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Romanticism of Mary Shelley
Romanticism of Mary Shelley
Mary shelley's frankenstein writing style
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Recommended: Romanticism of Mary Shelley
Interactive Teen Book
In 2012, Dave Morris and Profile Books teamed up with inkle to create an interactive retelling of the book Frankenstein by Mary Shelley. The book is vividly illustrated with detailed 16th to 19th century anatomical illustrations that fit the overall theme of Frankenstein well. Though originally available only for iPhones and iPads through iTunes, the company released an Android version in 2013. Concerning age appropriateness, the Google Play store rates the app for everyone (2013), iTunes suggests twelve and up (2012), and a review by School Library Journal suggests eighth grade and up (Grabarek, 2012). At the time of this paper, iTunes is charging $4.99 for the app and the Play Store has it listed at $4.57.
The publisher has spent some time marketing the book, creating both a Facebook and Pinterest page for users to find out more information. The Facebook page has relevant information about Frankenstein in general as well as specific information about the app itself. The page has received over one thousand “likes”; however, the last post is dated January 10th of this year, so interest has likely begun to decline (Profile Books, 2014). The Pinterest page also had a mixture of items pinned regarding Frankenstein and Mary Shelley. Profile Books, the publisher, has a page for the app on their website, and the developer inkle also has a page devoted to the app. Aside from social media and websites, the developer also created two trailers for the app that are accessible on YouTube, that introduce readers to the interactive format and the attractive user interface.
Somehow, in all my readings, I had never read Frankenstein by Mary Shelley. I was excited to read the book and was curious about the intera...
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... book repackaged, but remain faithful to the original. In a perfect world, teens would read simply because they understand the immense benefits of reading; however, realistically sometimes teens need a gentle push to impel them toward reading. I believe this app provides that push.
Works Cited
Frankenstein. (2013). Retrieved from https://play.google.com/store/apps/details?id=com.bbg.frankenstein&hl=en_GB
Frankenstein, for iPad and iPhone. (2012). Retrieved from https://itunes.apple.com/us/app/frankenstein-for-ipad-iphone/id516047066?mt=8
Grabarek, D. (2012). Review: ‘Frankenstein’ – by Dave Morris – “a sophisticated take on a classic”. Retrieved from http://blogs.slj.com/touchandgo/2012/06/11/review-frankenstein-a-sophisticated-choose-your-own-adventure-by-dave-morris/
Profile Books. (2014). [Facebook page]. Retrieved https://www.facebook.com/frankensteinapp
in Frankenstein: Contexts, nineteenth century responses, criticism. By Mary Shelley. Ed. J. Paul Hunter. Norton Critical Edition.
Shelley, Mary. Frankenstein: the original 1818 text. 2nd ed. Ed. D.L. Macdonald and Kathleen Scherf. Peterborough: Broadview, 1999.
After learning about the life of Mary Shelley, I have grown to appreciate the novel, Frankenstein, even more since the first time I read it. She led a life nearly, as tragic as the monster she created through her writing. Mary seems to pull some of her own life experiences in Victor’s background, as in both mothers died during or after childbirth. Learning about Mary’s personal losses, I have gained a better appreciation of her as an author and a woman of the 17th century. She had association with some the most influential minds of that
“Allure, Authority, and Psychoanalysis” discusses the unconscious wishes, effects, conflicts, anxieties, and fantasies within “Frankenstein.” The absence of strong female characters in “Frankenstein” suggests the idea of Victor’s desire to create life without the female. This desire possibly stems from Victor’s attempt to compensate for the lack of a penis or, similarly, from the fear of female sexuality. Victor’s strong desire for maternal love is transferred to Elizabeth, the orphan taken into the Frankenstein family. This idea is then reincarnated in the form of a monster which leads to the conclusion that Mary Shelley felt like an abandoned child who is reflected in the rage of the monster.
Shelley, Mary. Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: W. W.
Victor Frankenstein creates a creature that he considers to be treacherous. Since the creature was created it obtains no knowledge of what it is or what is happening. Victor abandons the creature and the creature becomes filled with hate as it is constantly rejected by humans. The creature uses nature to survive. The creature also self teaches himself and becomes aware that he is a monster. He then swears to get revenge on Victor for leaving him alone. He gets his revenge by killing Victor's family. Victor then swears to get revenge on the creature, and decides that the best way to do so is by bringing the creature as far away from human civilization as possible. Thesis?!
because of the way he is just abandoned by Victor and the way in which
In today’s world of genetically engineered hearts and genetically altered glowing rats, the story of Frankenstein, by Mary Shelley, seems as if it could be seen in the newspapers in our near future. The discoveries seen in modern science, as well as in the novel, often have controversy and negative consequences that follow them, the biggest of which being the responsibility the creator of life has to what has been created. Victor Frankenstein suffers from a variety of internal and external conflicts stemming from the creation of his monster, which in return also experiences similar problems. Shelley uses these tumultuous issues to portray the discrepancies between right and wrong, particularly through romanticism and the knowledge of science.
Works Cited for: Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. a. a. a. a. a J. Paul Hunter. New York: W. W. Norton, 1996.
Frankenstein has become a symbol in contemporary society. Upon hearing the name, one might imagine a tall, muscular green man with short black hair, a flat head, and two bolts pierced on both sides of his neck. Although that is the Frankenstein present now, the modern Frankenstein is only an adaptation of Mary Shelley’s original creature. Shelley’s Frankenstein, 1818, is a gothic novel in which she tells the tale of a man creating life. This creation of Victor Frankenstein’s monster eventually hurt the people he held dear. Following the popularity of the book, James Whale directed Frankenstein, in 1931, which started the movement of Frankenstein’s contemporary image. While in comparison to the novel’s questionable identity of the monster, Whale’s adaptation addresses the creation as the true monster. Whale is able to accomplish his reanimated version of the original creation through a series of drastically different aspects involving both personality and appearance in his cinematic production. Whale’s monster lacks the human appeal of Shelley’s creation through his motivation of his transgressions, lack of speech and physical appearance.
obtain love from something , it is easy and very possible to have love for
Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996.
Harold Bloom, a well-known American critic explores Mary Shelley's Frankenstein to find true meaning. Throughout his essay, he gives answers to the lingering question of who the real monster is. He also paints a clear picture of a major theme in the novel, the Romantic mythology of the self. Through reading his essay, it opens up new light to Mary Shelley's novel. It gives new meaning to the monster and his creator.
The wise Uncle Ben once told Peter Parker, “remember, with great power. Comes great responsibility.” There is no greater power than that acquired by the infamous Victor Frankenstein in Mary Shelley’s Frankenstein when he discovers the secret to creating life. Shelley’s Frankenstein is a tale of creation that depicts acts of human conception and discovery. The Oxford English Dictionary defines creation as “the action or process of bringing something into existence from nothing by divine or natural agency; the fact of being so created.” It defies the natural order of things and creates a world of its own. The multiple acts of creation and discovery bring upon a certain set of responsibilities and implications as depicted by David Collings who analyzes the responsibilities that come as a result of these acts in his essay “The Monster and the Maternal Thing: Mary Shelley’s Critique of Ideology”. The main act of creation is evident through Victor Frankenstein’s creation of the Being which is depicted most prominently in the novel. However, there are multiple other acts of creation and discovery that may not be apparent at first sight. One of the most important being, Victor’s discovery of the knowledge required to create life. Apart from initially creating the Being, Victor also plays a critical role in the Being’s evolution into a raging and vengeful creature. Perhaps above all other acts of creation and discovery is Victor’s personal creation of himself into a monster. As stated by Collings most of these acts of creation on Victor’s part are subconsciously brought upon because of their lack of a maternal figure but also in part because of his desire for fame and glory. However, he is blinded by his motives and forgets that with his...
...nfirmed by its intense after life. Ever since, it has been analyzed and scrutinized using several approaches and techniques. Walter Scott is one of many notable authors and provides a thorough critique of Mary Shelley’s Frankenstein. This paper has covered several points as described in Scott’s Blackwood's Edinburgh Magazine Review of Frankenstein (1818).