In The Hunger Games, Suzanne Collins brings a reader into an utterly different realm than that to which most are accustomed. The setting is the post-apocalyptic dystopian nation of Panem, where the Capitol rules without leniency. Throughout her story, Collins introduces many characters, and each character demonstrates a link to a different theme in her book. For example, the author portrayed Foxface, a girl from the fifth district of Panem, using the theme of survival. Illustrated with facial features and hair resembling a fox, she also took on many of the traits of her canine counterpart. She is clever and observational intellectually, yet she is quick tangibly. Foxface’s diverse character traits advance the theme of survival in The Hunger …show more content…
Games. Foxface’s observational strategies aid in her survival.
For instance, when the “Career tributes,” tributes that trained for and volunteered for the Hunger Games, removed the mines from around the starting blocks, she knew what was happening. Had she not noticed the mines and subsequently avoided them, Foxface unquestionably would have perished when she takes supplies from the Careers. Katniss says about her: “Foxface has confirmed what I’d already guessed” (Collins 218). A result of her observation, Foxface’s knowledge of the mines revealed to Katniss what was hidden near the pyramid of supplies. One can see from Foxface’s time in the Games that observational skills are important for a person’s survival. An observational person has the advantage of finding weak spots and finding where they themselves might falter; they take in an understanding of what is around them. Foxface’s surveillance of other tributes encouraged some of her other competitors, like Katniss, to think of ways to replicate her skill. “I’m genuinely thinking of trying to re-create Foxface’s trip up to the pyramid in hopes of finding a new means of destruction,” Katniss states (Collins 228). A tribute needs this skill for survival in the Games, yet many do not have it, resulting in their untimely death. Strategic scrutiny gives an edge over the other tributes, since one can keep a watchful eye on what the other tributes are doing. Watching and contemplating the actions of the competitors can either lead …show more content…
them to the action or help them to stay away from it. Consequently, after observing, one must decide how to act with cunning. Cleverness and sly thinking that result in intelligent actions are important to one’s survival. For example, when she takes from the Career tributes, she only steals in unnoticeable amounts. In another example, the Capitol reveals to the remaining tributes in the Hunger Games that a feast, where each district’s tribute would receive something they need, will occur the following day. Under the cloak of night, Foxface hides out in the cornucopia the evening before as a means of staying sheltered and ready to pounce once the feast begins. Effectively, this action showed that she was quick-witted and adaptable. In fact, she premeditated and performed it in such a way that the other tributes were in no position to chase after her, since she took no other’s bag; the tributes could not risk losing their own. This strategy led to her sustained survival in the Games. Her ingenuity gave her an edge over her competitors. The other tributes wished that they were as astute as Foxface. “Leave it to her to come up with such a clever and risky idea... That should have been my strategy!” Katniss observes enviously (Collins 283). She leaves the other tributes scrambling for ideas to eradicate her, but they cannot. “The rest of us are still poised around the plain, sizing up the situation, and she’s got hers,” Katniss expounds, referring to Foxface’s bag (Collins 283). Quick wits are important to a survivor. A person who thinks on their feet is adept at acclimating to their environmental constraints more quickly and efficiently. Foxface tries to find a position that gives her an advantage over the others, and this strategy leads to continued survival through cunning. However, she is not only quick-witted. Speed is the physical trait that helps Foxface survive.
She is easily able to outrun the other tributes and their armaments. Her clever distraction and her speed cost Katniss time she could have used to dispatch her. “By the lime I’ve worked through the emotions of surprise, admiration, anger, jealousy, and frustration, I’m watching that reddish mane of hair disappear into the trees well out of shooting range,” Katniss explains. The other tributes would not be fast enough to both seize their bags and pursue Foxface afterward. Her speed gives her a definite advantage to other tributes, big and small. Some tributes, like Thresh, were too large to hurry enough to catch her. Not even Katniss’s arrows could fly distantly or swiftly enough to catch her once she got going at a high speed. Her speed is the physical attribute that sustained her life in the Hunger Games. Particularly, she was fast enough to both keep away from the action but also to know about it. She came very close to winning the Hunger Games because she could escape from nearly anyone that found her. Her speed was the physical edge she needed to be able to
survive. Though Foxface did not seem to have competence with weapons, nor did she possess a large quantity of strength, but she could outsmart and outrun almost any other tribute in the games. However, even her own skills and lack of knowledge of plants led to her downfall from the nightlock berries Peeta possessed. Although her plan to take them was clever, Peeta’s lack of knowledge of plants conveyed itself to her resulting in her death. As quick and sly as a fox, Foxface was a significant competitor in the seventy-fourth annual Hunger Games.
Before going to Alaska, Chris McCandless had failed to communicate with his family while on his journey; I believe this was Chris’s biggest mistake. Chris spent time with people in different parts of the nation while hitchhiking, most of them whom figured out that McCandless kept a part of him “hidden”. In chapter three, it was stated that Chris stayed with a man named Wayne Westerberg in South Dakota. Although Westerberg was not seen too often throughout the story, nevertheless he was an important character. Introducing himself as Alex, McCandless was in Westerberg’s company for quite some time: sometimes for a few days, other times for several weeks. Westerberg first realized the truth about Chris when he discovered his tax papers, which stated that “McCandless’s real name was Chris, not Alex.” Wayne further on claims that it was obvious that “something wasn’t right between him and his family” (Krakauer 18). Further in the book, Westerberg concluded with the fact that Chris had not spoken to his family “for all that time, treating them like dirt” (Krakauer 64). Westerberg concluded with the fact that during the time he spent with Chris, McCandless neither mentioned his
AP English Literature and Composition MAJOR WORKS DATA SHEET Title: A Raisin In the Sun Author: Lorraine Hansberry Date of Publication: 1951 Genre: Realistic Drama Biographical Information about the Author Lorraine Hansberry was born in Chicago on May 19, 1930. She grew up as the youngest in her family. Her mother was a teacher and her father was a real estate broker.
People are like pieces of various, mind-blowing art projects; they come in all shapes and sizes, and some are more detailed than others. Shirley Jackson’s short story, “The Possibility of Evil”, provides a specific example in one character. Miss Strangeworth is introduced, and she can be described as arrogant, outgoing, and meddlesome. Miss Strangeworth’s character can be analyzed by considering what she does, what the narrator says about her, and how other characters interact with her.
Terry Fox, he was the greatest, bravest and the most generous man who risked his life for saving thousands of people from cancer. He became the perfect example of seizing a fulfilling life by never giving up to achieving the goal. He was born in Winnipeg Manitoba on July 28 1958. He was a remarkable athlete, yet at the age of eighteen, he found that he had bone cancer. He lost a left leg and he was no longer able to run or move like before; nevertheless, he was inspired by other cancer patients at hospital and promised himself to do something good to the world. His marathon began on April 12, 1980 and he ran 5,373 kilometers in 143 days. Eventually, cancer forced him to stop running, yet he completed his dream of raising one dollar from each of Canada's 24 million people.
Every day thousands of people die and their families have to deal with the loss and depression that comes with this.I have personally gone through this experience and had to deal with the grief. When someone goes through a loss they usually go through five stages (D.A.B.D.A) : Denial, Anger, Bargaining, Depression, and Acceptance. In Hatchet Gary Paulsen uses survival and Character development to Show the reader how going through a major loss with no help puts emotional and physical struggles on you.
In The Hunger Game, Suzanne Collins introduces many characters throughout the story. Each character provides a link to a different theme in her book. The author characterized Foxface, a girl from the fifth district in Panem, using the theme of survival. With her face and hair resembling a fox, she also took on many of the traits of her animal counterpart. She is clever, observational, and quick. Her diverse character traits advance the theme of survival in The Hunger Games.
It has often been said that there is nothing new under the sun. In this vein, authors across all literary genres often borrow themes and plot from the stories of long ago. Many of those authors choose to borrow from the rich mythology of the ancient Greeks. Suzanne Collins has been asked on numerous occasions where the idea for The Hunger Games originated. She readily admits that the characters and plot come from Greek mythology and more specifically, from Theseus and the Minotaur (Margolis 30). One familiar with both both stories can easily recognize the identical framework upon which each of these stories are built. Both Theseus and Katniss Everdeen, Collins’ heroine, volunteer to go into battle for their respective homelands, they both fight beasts of strange origin, and they are both brave in battle and emerge victorious, but it is the uniqueness of the characters that makes each story appropriate for the time period and audience to which it belongs. Collins modernizes the classic hero of Theseus by changing his gender, his motivations and altering his selfish personality, and by doing these things she creates a heroine that better resonates with today's audience of young adults.
Imagine working in a profession when basketball truly never stops, on the occasion of when you’re either coaching, recruiting or maintaining schedules all year round. Matthew Futch is the director of basketball operations at Radford University. Matthew Futch is former professional basketball player and a former women’s head coach at division III Ohio Christian University for one season before taking the director of basketball operations job at Radford. Matthew Futch is employed by Radford men’ basketball program they are a division I program in southwest Virginia that competes in the Big South conference. A director of basketball operations at the collegiate level handles the duties of maintaining the daily schedules for the team, handles the
The Hunger Games is a dystopian themed novel written by Suzanne Collins. This novel expresses three main themes and has many characters that take part in the games. One character in particular that undoubtedly fits the theme of survival is a tribute from District 5 whose persona is Foxface. Foxface exhibits certain characteristics such as being quick-witted and her unmistakable desire to survive. Throughout the book these attributes become more recognizable.
In our Society when you don't follow the rules, you become an outcast to the rest of the society. Suzanne Collins’ novel series, The Hunger Games criticizes our society and its demands for people of specific genders to act in certain ways and become certain things. Stereotypes concerning gender are prevalent in our society and all over the world. However, The Hunger Games gives a very refreshing tone of “mockery” to these stereotypes. Katniss Everdeen isn’t your typical 16 year old girl, and neither is Peeta Mellark a typical 16 year old boy, especially when they are fighting everyday just to survive. The Hunger Games is a work of social commentary, used to convince us that there can’t and shouldn’t be any defined “roles” based on gender. A mixture of “stereo-typical” gender roles within a person and their actions is what people need just to survive in our world that is changing every day.
Entertainment can come and be enjoyed in many different forms. Television shows and movies are some of the different forms of entertainment can be in. The lives of famous actors from shows or movies are constantly scrutinized on and off screen. Within the world of The Hunger Games by Suzanne Collins a version of reality entertainment is the televised murder of innocent children. Those who are chosen to be within the Hunger Games become a scrutinized celebrity. Katniss and other tributes that are forced to fight and kill show how human identity can become lost as they become objectified for the people of Panem. The Hunger Games helps represent the harm that reality television can have by using the glorification of death with the objectification
Emrah Peksoy wrote an article called “Food as Control in the Hunger Games Trilogy” and compared food to a controlling aspect used in society. He discusses how dystopian writers use food as a concept and an underlying image to show how important food is to a culture. The connection Peksoy makes with Collins’ novel is how she uses “… constant employment of food related discourse and food vocabulary metaphorically show characters’ own political, cultural and personal understandings of the society…” (79). This connection goes to make the imagery of food stronger for the reader to understand the power hunger has over a person. Peksoy made a point about how the novel revolves around food even if it seems unintentional to the reader. He states about the way Collins wrote how “one of the key scenes in the novel takes place between President Snow and Katniss while they are having tea and cookies” (82). Even though the food is not significant to the importance of the scene, it is a subliminal message given by Collins showing the prominence of food by making an important section in the novel surrounded by
Suzanne Collins’s novel The Hunger Games features a strong female protagonist that frequently defies gender norms and blurs the lines between femininity and masculinity. Katniss Everdeen, the heroine of the story, is initially depicted in what many would consider a more masculine role. She hunts, cares little about her physical appearance, and becomes the protector and provider for her family. However, when she volunteers as a tribute for the Hunger Games, her survival demands that she learn to embrace both feminine and masculine traits. To gain support from the Capitol and have a chance at winning the Games, Katniss must not only present herself as a fierce killer but also as a beautiful, romantic, and vulnerable girl. Likewise, A gender critique of The Hunger Games reveals that Katniss’s expression of femininity and masculinity is not based on
Optimistic: op·ti·mis·tic - adjective - to be hopeful and confident about the future. Being optimistic can be extremely difficult when you’re taken away from a happy life, and forced into situations that make him pessimistic about the future,just like Buck did. My dad was taken away from a happy life, going through tons of traumatic situations while being forced to grow up at the same time. Although Buck and my dad went through different situations, they still felt trapped and unhappy at one point in life. Perseverance is a life skill and everyone goes through tough situations everyday, it’s the way you handle them that shows true characterization.
A highly esteemed childhood development philosopher, Erik Erikson believed that the personality of a child develops in a series of stages, and in each stage children experienced crucial events that affected ones development. These events either impacted that child’s development in a good or poor way. Relationships are pivotal in all of Erikson’s stages as it can start to form ones personality, which helps one grow in the future. In Erik Erikson’s fourth stage, competence, children develop self-confidence by interacting with peers and people. Likewise, Alice undergoes this stage in Through the Looking Glass. Alice develops these skills as she socializes with the many characters in the story, leading her and giving her lessons to help her on