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Into the wild character analysis
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The trust that one can express for those around them can show how a person truly is. The tale of Frankenstein is one which many people know differently. In the original Frankenstein by Mary Shelley, Victor Frankenstein becomes obsessed with creating new life and immediately becomes horrified and regrets it afterwards. In the novel there are many point of view changes that allow for viewing of different character’s opinions on different things, including the monster’s. You may see Victor describe the monster’s grin as horrid and devilish, while the monster describes his own smile as excited. These different views show how in depth each character’s thought process is, and inversely to this, how innocent they are. Simple minded characters, such …show more content…
as the monster, do not have a very extensive thought process when it comes to situations and therefore are more innocent. Victor’s thought process is one that is far too in depth, which causes him to have very selective views about many things as well as over think many things. (including the intentions behind the monster). He neglects the monster and ignores it, forcing it to grow up in a harsh environment and cause it to seek revenge out of pure rage. Victor is the true villain, due to his fears and selfishness. The monster is nothing but a blank slate, which could have been kind and happy if raised correctly, but the way Victor treats the monster causes the monsters downward spiral to malicious actions. Victor’s emotions throughout Frankenstein are some that are attributed to a villain of a story. To start, Victor is fearful in life. He seems to have issues committing to things. After he committed to creating the monster and teaching it as one of his own, he abandoned it not even one day after its creation due to only its appearance. “His yellow skin scarcely covered the work of muscles and arteries beneath… his shrivelled complexion and straight black lips”(42) are some examples alone of what the monster looked like. While it’s true that every other person in the story couldn’t stand the sight of the creature, it is purely pathetic for the monster’s creator to abandon it so quickly, even after all of his hard work. Victor’s fear show that no matter how professional someone appears to be, primal instinct will kick in and show how someone truly is. This can be attributed to Thomas Hobbes’ philosophy that all men are born self interested. Victor himself acts like he understands everything that he is doing, though he really understands very little about human philosophy. For instance, John Locke, a well known philosopher, believed that every creature is born a tabula rasa, or a blank slate. For Victor to not believe this, as well because Victor abandons the monster so early in the novel, it is obvious that Victor cares more about himself than others: a very evil trait. Along with this fear comes Victor’s selfishness.
Victor frequently doesn’t consider the monster, and only thinks of self-benefit. In fact, Victor’s purpose in creating the monster was self-benefit: to have a race that considers him their god. This plan doesn’t work out for obvious reasons, and the monster runs. When Victor encounters the monster again, it is an unexpected encounter on Mount Blanc. Victor assumes the monster killed his son though no real proof existed at the time. Victor sees the monster, and “A mist came over (his) eyes, and (he) felt a faintness seize (him)”(80). This is Victor's reaction to simply seeing the monster. He feels as if he needs to get revenge against the monster who could be innocent. Victor says later “I trembled with rage and horror, resolving to wait his approach and then close with him in mortal combat”(80). He is willing to die if it gets this possibly innocent creature off of the earth. This is an evil and selfish thing of him to do, simply to get out the rage of losing two of his family members. Actions like this are what cause the monster to want to continue ruining Victor. The monster asks for a compromise; a bride so that he has someone who he can befriend. Victor agrees to this only out of self defense, and not out of goodness. After realising he is being spied on by the monster, he destroys the bride. Victor said “I thought with a sensation of madness on my promise of creating another like to him, and trembling with passion, tore …show more content…
to pieces the thing on which I was engaged”(145). Once again, when Victor saw the face of the monster he freaked out irrationally, for he could have ridden of his problems. His paranoia causes him to be selfish and is a weak attempt at saving what he loves -- his family. Many could accuse the monster of being the cause of the strange and cruel actions that Victor does throughout the book, but these ideas come from Victor’s point of view.
When we peek into the mind of the monster, we see how innocent he actually is. The monster can be compared to a sad, alone puppy. Dogs, in general, grow and learn about the world from those around them. They start out innocent and are basically taught through actions that others do. The phrase, ‘There are no bad dogs, only bad owners.’ applies here. Victor -- as well as the rest of the world -- teach the monster about life, and they present the world as a hostile place. The monster meets a family, and feels bad for them and decides to help them. Right away, the monster is showing sympathy. While the DeLaceys don’t know who is getting wood for them, they do leave out clothing and books for whoever it is. Through the books he learns more about the good and bad of the world. When he finally enters their cottage and speaks to the blind old man, he is quickly interrupted by the old man’s son who attacks him with a stick. The monster’s response is one that shows his innocence. “I could have torn him limb from limb… But my heart sank within me as with bitter sickness, and I refrained… Overcome by pain and anguish, I quitted the cottage and in the general tumult escaped unperceived to my hovel”(115). The monster is shown avoiding violence. He is shown being kind, and as a result doesn’t mean to harm, only to
help. When the monster does help, he isn’t rewarded for it. He is shot in the arm for saving a young girl from drowning, for instance. This will teach the monster to not want to do good things in the world. Lastly, the monster expresses sadness when his owner is killed, even after all of the pain they put each other through. He expresses sympathy, and even says that Victor is a “Generous and self-devoted being!”(194). The emotions that the monster undergoes, including sympathy and generosity, as well as its innocence and his unknowing of the impact of his actions show that the monster cannot be the villain of the novel and, is instead, the one suffering. Victor is one of the weaker characters in Frankenstein. He lets his emotions and human instinct get the better of him in almost all situations. He makes impulsive decisions that impact him poorly in the future. He finds ways to blame the monster for his own actions. The monster, or the blank slate, did not dislike anybody, and the actions alone of others resulted in the monster's rage and spite for mankind. The monster shouldn’t be accused of being self interested, he follows Locke’s ideas that beings are born blank slates, while all true humans in the story follow Hobbes’ more self-centered mindset.
As a romantic, archetype and gothic novel, Victor is responsible for the monsters actions because Victor abandons his creation meaning the creature is dejected and ends up hideous and fiendish. It is unfair to create someone into this world and then just abandon it and not teach it how to survive. The quote from the creature “Why did you make such a hideous creature like me just to leave me in disgust” demonstrates how much agony the creature is in. He is neglected because of his creator. The monster says “The hateful day when I received life! I accurse my creator. Why did you form a monster so hideous that even you turned from me in disgust?” Victor is wholly at fault for his actions, image and evil.
The phrase, “opposites attract” occurs in the thoughts of all the hopeless romantics available in the world. However, what is factual in life is also disturbingly accurate in books. Mary Wollstonecraft Shelley encompasses the thoughts that hinder the sleep of many individuals across the world in her novel, Frankenstein, or the Modern Prometheus. Victor Frankenstein’s foil, or opposite, happens to be his childhood friend Henry Clerval. Their relationship portrays the themes of life, or existence, and the pursuit of science.
With nobody to reason with, Victor makes senseless decisions while he is alone. Victor begins this with his process of creating the monster. Nobody in the right mind would ever dig up graves, but that is just what victor goes and does. Once this creation is finally given life, which Victor has spent two years striving for, Victor foolishly abandons it. Victor comes to his senses to some degree after he brings life to the monster as he states, “‘now that I had finished, the beauty of the dream had vanished, and breathless horror and disgust filled my heart” (Shelley 43). Had there been companions around Victor during this creation time, perhaps someone would have been able to guide Victor away from creating the “wretch” (Shelley 43) he so hopelessly conceived. As for the monster, he makes fairly good decisions even without guidance from anyone, including Victor, his creator. The monster has the desire to learn and gain knowledge as a genuine individual. As the monster is continuously rejected and shunned by mankind, his natural benevolence turns to malevolence. In his loneliness, the monster wrongly decides to declare “‘everlasting war against the species, and more than all, against him who had formed me and sent me forth to this insupportable misery’” (Shelley 126). Say the monster was able to have comrades of some kind around him, he would not have turned to this
Frankenstein is a horror movie that tells the story of Dr. Henry Frankenstein’s experiment. In search for the fame and glory of playing to be god, he reaches a point where he is able to revive dead people. In this version of Frankenstein’s monster we see a selfish and careless scientist that created a creature with his intelligence. The way the character is shown reflects how ambitious someone can be to reach to be known in the world. This movie makes the people who are watching to feel empathy on the poor creature. This poor creature that did not want to live in a life where everyone is going to hate him for having a horrible aspect and not following rules that he has no idea about.
Victor’s lack of compassion and sympathy towards the monster causes him to become angry instead of guilty. His cruelness to his creation made the monster kill and hurt the people he did but “when [he] reflected on [the monster’s] crimes and malice, [Victor’s] hatred and revenge burst all bounds of moderation,”(Shelley 325). Without compassion Victor thinks that the only way to stop the monster is to get revenge on him, instead of just giving him the empathy and kindness that monster craved. Victor realizes that "if he were vanquished, [he] should be a free man...balanced by those horrors of remorse and guilt which would pursue [him] until death. ”(Shelley 731).
If Victor had stayed around and showed the monster the real world, he might have not have went on to perform violent actions. This portrays Victor as a selfish character and gives more of an insight on his personal life. As a child, Victor is only interested in furthering his own knowledge and not worried about anyone else. He spent much of his time “drawing the picture of [his] early days... when [he] would account to [himself] for the birth of that passion which afterwards ruled [his] destiny” (Shelley 34), or otherwise a magnificent creation that would change his future. When constructing the Monster, he put all of his relatives in the back of his mind, and only focused on his own success and victory. This further explains the theme of being selfless and only doing certain things that will benefit
Both characters from the novels Prometheus and Victor Frankenstein were similar because they were both intelligent. Victor loved science, he sued to go on journeys to seek more information about life and death, because at home he had nobody to teach him.” My father was not scientific, and I was left to struggle with a child's blindness, added to a student's thirst for knowledge. (Victor Frankenstein quotes on education). And he even studied abroad to see more knowledge on his favorite subject. This created major conflicts with his professor at the university but also admiration among professors and peers.
James Whale's Frankenstein is a VERY loose adaptation of Mary Shelley's 1818 novel. The spirit of the film is preserved in its most basic sense, but the vast majority of the story has been entirely left out, which is unfortunate. The monster, for example, who possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel.
As time goes on, many things tend to change, and then they begin to inherit completely different images. Over the years, the character, created by Dr. Victor Frankenstein in Mary Shelley’s famous novel, has changed dramatically. The monster, regularly called “Frankenstein,” has been featured in numerous films, such as Frankenweenie and Edward Scissorhands. Although, the characters in today’s pop culture and the monster in the well-known 1800’s novel have similarities, they are actually very different. The many similarities and differences range from the character’s physical traits and psychological traits, the character’s persona, and the character’s place in the Gothic style.
In Frankenstein, Mary Shelley combines three separate stories involving three different characters--Walton, Victor, and Frankenstein's monster. Though the reader is hearing the stories through Walton's perspective, Walton strives for accuracy in relating the details, as he says, "I have resolved every night,...to record, as nearly as possible in his [Victor's] own words, what he has related during the day" (Shelley 37). Shelley's shift in point of view allows for direct comparison and contrast between the characters, as the reader hears their stories through the use of first person. As the reader compares the monster's circumstances to those of Victor and Walton, the reader's sympathy for the monster greatly increases.
The monster does not resemble Victor physically; instead, they share the same personalities. For example, Victor and the monster are both loving beings. Both of them want to help others and want what is best for others. Victor and the monster try to help the people that surround them. Victor tries to console his family at their losses, and the monster assists the people living in the cottage by performing helpful tasks. However, Victor and the monster do not reflect loving people. The evil that evolves in Victor’s heart is also present in the monster.
The monster is left to live his life with no help from his creator after being abandoned. While having the mind of a newborn, this is not easy for him. By not knowing right from wrong, he murdered Victor's loved ones in order to get attention. He never had anyone to teach him how to live life with dignity and respect. This is a major loss for a living being. The creator is at fault here because the monster does not know better. Victor should have taken responsibility by accepting, raising, and controlling the monster.
He possibly could have located the monster, with the help of others, in a timely fashion, thus averting the many calamities that followed. However, Victor chose to abandon his monster and not inform anyone of its creation, and ignore it for months (Shelly 56). When Victor finally sees the monster again, it is after the monster has killed his youngest brother, william. When an innocent woman is blamed for this crime, and Victor could testify and save her life, he takes no action, saying that he would be thought crazy for his tale (Shelly 66).This in and of itself is an insanely selfish thing to do, with minimal effort Victor could have saved another person's life but because it could jeopardize his own reputation, he chooses not to. Even after two people have perished due to his thoughtlessness, Victor still does not inform anyone of the monster which he has created and still allows it to run loose. Later in the novel, after Victor destroys the companion the monster asked him to build, the monster strangles Victor's innocent friend Henry (Shelley 166). Victor’s actions caused a number of deaths and endangered many people. Henry, Elizabeth, William, and Justine all had nothing to do with the creation and subsequent abandonment of the monster, and yet due to Victors irresponsibility, they paid the ultimate price. Williams death is a turning point in the novel, as it shows victor for the first time that his actions actually do have consequences “Nothing in the human shape could have destroyed that fair child. He was the murderer! I could not doubt it”, and yet he chooses to continue to make irresponsible choices that continue to endanger more people (Shelley
Gender inequality will always affect the way women are portrayed in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, but still holds a name in society, however in the olden eras the way women were treated and are looked at, in a much more harsh condition. In Shakespeare’s Othello and Shelley’s Frankenstein women’s roles in the books are solely based on the way they are treated in their time period. The way women are portrayed in these books, demonstrate that they can never be in the same standing as men, considered the second option, and therefore will never have the same respect as men. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice,
In Mary Shelley’s Frankenstein, the main character, Victor Frankenstein, may not exactly qualify as a “hero,” but is still a fitting figure for a piece of literary advice. Thomas Foster advises to “never stand next to the hero,” well, in this case, the characters in Frankenstein should, “never stand next to the main character.” The characters in Mary Shelley’s Frankenstein play a pivotal role in the life of Victor Frankenstein by shaping the person he is at a young age, giving him reasoning to be concerned with his actions, and by being the reasons he can personally grow and bring about change in himself.