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Comparing mary shelleys frankenstein to the book
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The film setting for the movie Frankenstein started at a cemetery in which most people like me does not really expect because in the book of Mary Shelley Henry Frankenstein or known as Victor in Shelley’s book started off with his family being described as a loving child in contrast to the movie that started off with Frankenstein as already a mad scientist. I also noticed the use of thunder often every time there is an intense situation that is happening or about to happen. I also noticed how Frankenstein treated Victor and Dr. Waldman harshly, but made effort to treat Elizabeth with sort of calmness and care despite of his unstable state. If there is anything that I noticed that is not really appealing was the set up stage for the mountain …show more content…
In regards of the casting, the portrayal of Victor as a mad scientist as well as Elizabeth and Victor Moritz (Henry Clerval) are very effective. However, the monster was compromised and he was made to look unintelligent compared to Shelley’s book where he learned to live with villagers and even made conversation with his creator in an attempt to make him create a companion (101). I also noticed that the ending of the movie where they decided to kill the character of the monster in order to make the viewer feel relieved that there will be no more monster in Henry Frankenstein’s society. Furthermore, the monster did not end up killing Elizabeth compared to the real story in Shelley’s book where the monster actually left her for dead (140). I believe that the film makers did not want to follow Mary Shelley’s book because they don’t want to inflict depression to their audience instead they want to uplift they spirit due to the fact that this era was the time where people are just getting out of economic downfall and
In Lisa Nocks article appropriately titled “Frankenstein, in a better light,” she takes us through a view of the characters in the eyes of the author Mary Shelly. The name Frankenstein conjures up feeling of monsters and horror however, the monster could be a metaphor for the time period of which the book was written according to Nocks. The article implies that the book was geared more towards science because scientific treatises were popular readings among the educated classes, of which Shelley was a member of. Shelley, whose father was wealthy and had an extensive library, was encouraged to self-educate, which gave her knowledge of contemporary science and philosophy, which also influenced Frankenstein as well as circumstances of her life.
The Transylvanian village itself embodies much theatrical mise-en-scene. The Old World-styled buildings in the village cast an antiquated ambience to the film. Most of the setting of the film is seemingly unto itself and unattached to the contemporary world in which the film otherwise takes place. [aestheticism- brummett quote]The lightning that almost ubiquitously strikes during exterior shots of the Frankenstein castle, as well as scenes involving Frankenstein's laboratory, becomes a character of its own: with intense flashes of light during the scene in which the exhumed corpse is given life to become the Creature.
Mary Shelley’s novel Frankenstein was first published in 1818 in an increasing secular British society, after the French revolution but the beginning of Industrial Revolution and during a period of technological and scientific advancement. Over 150 years later, Ridley Scott released Blade Runner, a film set in the 2019. The influence of the Cold War, capitalism and rising consumerism and uncontrollable scientific developments in areas of cloning, came together to form a dystopian world. Despite the differing contexts, values such as man's fascination with creating life, an obsession with science and discovery and the importance of parental responsibility are present in both texts, essentially representing Mary Shelley in the 1800s and Ridley Scott in the 20thcentury. The universality of such values are how each text broke through boundaries of their time, thus leading to being viewed as valuable. Shelley and Scott’s concerns for such issues lead to not being critically acclaimed at the time.
Other versions of the film followed, one even explained monster being evil because Victor puts a crazy brain into him. Some critics argue that American audience just can’t comprehend intellectual complicity and they would just rather see a classic horror movie, then put some thought into one. Besides altering Victor, Hollywood altered the monster as well, making him seem even more wicked and horrific. As opposed to the original text where Shelly sympathizes with the monster, by letting us know his side of the story and how it was for him to grow up alone, and to be rejected by the society. Victor’s creation was alone and his misery and anger grew stronger by the day, at which point he starts to kill those close to Victor in order to get his revenge on the heartless creator that abandoned him.
Anyone who has had the chance to read Mary Shelly’s original Frankenstein and watch the movie Young Frankenstein is aware that there is quite a difference when it comes to the two of them. For one it is easy to point out that Young Frankenstein is set out to be a comedy while the original version of Frankenstein is made to be serious. Young Frankenstein is a 1977 film that tells the story of Victor Frankenstein’s grandson. The film adaptation is essentially a parody of the classic tale along with other versions of Frankenstein. It pointed out from the start of the movie that it would run directly parallel with the original tale when Fredrick Frankenstein was mentioned to be the grandson of the infamous Victor
Frankenstein Over Time Mary Shelley’s novel Frankenstein is impressive, entertaining, and fascinating, so it is no surprise there have been so many films and artworks influenced by her novel. Many of which have put their own spin to the horror novel, especially the character of the creature that remains one of the most recognized icons in horror fiction. However, there have been critics who argue modern versions and variations have lost the horror and passion that is an essential to the creature. The start of the Creature is bound to be one book. However, public impression of the Creature has changed severely since the publication of the original novel, leading to diverse styles and plot lines in its diverse film adaptations.
So, when he created Frankenstein “the monster” he turned out to be this grotesque and unnatural creature which was different from what Victor had imagined. However, at the site of looking at his creation, Victor is now spooked by his appearance and immediately turned off by his own creation. For example, in chapter 5 Victor says, “I had desired it with an ardor that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, continued a long time traversing my bed chamber, unable to compose my mind to sleep.” (Page 35). Again, we can see Shelley’s use of Gothic elements infused with the monstrous theme. However, this causes Victor to immediately stray away from the monster because he views his creation as repulsive and upsetting. Which marks the first sign of abandonment that Victor places on his creation. This doesn’t do any justice for Victor because now the monster is trying to assert himself into Victor’s life but yet feels more and more neglected from the absence of love that Victor doesn’t want to give in terms of having a relationship with
Frankenstein is a fictional story written by Mary Shelly. It was later adapted into a movie version directed by James Whales. There are more differences than similarities between the book and the movie. This is because, the movie is mainly based on the 1920’s play, other than the original Mary Shelly’s book Frankenstein. A text has to be altered in one way or the other while making a movie due to a number of obvious factors. A lot of details from the book were missing in the movie, but the changes made by Whales were effective as they made the movie interesting, and successful.
Revenge is a fairly strong emotion; it’s wanting to retaliate towards those who wronged you. Revenge is such an uncontrollable way of retaliation that it can result in a destructive outcome or carried out successfully. Although the results may vary, revenge sums up to one thing which is pain of some sort, affecting both parties or just one. Throughout history we see many tales of revenge and redemption. Often revenge does leave the one carrying it out feeling victorious but this can suddenly change as the process of karma generally begins in some tales.
In the book Gris Grimly's Frankenstein, Victor Frankenstein develops a creature with his bare hands who in my opinion even though has a non-human look is, in fact, a human. The two main reasons why I feel this way is because of the human-like emotions he conveys and show. As well as being able to speak English in a clear manner and the ability to learn like a human being. However, before I explain these two reasons more in depth I would like to give a bit of background information, as to the things the creature has done throughout the book and why he was created. First of all, the reason the creature was created was for Victor to test if it was possible to bring the dead back to life in order to bring his mother back to life after her death.
‘Frankenstein’ did not frighten me at all, I merely found it a very tragic story demonstrating both the corruption of an innocent being by an immoral society and the dangers of playing God with science. Frankenstein was responsible for the creature and as soon as he showed signs of life, instead of deserting him due to fear and embarrassment because of the ugliness of the creature, he should have taught the creature right from wrong and accepted him as a person, not a monster. Any brutality in ‘Frankenstein’ was due to Victor Frankenstein himself and not his monster.
Analysis of Mary Shelley's Frankenstein. Analyzing a book can be a killer. Especially when it contains tons of subtle little messages and hints that are not picked up unless one really dissects the material. Mary Shelley's Frankenstein is a prime example.
In the novel Frankenstein, by Mary Shelley, the main theme of the story was isolation. Both internal and external consequences were the cause of being isolated from society. Frankenstein began to feel depressed after the creation of the monster and decided to isolate himself from his friends and family. Frankenstein kept his creation a secret from everyone because he was afraid of the consequences. Ironically, Frankenstein was the main problem for all of his sufferings. He thought that he could keep everyone safe if he were to not tell them about the monster, however, everyone died because he wanted to keep everyone from the truth. The creature also suffered many consequences from being isolated. He wanted to be part of a family, and feel
Frankenstein by Mary Shelly is an old classic that has been enjoyed by many generations. Despite the fact that the novel was written over a hundred years ago, it is not only beautifully written but also enthralling and well composed. At the young age of eighteen, Mary Shelly raises questions about education and knowledge to which are answered through the well written characters in the novel. The Monster, who is a creation of another character, is highlighted as an individual who goes through an intellectual change.
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).