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Frankenstein as a gothic novel
Frankenstein as a gothic and romantic novel
Frankenstein as a gothic and romantic novel
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Recommended: Frankenstein as a gothic novel
Gaining inspiration from Ancient Greek Mythology, Mary Shelley published a classic gothic science fiction novel, known informally as Frankenstein. In Ancient Greek folklore, Prometheus is said to be the wisest of all the Gods. In the form of fire, he has been praised for bringing forth knowledge and enlightenment to mankind. The history of Prometheus’ fate is depicted throughout the text. Victor Frankenstein, whom upon years of study and fascination of natural philosophy and chemistry, discovers the secret of life, just as Prometheus once discovered the secret of fire (in many cultures, fire is a portrayal of energy and life), which makes a direct link to the relations of Prometheus and Victor. Armed with the knowledge he has long been seeking, Victor secludes himself in an apartment and begins to fashion a creature out of old body parts....
Whether atop the baffling Mount Olympus or below in the blank slate of a city being Ingolstadt, a mythological god and a man seek power on their trek to greatness. Both Zeus of the Greek gods in “The Story of Prometheus” and the simple man Victor Frankenstein of the literature work Frankenstein by Mary Shelley, can be viewed as leaders who lost their purpose in their quest for power. Victor possesses more morality in his actions, while Zeus rules with an iron fist and does not care what happens to the ones around him. To understand the beneficial traits and flaws of these characters, one must delve into the stories of their lives. These characters throughout literature show signs of great potential, but also of substantial corruption. Disregarding the feelings of others, along with a
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
A foil is when a characters differences contrast with another in order to show the main characters traits clearly. By using certain parts of their personalities, the reader sees the other characters opposing qualities. When an author uses foil in a novel the main character is thoroughly developed because the reader can gain more information about the characters own reactions. Mary Shelley’s use of foil characters in Frankenstein Or, The Modern Prometheus enhances the story greatly. Shelley’s way of comparing Victor, the Creature, Robert Walton and Clerval is what leads to the readers greater understanding of who Victor is. The most obvious foil throughout the novel is the Creature and Victor, child and father figure. Shelley uses their similarities
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different.
“We feel as if something inside us, in our blood, has been switched on. That's not just a phrase--it is a fact. It is the front, that has made electrical contact ... We are dead men with no feelings, who are able by some trick, some dangerous magic, to keep on running and keep on killing.”
Paradoxically, the creation does not result in progress but manages to destroy more than what it was made from, in turn, causing more conflict and damage. Whale’s cynical view towards the war was especially exposed in “Bride of Frankenstein” which was made three years after Hitler came into authority. The technology used within this film was beyond its time as was the gender reversal and concept of re-animation after death. This could symbolize the people’s resistance to evolve and improve. The community and people who make it such are also part of the symbolic battlefield that is Dr. Frankenstein’s laboratory. It is in this community of regression that the re-born creature is thrust into and immediately rejected. Similarly the returning wounded soldier is not taken in by the community; rather he is shunned and unwelcomed as if he has been de-humanized by the war. The people of the community do not see the soldier as “re-born”, they see him more as an abnormality that was supposed to die in the war. Although many in the community claimed they would rather see dead heroes happy in their afterlife they were often rejected when they returned home. This war that was referred to as “the war to end all wars” produced more hardship for populations. It was at this time that the re-birth from death of the creature undermined the meaning of death and obligation of those who had sacrificed all for their country. In the film “J’accuse” by Abel Gance the town folk flee from the “reborn” soldiers. They are not at all excited or grateful to see their deceased war heroes one last time. The villagers know that they have not shown appreciation for the soldiers sacrifices. They have been living petty civilian lives, taking advantage of soldiers’ bu...
Victor Frankenstein from Mary Shelley’s Frankenstein is the embodiment of the Greek titan, Prometheus. Victor is controlled by his desire for results but he ignores his path to getting those results. It’s helpful that he is able to ignore reality when doing so because then he is able to focus more on the developments. Being on the selfish side, Victor Frankenstein never bothers with the questions such as “Why” but focuses on the “Why not”. Victor Frankenstein is the modern Prometheus because of his realization when reality does not match what he imagined, brute strength to compensate for his ignorance and constant reluctant to take responsibility for his actions.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Written in 1817 by Mary Shelley, Frankenstein is a novel about the "modern Prometheus", the Roman Titian who stole fire from the gods and gave it to man. The story takes place in several European countries during the late 1700's. It is the recollection of Victor Frankenstein to a ship captain about his life. Victor is a student of science and medicine who discovers a way to reanimate dead flesh. In a desire to create the perfect race he constructs a man more powerful than any normal human, but the creation is so deformed and hideous that Victor shuns it. The creation then spends a year wandering searching for companionship, but everywhere he goes he is shunned and feared. Hating life the creature turns its misery on its creator, killing off Victors family.
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Mythologies are traditionally stories that concern the early history of religion and people or the explanation of a natural or social phenomenon. Myths are often referenced by authors, as allusions, in their novels. The myth of Prometheus, the creator of man, is the story of a god who is sentenced to suffer for eternity for disobeying god. Victor Frankenstein is portrayed as a modern Prometheus in Mary Shelley’s Frankenstein through, the methods used for the creation of man, his desire to create man, and the punishment he receives from his creation and himself. As the novel progresses, so does the similarities between Frankenstein and Prometheus. Due to the various similarities between them, a conclusion that Frankenstein portrays Prometheus
Mary Wollstonecraft Shelley’s Frankenstein (sometimes also known as The Modern Prometheus) is the classic gothic novel of her time. In this eerie tale, Dr. Victor Frankenstein – suffering from quite an extreme superiority complex – brings to life a creature made from body parts of deceased individuals from nearby cemeteries. Rather than to embrace the Creature as his own, Frankenstein alienates him because of his unpleasant appearance. Throughout the novel, the Creature is ostracized not only by Frankenstein but by society as a whole. Initially a kind and gentle being, the Creature becomes violent and eventually seeks revenge for his creator’s betrayal. Rather than to merely focus on the exclusion of the Creature from society, Shelley depicts the progression of Dr. Frankenstein’s seclusion from other humans as well, until he and the Creature ultimately become equals – alone in the world with no one to love, and no one to love them back. Frankenstein serves as more than simply a legendary tale of horror, but also as a representation of how isolation and prejudice can result in the demise of the individual.
For my final project of the novel unit, I chose the novel Frankenstein written by Mary Shelley and first published in 1818. Frankenstein is a tale about an ambitious young scientist who in his practice oversteps the boundaries of acceptable science and creates a monster which destroys everything Victor Frankenstein loved and held dear.
Mary Shelley’s Frankenstein or The Modern Prometheus can be interpreted as a chilling warning of the dangers of scientific overreaching and ambition. Mary Shelley was already aware of the works of scientists such as Erasmus Darwin and was being influenced by writers such as Byron when, at “the age of nineteen, she achieved the quietly astonishing feat of looking beyond them and creating a lasting symbol of the perils of scientific Prometheanism” (Joseph, 1998, p, xiii). The fact that Shelley parallels her story of Frankenstein with the myth of Prometheus is interesting and gives an immediate insight into the extent of criticism she bestows on Victor Frankenstein’s scientific ambition. In one version of the Prometheus myth (Prometheus Pyprphoros) he brought down fire from the sun to succour mankind, and was then punished by being chained up with an eagle feasting on his liver in a perpetual cycle. In another version (Prometheus Plasticator) he animated a man from clay in an act of usurping God. The undoing of Frankenstein can be taken as a metaphor for either version and is key to understanding that as Shelley orchestrates Victor’s downfall she is presenting his actions as a warning of what horrors blind scientific ambition can wreak upon mankind.