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Ambition in Dr Faustus and Macbeth
Ambition in Dr Faustus and Macbeth
Macbeth frankenstein ambition
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Both Mary Shelley’s, “Frankenstein”, and William Shakespeare’s, “Macbeth”, present strong and noble men who end up taking the wrong paths in their lives. Both texts show what happens when a man is overpowered by their weaknesses. In this case, ambition appears to be at the center of their downfalls. Both protagonists go against the natural order of society to achieve their goals, and as a result, both suffer from mental instability. Macbeth defies the Divine Right of Kings as well as the Great Chain of Being, two hierarchal structures that were used to govern the Jacobean society, as he unrightfully tries to become King. Similarly, Victor Frankenstein goes against nature and the Church, as he tries to play God and reanimate dead body parts. As a result, both characters ultimately fall victim to their fatal flaws.
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However, its significance in each text is different. In “Frankenstein”, light symbolizes knowledge, “from the midst of this darkness a sudden light broke in upon me”. When Mary Shelley wrote “Frankenstein” there was a yearning for scientific discovery and exploration. During this Age of Enlightenment, scientists were pushing the bounds of nature congruent to Victor. Whereas, in “Macbeth”, the scheming couple both talk about hiding their deeds under the “blankets of the dark”, away from heaven and even from themselves. Macbeth talks in asides, emphasizing the secretive nature of his plans, he says to himself, “stars hide your fires! Let not light see my black and deep desires”. Here, Macbeth uses starlight as a metaphor for everything that is good, as he thinks about murdering Duncan as well as Malcom. It is odd, as even though both protagonists are going against nature, Victor associates his experiments with good, he recognizes that light will clarify his problems. Whereas Macbeth feels exposed in the light, he wants to hide in the dark and wallow in his guilt.
How can people’s personal flaws lead to their own destruction? In William Shakespeare's King Lear and Mary Shelley’s Frankenstein, the main characters, Lear and Frankenstein, both as tragic heroes, fall as a result of their own careless actions. Lear and Frankenstein had to die in order to come to epiphanies about their situations and the impact that their own actions have on their lives. Shakespeare and Shelley communicate that one must face a downfall in order to realize his own flaws and the truths of his reality.
Guilt causes the main characters’ consciences to overcome them mentally and physically causing their downfalls. In the tragedy Macbeth by William Shakespeare, the recurring theme of night and darkness is used to symbolize guilt and conscience such as when Macbeth and Lady Macbeth want the darkness to conceal their evil deeds and in the end, when Lady Macbeth is afraid of the darkness and nighttime. In Act I, after King Duncan names Malcolm the Prince of Cumberland, Macbeth is already plotting to kill Duncan. He asks the darkness to come and hide his evil deeds so no one would see the terrible thing he was about to do.
A quote which really defines Lady Macbeth and Macbeth’s ambition regarding power is “Power does not corrupt men; fools; however, if they get into a position of power, corrupt power” George Bernard Shaw. Lady Macbeth is more ambitious in terms of gaining power then Macbeth is and that Lady Macbeth will do almost anything to gain power, even evil things that she normally wouldn’t do. This is shown when Macbeth and Lady Macbeth learn about the witches’ predictions, then roles in the plans to murder king Duncan in order to gain power and then finally after the murder, Macbeth doesn’t want to finish the plan making Lady Macbeth angry and causing a chance they might get caught and gain no power at all.
Although most of Shakespeare's play " Mac Beth " is not historically accurate, MacBeth's life is the subject of the tragedy. There are characters and events that are based on true events and real persons but, Shakespeare's "MacBeth " differs significantly from history's MacBeth. The first example of a difference between the Shakespeare "MacBeth" and historical Mac Beth is the death of Duncan I. In Shakespeare's " Mac Beth ", Duncan I was murdered by MacBeth.
This essay earned a 89/100. it was a lot of work considering the lines from macbeth for textual support.
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
There was a common saying, “Behind every great man there's a great woman”. The men, Macbeth and Winston Smith in Shakespeare’s Macbeth and George Orwell’s 1984 may not be considered as the “great man” however, both Lady Macbeth and Julia are good examples that can be presented as the “great woman” behind the men. Both Lady Macbeth and Julia do an excellent job of pretending to be someone who they are not, they are not only affecting the men in their lives to rethink their previous position but also have a bad ending accompanied with physical and psychological issues.
While in Hamlet and others of Shakespeare's plays we feel that Shakespeare refined upon and brooded over his thoughts, Macbeth seems as if struck out at a heat and imagined from first to last with rapidity and power, and a subtlety of workmanship which has become instructive. The theme of the drama is the gradual ruin through yielding to evil within and evil without, of a man, who, though from the first tainted by base and ambitious thoughts, yet possessed elements in his nature of possible honor and loyalty. (792)
Typical of Shakespeare’s works, the play Macbeth has a protagonist who ultimately experiences a downfall that lead to his demise. The protagonist or tragic hero of this play is Macbeth, once brave and honorable, who eventually becomes tyrannical and feared by many due to what Abrams describes as his “hamartia” or “error of judgment or, as it is often…translated, his tragic flaw.” In this case, Macbeth’s tragic flaw proves to be ambition; however, he cannot be held solely responsible for his downfall. As a result of many outside influential factors, including the witches’ prophecies and a rather coaxing and persuasive wife, one should not hold Macbeth entirely culpable for his actions and tragic end.
The monster of the novel is often misattributed with the name, “Frankenstein.” However, Victor Frankenstein can ultimately be considered the true monster of this tale. His obsession would lead to the corruption of his soul and the creation of two monsters—one himself, and the other, the creature. In attempting to take on the role of God, nature would become a monster to Victor and destroy his life. These elements of monstrosity in Frankenstein drive the meaning of its story.
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
... a dark setting used which involved supernatural events, while the light setting was used for last battle, when Macbeth was slain at the end to show the restoration of peace and honesty. Thus the symbolism of light and darkness representing good and evil in the play emphasizes the theme of corruption of power.
Light and darkness represent the tragedies that took place throughout the play. Light represents the good things that happen and darkness represents bad or evil things. One example of light is when Macbeth was given the thane of Gladis he was very elated and there was sunshine at that time. But for darkness its the opposite all the bad events took place during the night for example when Macbeth goes to kill king Duncan because of greed he wasn't happy with the position he received he wanted to be king so he can have more power . Another example of Darkness is when the witches come to tell him his prophecy (I, iii, 125). This is a type of tragic situation because if the witches hadn't appeared and told Macbeth that he would be king he wouldn't have so much lust. In this scene Macbeth describes the witch as an ugly old lady dressed in black. The color black represents the witch’s evil nature. Shakespeare used this traditional symbol through the play to focus on the Elizabethan concept of the Great Chain. When the chain is in order everything is good and there is light. When the chain is violated bad things happen and there is evil and darkness. When Macbeth committed the act of killing Banqu...
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.