In consideration of the complexity and ambiguity of Gary Snyder’s two poems “For/From Lew” and “For Lew Welch in a Snowfall,” the conclusion can be made that the two share a level of emotion as well as subject matter. Whereas the first focuses on the past as well as metaphorical representation, the second seems to complement these details with reality and what is to be assumed as real life experiences. Taking favor in the stories of metaphorical practice, “For/From Lew” holds a deeper, unrevealed meaning compared to that of its counterpart that reminisces on memories and potential regret. In Snyder’s poem “For/From Lew,” the first line is the detonator that allows the mind to recognize this is not just a formal, clearly stated poem. “Lew …show more content…
In today’s society we lose interest in the basic forms of communication. Rather it’s checking how someone’s doing, making sure someone gets home safe, or even checking on a friend who is known to be depressive, we brush the thought away in the assumption that everything will resume to perfection as expected. The author’s words stated “you didn’t shoot yourself after all” (2). These words can easily be interpreted as the author assuming his prediction is correct, that nothing bad will happen and tomorrow is just another day. When the author realizes that his assumption is incorrect, a chill goes down his spine and he is awoken by realization. What he did not think could happen, actually …show more content…
By translation, the way it’s worded can be interpreted as Lew begging Snyder to warn everyone to care again. The worst possible thing can happen to anyone rather it be the person themselves or someone associated with them. By taking this interpretation and applying it to the title “For/From Lew,” consider the fact the Lew is the representation of the depressive person and/or cherished one. Instead of using words to describe a person with psychological and/or any other problems, Lew is the alternative metaphor or representation for all of that category. The poem suggests for any other Lew’s out there, not by name of course but by relatability in situation, this poem is to recognize them. In order for the relatability to be able to be recognized, it comes from the author projected in Lew’s words. This is a poem allegedly from Lew to anyone who might identify to a similar situation as Lew, and for those who do they are being represented by Lew’s name in this
Alan Shapiro is a poet whom uses the sorrowful tragedies that occurred in his lifetime and turns them into beautiful poems in which he greatly expresses through his poetry. Most of his poems symbolize either a type of sorrow or tragic death, and the expressions used throughout his poetry make it noticeable that Alan Shapiro endured a life of hardship and tragedy. While Shapiro was growing up he lost his brother and his sister in which the poem “Sleet” by Alan Shapiro beautifully encompasses his feeling of grief and sorrow due to the loss of his siblings.
In the beginning of the story, the author said that “One of these days he was going to get a gun and practicing shooting, then they couldn't
Within “Thanatopsis” by William Cullen Bryant, he states “She has a voice of gladness, and a smile/And eloquence of beauty, and she glides/Into his darker musings, with a mild/And healing sympathy (Bryant, 4-6).” The “she” Bryant is referring to is Mother Nature, which makes his statement that nature can take away a man’s pain that much more powerful. By personifying nature, the reader feels as though they can relate to “her” in a different way. A poem that uses powerful metaphors is “The First Snowfall” by James Russell Lowell. Within his poem, he states, “From sheds new-roofed with Carrara/Came Chanticleer’s muffled crow/The stiff rails were softened to swan’s-down/And still fluttered down the snow (Lowell, 9-12).” The line “from sheds new-roofed with Carrara” is referring to how pure and white the snow that had just recently fallen looks. Carrara is an expensive white marble. So, Lowell is comparing expensive items to the snow, which helps put an image of a beautiful snowfall into the reader’s head. By using both personification and metaphors, the reader can relate to the words being said in a completely different way, and thus understand the abstract ideas that the authors are trying to convey in their Romantic
We all have faced challenges that make our lives succeeding difficult, but the way we approach these challenges is what affect us in the long run. In “Annabelle Lee”, by Edgar Allan Poe, “Oranges” by Gary Soto, and “The Road Not Taken” by Robert Frost they all feature speakers that deal with hardships that they must overcome. The three poets use literary devices to show how they deal with theses challenges along with the struggles that come with it.
...ttachment or emotion. Again, Heaney repeats the use of a discourse marker, to highlight how vividly he remembers the terrible time “Next morning, I went up into the room”. In contrast to the rest of the poem, Heaney finally writes more personally, beginning with the personal pronoun “I”. He describes his memory with an atmosphere that is soft and peaceful “Snowdrops and Candles soothed the bedside” as opposed to the harsh and angry adjectives previously used such as “stanched” and “crying”. With this, Heaney is becoming more and more intimate with his time alone with his brother’s body, and can finally get peace of mind about the death, but still finding the inevitable sadness one feels with the loss of a loved one “A four foot box, a foot for every year”, indirectly telling the reader how young his brother was, and describing that how unfortunate the death was.
Despite his position, Wordsworth can hear the “soft island murmur” of the mountain springs. As “five long winters” suggests, Wordsworth is cold and dreary—London, we must remember, is a bitter place. He longs for the islands: the sand, sun, and warm waters that those murmurs suggest. The coldness of winter could be brought about by Rebecca’s distance from her brother; they had been, at the time of the poem’s writing, separate for five long years. But he can hear reconciliation coming just at the edge of hearing: he can spot the horizon of friendship. But no sooner does friendship appear in the poem than it is thwarted by these lines:
of the speaker through out the poem. One Art is a poem about inevitable loss and the incognizant
Robert Frost uses metaphor and symbolism extensively in ‘Stopping by Woods on a Snowy Evening’, developing deeper and more complex meanings from a superficially simple poem. Frost’s own analysis contributes greatly to our appreciation of the importance of metaphor, claiming that “metaphor [is] the whole of thinking,” inviting the reader to interpret the beautiful scene in a more profound way. However, the multitude of possible interpretations sees it being read as either carefully crafted lyric, a “suicide poem, [or] as recording a single autobiographical incident” . Judith Oster argues, therefore, that the social conditions individual to each reader tangibly alter our understanding of metaphor. Despite the simplicity of language, Frost uses conventional metaphors to explore complex ideas about life, death and nature. The uncertainty, even in the concluding stanza, that encompasses the poem only adds to the depth of possible readings.
Life and death are two things that we as humans must all face. The road from one to the other, from life to death, is a long and at times, both joyous and painful one. Robert Frost’s poems are a prime example of these times and trials. The poems I chose for this paper highlight them, and with Frost’s allegory, they present a sort of silver lining to the string of dark and dreary words he’s pieced together for these poems. The depressing tone to the poems “Acquainted with the Night”, “Nothing Gold Can Stay”, and “Stopping by the Woods on a Snowing Evening” could be attributed to the death of many of Frost’s family members, and how despite this he overcame it all, and at the end of his life, was a successful writer. These poems to not go into great explanation of the details of Frost’s life, however, I believe that they are representations of the things path that he’s walked, and how he viewed his actions and death in general.
Life and death is the basic key in the poem “stopping by woods on a snowy evening.” Frost illustrates to the reader how this man took a moment to enjoy nature and life with no obligations to attain
The mark of a great poet is his ability to engage the reader so that they analyse their own lives. Robert Lee Frost (1874 – 1963) – an influential American poet often associated with rural New England – is brilliant at this and uses poetry as a platform for the expression of his own general ideology. Frost’s belief that human society was often chaotic and stressful and that the meaning of life is elusive, has been promoted in his poetry. Frost looked to nature, whose undying beauty and simplicity did not force him into a strict, moulded society, but represented freedom from life and its constant stresses of family and work as a metaphor to show the stark comparison. This ideology derives from Frost’s childhood – where strict rules and punishments were a normal occurrence. When Frost’s first poem was published professionally to rave reviews, he devoted himself entirely to his art by moving to England – where a combination of the natural beauty of the English farm life, sole determination, and pure talent made him one of the most recognisable figures in American history – inspiring this anthology – “Robert Frost – Breaking the Walls.” Some of the famous poems included in this anthology consist of, “The Road Not Taken”, “Stopping by the Woods on a Snowy Evening”, “Mending Wall” and “After Apple Picking.”.
Stevens’ message reveals itself as the poem unravels: there is never one true understanding of a reality outside of one’s interpretation. The author suggests that one can’t help but transfer their own beliefs and ideas onto what they see; in this case, the “listener” is projecting an impression of misery onto the scenery that lies before him. For example, the first two stanzas are filled with decorative language that serves to describe the visual image of a winter landscape. Using phrases such as “crusted with snow” (3) instead of “covered” with snow provides an evocative illustration of the snow’s roughness. Other phrases such as “shagged with ice” (5) and “rough in the distant glitter/Of the January sun” (6-7) force the reader to experience the miserable portrayal of winter. These are not the descriptions of an observer who “beholds nothing that is not there” (14-15), but rather the objective, poetic appreciation for the snowy
...uses his poetry to celebrate, compare, and contrast the beauty of nature and rural living. Throughout Frost’s poetry he draws upon the beauty of nature to build up vast amounts of scenery. To contrast from nature, Frost also uses the integration of industrialized rural life. Frost uses nature to build the beauty in his poetry, but also uses it to say things that cannot be said with words alone. Heller once wisely spoke: “Maybe freedom really is nothing left to lose. You had it once in childhood, when it was okay to climb a tree, to paint a crazy picture and wipe out on your bike, to get hurt. The spirit of risk gradually takes its leave. It follows the wild cries of joy and pain down the wind, through the hedgerow, growing ever fainter. What was that sound? A dog barking far off? That was our life calling to us, the one that was vigorous and undefended and curious.”
By both elaborating on the ideas of earlier writers and adding ideas of his own, Robert Frost creates a place for himself in history. The themes of his poems remain true regardless of the time period. Modern readers understand the importance of love and imagination that Frost describes. His messages about death and relationships have guided readers for decades. While technology becomes an ever more important part of the modern world, the continued love of Frost’s poetry shows that people still feel a connection to nature.
Frost was a rural Yankee whose writings reflect everyday experiences-his own experiences, but was one who saw metaphorical dimensions in the everyday things he encountered. These everyday encounters held ground as his subject manner, combined with the rural setting of New England nature, seasons, weather and times of day. Frost’s goal was to write his poetry in such a way that it would cover familiar ground, but in an unfamiliar way or uncommon in expression.