As a little girl, I have always wanted to wield the red, white and blue recognizable costume of a famous heroine. I wanted to wear the tiara with silver metal bracelets and run around, playing with a rope that I would call my “lasso of truth” and immediately state that I was invincible. I, like many other girls, wanted to become the comic book heroine known as Wonder Woman. Wonder Woman is a figure that is considerable recognizable. She was created in 1941 by a psychologist named William Moulton Marston or Charles Moulton as his pen name (who studied the psychological effects of mass media and the developer of the lie-detector test) . Wonder Woman is known as Princess Diana, the Amazonian warrior from Themyscira . She acquired her powers when Military officer Steve Trevor landed on the island and she had won the title to return him back to the United States . It is noted in all representations of her, that Wonder Woman acts as an ambassador to Themyscira, wearing the colors of the American flag as a pledge to protect Democracy and adopt America as her new homeland . Significantly, Wonder Woman is the first female hero created in the comic book world . Not only does she represents America, she is recognizable iconic through her representations that originated from her origins. For example, this heroine is World War II Veteran, is modeled after feminism and is seen as a sexual icon. Originally intended to bring in a female audience into the comic book world, she seems to bring artist and narrative elements that seems to satisfy all spectators. The first depiction of the heroine had been debuted in 1941 in All Stars Comic #8, during which the first launch of all comics (Such of Superman and Batman) had been known as the Golden ... ... middle of paper ... ...ited States: Triage Entertainment, 2004. DVD. Emad, Mitra C. “Reading Wonder Woman's Body: Mythologies of Gender and Nation”. The Journal of Popular Culture (2006), 954-976. http://onlinelibrary.wiley.com/doi/10.1111/j.1540-5931.2006.00329.x/abstract (accessed October 18, 2011). Bellafaire, Judith A. “The Women’s Army Corps: A Commemoration of World War II Series,” Central of Military History, last modified February 17, 2005, http://www.history.army.mil/brochures/wac/wac.htm (accessed October 24, 2011). Dunne, MaryJane. The Representation of Women in Comic Books, Post WWII through the Radical 60's. McNair Online Journal (2009). http://www.mcnair-program.pdx.edu/MaryjaneDunne_Journal%20Aritcle.pdf (accessed October 18, 2011) "An Amazon Princess Is Reborn." Animation Magazine 23, no. 3 (March 2009): 18-19. Art Full Text, WilsonWeb (accessed October 25, 2011).
Within Megan H. Mackenzie’s essay, “Let Women Fight” she points out many facts about women serving in the U.S. military. She emphasizes the three central arguments that people have brought up about women fighting in the military. The arguments she states are that women cannot meet the physical requirements necessary to fight, they simply don’t belong in combat, and that their inclusion in fighting units would disrupt those units’ cohesion and battle readiness. The 1948 Women’s Armed Services Integration Act built a permanent corps of women in all the military departments, which was a big step forward at that time. Although there were many restrictions that were put on women, an increase of women in the U.S. armed forces happened during
Emerson, David. “Innocence as a super-power: little girls on the hero’s journey.” Mythlore 28.1-2 (2009): 13lt. Literature resource center.web.17oct.2013
First and foremost Steinem begins to exhibit how females were left to feel inferior by only having male super-heroes in comic books that perpetually gave women the minor task to help, feelings of gratefulness for
“There was much more to women’s work during World War Two than make, do, and mend. Women built tanks, worked with rescue teams, and operated behind enemy lines” (Carol Harris). Have you ever thought that women could have such an important role during a war? In 1939 to 1945 for many women, World War II brought not only sacrifices, but also a new style of life including more jobs, opportunities and the development of new skills. They were considered as America’s “secret weapon” by the government. Women allowed getting over every challenge that was imposed by a devastating war. It is necessary to recognize that women during this period brought a legacy that produced major changes in social norms and work in America.
Women in the US Military - Civil War Era. N.p., n.d. Web. 30 Apr. 2017.
The Web. The Web. 18 Mar. 2014. The 'Standard' of the 'Standard'. http://www.cr.nps.gov/nr/travel/wwIIbayarea/womenatwar.htm>. Reinhardt, Claudia and Bill Ganzel. "
My interviewee went through a lot during World War II and sharing her amazing story left me evaluating her words for a long time, rethinking and still not willing to imagine the pain. She was one of the 150,000 American woman served in the Women’s Army Corps during the war years. They were one of the first ones to serve in the ranks of the United States Army. She recalls being teased a lot about being a young woman in a uniform but was very proud of it. Women finally were given the opportunity to make a major contribution to the national affair, especially a world war. It started with a meeting in1941 of Congresswoman Edith Nourse Rogers and General George Marshall, who was the Army’s Chief of Staff. Rogers asked General to introduce a bill to establish an Army women’s corps, where my interviewee, Elizabeth Plancher, was really hoping to get the benefits after the World War II along with other women. ( Since after World War I women came back from war and were not entitled to protection or any medical benefits. )
"From Home Front to Front Line." Women in War. Ed. Cecilia Lee and Paul Edward Strong. N.p.: n.p., n.d. N. pag. The Churchill Centre. Web. 23 Apr. 2014.
"Women in WWII at a Glance." The National WWII Museum. N.p., n.d. Web. 4 Apr. 2014.
...ort the same element that this graphic novel supports. These people rushing to the aid of the woman (Moore and Gibbons XI, 25, panel 7) suggest that a true hero is not always in a costume, and does not always cover his/her face, however heroes are ordinary citizens that put their own issues aside just to help others.
Although she was created by a man to influence a male audience, Wonder Woman has evolved into an important symbol of the feminist movement. An Amazon is born Shortly after Superman made his appearance in 1939, a noted psychologist by the name of William Moulton Marston wrote an article in Family Circle magazine, praising comic books. According to Les Daniels in Wonder Woman: The Complete History (Chronicle Books, 2000, pp. 22-24. His article caught the eye of M.C. Gains from DC Comics.
In considering the relationship between the meanings of myths and their representation of women, we learned that the major role in shaping the narratives was played by men. Myths reveal to us the experiences of women living in the patriarchal society and we gain the symbol value accorded to women and we come to realize what the term "Woman" meant to the ancient Greek man. Reading through the various stories on Goddesses and queens, monsters and more. Princesses, we learn that there are three major levels of women in Greek mythology. The first level is composed of the divine beings known as the goddesses.
In “The Accidental Supermom: Superheroines and Maternal Performativity, 1963–1980” by Laura Mattoon D’Amore, the idea of the supermom came from the emergence of the superheroine, whose characteristics involved strength and independence. Wonder Woman was adopted as a symbol for American feminists and eventually American mothers. After the introduction of Wonder Woman in the Ms. Magazine, the rhetoric surrounding women during their movement began to shift. Superheroines were considered a fantasy. Comic books were used to maintain the social order within a family, especially when it came to gender roles. Superheroines were seen as maternal because she was protective and nurturing yet there were only a few superheroines, one being Invisible Girl,
[6] Suter, Rebecca. “Gender Bending and Exoticism in Japanese Girls’ Comics.” In Asian Studies Review, vol. 37 Issue 4 (2013), pp. 546-558.
Morreale, J. (1998). Xena: Warrior princess as feminist camp. Journal of Popular Culture, 32(2), page 79. Retrieved from: http://web.b.ebscohost.com/ehost/detail?vid=6&sid=64cd7df8-8ea3-4d9a-ad60-1deef7e616e6%40sessionmgr114&hid=103&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#db=aph&AN=1585569