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Literal analysis of the story of an hour by cate chopin
The Role Of Women In Kate Chopins The Story Of An Hour
Literal analysis of the story of an hour by cate chopin
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Forbidden Joy: Women’s Struggle for Independence in Chopin’s “The Story of an Hour”
First-wave Feminism was a popular idea that emerged throughout the nineteenth century, as a wide range of movements by women were established to reach a common goal of equality, politically, economically, personally, and socially. In the United States, the earliest form of activism was focused on the promotion of equally agreed marriages and property rights for women. A feminist theory emerged which attempted to understand the nature of gender inequality by examining the social roles of women. During this time, writing was used as a popular way to express one’s thoughts and feelings about social culture and lifestyles.
One of the first female activists that
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Chopin suggests that all marriages are inherently oppressive and uses Louise as an example. In the story, she admits that her husband was kind and loving, although she feels free when learning of his death. Louise’s thoughts revealed in her mind that lead to her eventual epiphany, reflect on the inherent oppressiveness of all marriages, by which their nature robs people of their independence. When her husband walks in the door, all of Louise’s previous thoughts of her future, self-identity, and independence are suddenly swept from under her. The forbidden joy vanishes just as quickly as it appeared, and the overwhelming sensation is too much for her heart to handle and she dies. The last line of the story tells us that when doctors arrived they claimed Louise died of heart disease, of joy that kills. Jalil Selina describes Louise’s emotions in this climatic moment at the end of the story: “When she spots her husband, Louise seems to realize in an instant not only that her husband, as a proponent of patriarchal culture, would never allow for a woman’s self-discovery, but also that she could never reverse her progress and once again take up the confinement of her former life” (219-220). Chopin wraps up the theme of the story, beginning and ending with Louise’s “heart trouble.” The ending is ironic in the sense that her heart attack isn’t caused by overpowering joy that her husband is indeed alive, but actually from the sudden absence of joy. When examining the ideology underlying Chopin’s “The Story of an Hour,” Dr. Sabbagh and Professor Saghaei interpret the closing line of the story: “The mainstream feminist reading of the statement directs the edge of criticism against the patriarchal system (represented by the doctors) which fails to understand the
When looking out the window "she was drinking in a very elixir of life” (Chopin). The short story comes to an end with her husband walking through the door and Louise falls dead at the sight of her diminishing dreams. This well known short story is comprehended in many ways deciding the reason of Louise’s death and what “freedom” she experiences.
She whispers, “Free! Body and soul free!” (Chopin). Though her situation is sad, she does not have a remorseful response. She locks herself in her room and reflects upon her new reality. She instead comes to find a form of liberation for herself from her husband’s death. As she looks out the window, Chopin writes, “…she was drinking in a very elixir of life through that open window,” (Chopin). Chopin is stating Louie’s newly found greatness for her life. She is now able to live for herself and not behind her husband as society has told her. She can be different and gain more from her life now because she does not have to follow or live for a man, as many woman did in society. She feels exonerated from her bondage, which is marriage, and she now feels she can have a life for herself. In the end, her husband is actually found to be alive as he walks into the room. Chopin writes, “When the doctors came they said she had died of heart disease--of the joy that kills,” (Chopin). From seeing her husband, Louise dies. It was joy that had killed her. Readers can easily believe that she died because of the shock that her husband was still alive, but in reality she died from the loss of her new found greatness. The joy that killed her was her own
This is a story of a series of events that happen within an hour to a woman named Louise Mallard. Louise is a housewife who learns her husband has died in a train accident. Feeling joy about being free she starts seeing life in a different way. That is until at the end of the story she sees her husband well and alive. She cries at the sight of him and dies. The story ends with a doctor saying “she had died of a heart disease—of the joy that kills” (Chopin). Even though the story doesn’t describe Louise doing chores at the house like in The Storm we know that she was a good wife because of the way she reacts when she learns that her husband is dead. Louise gets described as “young, with a fair, calm face, whose lines bespoke repression and even a certain strength” (Chopin). From this line we get a bit of insight into her marriage and herself. We get the idea that she wasn’t happy being married to her husband but still remained with him and did her duties as she was supposed to. In reality her being a good wife was all an act to fit in society’s expectations of a woman being domestic and submissive. As she spend more time in her room alone thinking about her dead husband she realizes life would finally be different for her. She knows that “there would be no one to live for during those coming years; she would live for herself” (Chopin) For a long time in
(Chopin 338). Unexpectedly, joy and happiness consume her with the epiphany she is “free, free, free!” (Chopin 338). Louise becomes more alive with the realization she will no longer be oppressed by the marriage as many women of her day were, and hopes for a long life when only the day prior, “.she had thought with a shudder that life may be long” (Chopin 338).... ...
Women have traditionally been known as the less dominant sex. They have been stereotyped as being housewives, and bearers and nurturers of the children. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men, society, and within a woman herself. Even though these stories were written during the 19th century when modern society treated women as second class citizens, in “The Storm” and “The Story of an Hour,” Kate Chopin illustrates how feminine power manifests when the female characters are able to discover their freedom.
First, the identity issue of feminism is talked about in “Ain’t I a Woman” and “The Story of an Hour”. They both deal with how women were treated during the early 20th century and before. Women were expected to cook, clean the house, bear and raise children, and keep the house going while the husband was at work. We see Chopin in her story, “The Story of an Hour”, giving the main character, Mrs. Mallard, the “taste of freedom”, meaning that her marriage is a “prison” of sorts and that it is holding her back in life. This happens when she is told that her husband has been killed in a wreck. Her first reaction is one that any wife that has a loving husband would have, one of sorrow. But after a few moments when she has locked herself in a room and has been staring out of a window, she realizes that she is “free”. Free from being under the thumb of her husband and free from the status quo.
Within "The Story of An Hour", Chopin talks about death and illustrates the significance of it. This story implies that death may actually be a blessing under certain circumstances. The narration begins with Louise gets informed that her husband had passed away in an accident. She's no ordinary women, but someone with heart disease. It leads the reader into thinking that she would be in great pain, suffering from the loss of her other half. Surprisingly, Louise's reaction was the exact opposite with her feeling a sense of comfort, but why? In exchange of her husband, she had gained freedom. The feeling of joy was being suppressed holding it down with her own will. Now that Louise is independent,...
Kate Chopin’s “The Story of an Hour” tries to shed light on the conflict between women and a society that assigns gender roles using a patriarchal approach. Specifically, Margaret Bauer highlights, that most of Chopin’s works revolve around exploring the “dynamic interrelation between women and men, women and patriarchy, even women and women” (146). Similarly, in “The Story of an Hour” Chopin depicts a society that oppresses women mostly through the institution of marriage, as women are expected to remain submissive regardless of whether they derive any happiness. The question of divorce is not welcome, and it is tragic that freedom for women can only be realized through death. According to Bauer, the society depicted in Chopin’s story judged women harshly as it expected women to play their domestic roles without question, while on the other hand men were free to follow their dreams and impose their will on their wives (149).
A Woman Far Ahead of Her Time, by Ann Bail Howard, discusses the nature of the female characters in Kate Chopin’s novel’s and short stories. Howard suggests that the women in Chopin’s stories are longing for independence and feel torn between the feminine duties of a married woman and the freedom associated with self-reliance. Howard’s view is correct to a point, but Chopin’s female characters can be viewed as more radically feminist than Howard realizes. Rather than simply being torn between independent and dependant versions of her personality, “The Story of an Hour’s” Mrs. Mallard actually rejoices in her newfound freedom, and, in the culmination of the story, the position of the woman has actually been elevated above that of the man, suggesting a much more radically feminist reading than Howard cares to persue.
This story was written in 1898 but wasn’t published until 1969 (Larsson, par. 17). Chopin uses symbolism, conflict, and setting to bring forth a story that is based on feminists. Typical authors use their own experiences to influence their work. Writers can get inspiration from their upbringing, setting, or even traumatic experiences. Some do it to fight for something they truly believe in, while others might do it subconsciously.
Unfortunately, her hope for long years and many beautiful spring days was abruptly ended in an ironic twist. Unbeknownst to herself and her company, Mr. Mallard had survived, and within an hour the promises of a bright future for Mrs. Mallard had both began and came to an end. Her grievous death was misconstrued as joy to the others: "they said she had died of heart disease-of joy that kills" (Chopin 471). This statement embodies the distorted misconception that a woman lives only for her man. The audience, in fact, sees just the opposite. To Louise her life was elongated at the news of her husband's death, not cut short. Throughout the story, one hopes Louise will gain her freedom. Ironically, she is granted freedom, but only in death.
Xuding Wang writes in her essay, Feminine Self-Assertion in “The Story of an Hour”, a strong defense for Kate Chopin’s classic work, “The Story of an Hour”. Wang provides powerful proof that one of the pioneering feminist writers had a genuine desire to push the issue of feminine inequality. Even decades later, Xuding Wang fights for the same ground as Kate Chopin before her. She focuses on critic Lawrence I. Berkove, who challenges that Louise Mallard is delusional with her personal feelings of freedom once she discovers the news that her husband has passed away. The story opens with the line “Knowing Mrs. Mallard was afflicted with a heart trouble” (Chopin). [1] Chopin uses allegory to describe
The descriptions in the story foreshadow the tragedy that ends the story. The author believed unexpected things happen often. In the case of this story, Louise Mallard believed her husband to be dead, having been told this by her sister, Josephine. However, when it is revealed that her husband had been alive the whole time, she is unhappy to see him and suffers a fatal heart attack. While she did have heart trouble, Richards and Josephine thought that the news of her husband’s death, not her seeing him again would be detrimental to her health, possibly even fatal. Chopin succeeded in getting this message across.
...egaining her husband and all of the loss of freedom her marriage entails. The line establishes that Louise's heart condition is more of a metaphor for her emotional state than a medical reality.” (Koloski) It is ironic that she accepts the death of her husband and is joyous and free, and then he ends up being alive after she walks out of the room with a sense of power. The ending of The Story of an hour by Kate Chopin implies that maybe the only true resolution of conflict is in death.
Kate Chopin, author of “The Story of an Hour” written in 1894 was the first author who emphasized strongly on femininity in her work. In the short story, Chopin writes about freedom and confinement Chopin is an atypical author who confronts feminist matter years before it was assumed. The time period that she wrote in women were advertised as a man’s property. The main idea in the short story is to illustrate that marriage confines women. In “The Story of an Hour” the author creates an intricate argument about freedom and confinement Mrs. Louise Mallard longing for freedom, but has been confined for so long freedom seems terrible. Mrs. Mallard wife of Brently Mallard instantly feels free when her husband dies. The reason she feels this way