kafka's point of view because it is based on a serious misinterpretation of the artist's …show more content…
intention. The fact that the artist is locked inside of a cage is one of the biggest pieces of symbolism because it represents the isolated aspect, physically and mentally, that comes along with being a great artist, such as Kafka.
In the beginning of the story, the narrator tells the readers that “no one could possibly watch the hunger artist continuously, day and night, and so no one could produce first hand evidence that the fast had really been rigorous and continuous; only the artist himself could know that, he was therefore bound to be the sole completely satisfied spectator of his own fast.” This statement implies that the artist is the only one on his “team.” He is alone. When reading this story, you discover that the artist has an “impresario” who accompanies him on his journey. You immediately think that the artist has a partner, or friend, who is there to support and share the journey with him, but suddenly that idea is crushed when the narrator states “yet the impresario had a way of punishing these outbreaks which he rather enjoyed putting into operation.” Even the one person along his side enjoys his punishment, and this character is distinctly a representation of Kafka’s mother,
Julie. Often shown in this short story, an artist’s talent, or genius, is not recognized until after their death, as there are endless examples of this in history. This is shown in the story through the people’s indifference towards the artist, as some people even identified his profession as “just a joke,” similar to what Kafka’s parents said about him dreaming to be a writer. Often times artists die young, suffering from mental disorders such as depression, anxiety, and insomnia, comparable to Kafka, which most likely stemmed from the life full of isolation and misery that he lived. This is shown in this story by the artist being locked in a cage and enduring extreme hunger, arguably one of the most painful experiences for someone to stomach. The panther is one instance of symbolism that occurs at the end of the story that is significant. At this point in the story, the Hunger Artist had been fasting for so many days that even the managers quit counting. He was barely moving, exuding weakness and mortality, and covered in “dirty straw with sticks.” Finally, the Hunger Artist dies, and they cleared the cage out, “straw and all,” and buried the man. They replaced his spot in the cage with a young panther that represented everything the Hunger Artist was not: vigorous, noble, and most importantly well-fed. These royal qualities attract audiences that the Hunger Artist could never attract, most likely because the panther embodies power and vitality. I like to connect this righteous panther with how Kafka likes for his literature to be honored. Author Franz Kafka used his literature to explore the human struggle for comprehension and security. He lived a life of seclusion and discontent. He had a very petite social life during his mature years. It was in these times of his life that he saw himself as discouraged and helplessly remote from the rest of world. With suffering through the many failed engagements and the despiteful relationship he had with his father, he left a deep imprint on this story, the suffering of the Hunger Artist, not out of famishment, but out of misunderstanding and lack of appreciation.
This story progresses through the artist’s life as he fasted for many days, doing this eventually led to his death. The artist starts in a cage that is on display for everyone to see and does this for forty days at which point the impresario would force him to come out and eat some food. After the artist was done eating, he would relocate to the cage for the reason that he wanted to prove to people that fasting is easy. After a while of doing this the people grew tired and decided not to come and watch him. After the impresario and the artist then went around to other places to see if anyone would watch him and wonder why he did what he did. After a while the artist went to a carnival too fast for people who visited. He requested the carnival to place him next to the animals instead of being the center of attention. He requested the carnival to keep the number of days that he fasted, but after a few weeks the carnival stopped keeping track and so did the artist. At the end of the story the overseer asked why the hunger artist did what he did and the artist answered “because I couldn’t find the food I liked,” (Kafka 334). This shows that he was imprisoned himself due to the fact that he didn’t have the right kind of
Early on, Hemingway describes that he was “always hungry with the walking and the cold and the working” (22). While spending the day with his wife at the horse races, Hemingway wants to “go to a wonderful place and have a truly grand dinner” (47). The two of them head to Michaud’s, a finer restaurant. Though Hemingway debates whether he is truly hungry in the simple sense or in a deeper way, he decides that he is hungry in the simple sense, and they have a “wonderful meal” at Michaud’s (49). There is some sort of practicality of being hungry as Hemingway argues that “in Paris, then, you could live very well on almost nothing and by skipping meals occasionally and never buying any new clothes, you could save and have luxuries” (83), as though, it is more important to have “luxuries” than it is to have money for meals. This necessity for hunger, is characterized better through the methaporhical meaning in A Moveable
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
In “A Hunger Artist” Kafka portrays the artist as an obsessed person with starving himself. Not even death matter as long as he gets that attention he wants from society. Kafka wants society to be the reason that artist became they way he is now. “He worked with integrity, but the world cheated [the artist] of his reward” (Kafka 144). The Hunger Artist no longer has anything significant in his life but the only thing that makes him the way he is because he wants the public’s attention. Society demands are high and not easy to achieve, to the point where the artist was the center of attention in big cities with beautiful girls waiting to help him come out of his cage. But now he is in small cage, neglected by everyone, even when it comes to fasting “no one [counts] the days, no one, not even the hunger artist himself, [know] his extent of his achievement” (144). In the end, the hunger artist body could no longer sustain himself after the long-lasting fast, however society was moving on and he was not. Society was the downfall of his life, wanting public attention is not easy with a cruel society that demands change and new entertainment.
Kafka is known for his highly symbolic and oblique style of writing. It is no surprise that several of his pieces contain the same major themes, just in different settings. The fact that he repeats his styles only makes the message that he is trying to convey much stronger. In both “The Metamorphosis” and “A Hunger Artist”, the main characters are similar in the way that they are both extremely dedicated to their work. In “The Metamorphosis”, Gregor Samsa wakes up one morning to find himself transformed into a bug. Oddly enough, Gregor does not question how this transformation happened or even why it happened. He is more concerned about getting to work (Metamorphosis 4). Similarly, in “A Hunger Artist”, the main character is completely dedicated to his job. In fact, he is so dedicated that he actually thinks of ways in which he can improve himself. At the end of a fast he asks himself, "Why stop fasting at this particular moment…why stop now…?" (Bedford 637).
The story “Hunger” is a story with a very clear message. The message of this story is that a person at any age, instead of hiding from his problems, must face his or her problems. In “Hunger”, the reader understands how to make a living and support himself or herself. After the father of the boy leaves him, the boy and his mother had to become the householders. Wright, very clearly, describes the situation of the boy’s family situation. The main characters are the mother and her son.
Food on the table reflects a positive relationship between Gregor and his family. When Gregor's father continues to eat his breakfast he demonstrates their relationship up to that point is still ok. By the time the table becomes empty the family is starting to resent Gregory for the emotional, physical, and financial burdens he is causing them. They also realize what this is doing to their family and that they do not know how to resolve
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
Kafka felt that “the powerful, self-righteous, and totally unselfconscious personality of his father had stamped him with an ineradicable conviction of his own inferiority and guilt” (Sokel 1). He felt the only way to ever be successful was to “find a spot on the world’s map that his father’s enormous shadow had not reached—and that spot was literature” (Sokel 1).... ... middle of paper ... ...
Many people think that a word’s only meaning is the one given in the dictionary. The word hunger is a condition of being hungry for food, but the victims of the Holocaust were hungry for something much more. According to the Oxford English Dictionary, the definition of hunger is," The feeling of discomfort or weakness caused by lack of food, coupled with the were not as lucky as we are now. The word hunger not only meant surviving during the Holocaust, but also meant being hungry for a normal life. In fact, there are many more meanings for a single word than in the dictionary.
To be alienated for Bartleby and The Hunger Artist is to lose a connection to more than just oneself, as revealed through the characters living conditions and lack of information about the protagonists themselves. Both short stories address the reaction from society towards the main characters in a way that parallels the treatment of individuals living isolated in communities today.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
In The Metamorphosis by Franz Kafka, the style enhances the nightmarish quality of the work. Kafka's detached tone makes the phrase “from the burning pain he felt that the lower part of his body might well, at present, be the most sensitive.” seem uncaring. The story contains a lack of empathy or remorse and, in a sense, it makes the reader feel isolated from the story as if what is happening to Gregor is a strange dream. Additionally, Gregor is obviously struggling physically to maneuver in his new transformation “But it became difficult after that, especially as he was so exceptionally broad.” Kafka makes no attempt to soften this sentence in any way, he states everything literally. The fact that nothing is 'cushioned' or 'sugar coated' as
Hunger is a term that is often defined as the physical feeling for the need to eat. However, the Hunger Artist in Kafka's A Hunger Artist places a different, more complex meaning to this word, making the Hunger Artist's name rather ironic. The hunger of the Hunger Artist is not for food. As described at the end of the essay, the Hunger Artist states that he was in fact never hungry, he just never found anything that he liked. So then, what does this man's hunger truly mean? What drives the Hunger Artist to fast for so long, if he is truly not hungry? The Hunger Artist salivates not for the food which he is teased with, nor does he even sneak food when he alone. The Hunger Artist has a hunger for fame, reputation, and honor. This hunger seems to create in the mind of the Artist, a powerfully controlling dream schema. These dreams drive the Artist to unavoidable failure and alienation, which ultimately uncovers the sad truth about the artist. The truth is that the Artist was never an artist; he was a fraudulent outcast who fought to the last moment for fame, which ultimately became a thing of the past.
Franz Kafka's Judgement & nbsp; This short story by Franz Kafka is really a challenging one to interpret, but apparently there are some contextual clues that enable us to draw some logical conclusions out of the story. Firstly, we should handle this story in terms of human relationships; there are 3 kinds of relationships represented in the story. The first is the relationship between George (the main character of the story) and his friend in Russia; the second is George's relationship with his fiancée and the third is his relationship with his father. Each exposition of these relationships contradicts the persons involved. That is, while George is devoted to writing to a friend whom he hasn't seen for 3 years, he doesn't write about important events.