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Role of the fool in Shakespeare
Comedy in a midsummer's night dream
Comedy in a midsummer's night dream
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Recommended: Role of the fool in Shakespeare
When most people think of a fool, they recall a video that they watched of people building a ramp out of a piece of plywood and then attempt to use it. Others, however, may think back to when they were in history class and there was a student that sat in the back of the class and did things to irritate the professor. Regardless of what comes to mind, there always seems to be a common theme when describing a fool. It’s a person that is silly or is doing something idiotic. However, there are many more examples of a fool, especially in literature. William Shakespeare commonly has a foolish character in his plays. In his plays, the fool is usually a witty commoner that outsmarts the people of a higher social class. However, he does also enjoy to …show more content…
One fool is Puck, the servant of the king of the fairies, and the other fool is Bottom, one of the actors hired to perform for the duke and his bride. Puck becomes one of the important roles within the play. He causes conflict by playing pranks on the other characters. Puck plays two major pranks within the play. He and Oberon decide that they want to use a love potion on Titania, the queen of the fairies. He decides to make her fall in love with a “monster” by changing Bottom’s head into the head of an ass. He does this just for his own enjoyment. The other prank he plays is at the end when he is asking the crowd for forgiveness for what he’s done. When doing this, he ends by telling the audience that everything that was just witnessed was just a …show more content…
Another fool in Shakespeare’s literature is Autolycus from The Winter’s Tale. He is a pickpocket and a con man, both of which he is great at. Most of the time, Autolycus is portrayed as rhyming or singing. He is very outgoing and is also quite clever. Most of his lies are weaved in songs or dances, making him a likeable character. He also uses outfit changes to portray himself as different people in order to make his schemes more successful. With this in mind, the character can be associated with an actor, which could be comedic or foolish. Autolycus becomes an all-knowing character by the end of the play. He learns the entire story of Perdita and her past from each different perspective. Regardless of him not being a major role in this play, he does bring a comedic aspect to the play and helps the audience put the different storylines of the play
Feste proves himself to be highly intelligent at his first appearance on stage in Act 1 Scene 5. He says "Cacullus non facit monachum" which means, "The hood doesn't make the monk." He means by this that what appears to be true is not always the case. Viola and Feste both wear a kind of disguise: hers disguises her identity as a woman, and Feste's disguises his true intelligence. The traditional costume of a fool was made of motley- a multi-coloured cloth. So when Feste says to Olivia, when she is ordering him out, "I wear not motley in my brain" he is stating that although he is dressed like a fool his mind is not foolish, and that he is no less intelligent than Olivia. The job requirements of a jester in the Renaissance included telling the truth when no one else would think to say it. This meant that fools often pretended to be, and were thought of as, simple and stupid when in fact they were highly intelligent and witty.
One should notice the importance of the Fool very early in the play. In Scene 4, Lear asks for his Fool twice. The second time is just a few lines after the first. He seems to need his Fool urgently. Yet the Fool has been pining over the loss of Cordelia (1.4. ). Yet Lear orders the Fool to come to him.
An exploration of Shakespeare’s presentation of trickery and deception in his play ‘Much Ado about Nothing.’
Moth successfully gets though the play without looking like a fool. He does this by relying on two things: integrity and common sense. Moth has learned to balance these two qualities, not through studying books, but through social interaction. Shakespeare uses Moth as an example of how true intellect works. True intellect is not the ability to speak Latin or write stylized poetry, but as Moth states, true intellect "is the way to make an offense gracious" (5.1.140). And whenever Moth deals with offensive characters, he always maintains his grace.
Love can be quite chaotic at times. As much as poets and songwriters promote the idea of idyllic romantic love, the experience in reality is often fraught with emotional turmoil. When people are in love, they tend to make poor decisions, from disobeying authority figures to making rash, poorly thought-out choices. In the play A Midsummer Night’s Dream, Shakespeare uses various motifs to illustrate how love, irrationality, and disobedience are thematically linked to disorder.
In Shakespeare’s King Lear, the Fool is a source of chaos and disruption in King Lear’s tumultuous life. The Fool causes the King distress by insulting him, making light of his problems, and telling him the truth. On the road to Regan’s, the Fool says “If thou wert my Fool, nuncle, I’d have thee / beaten for being old before thy time.” (1.5.40-41). He denies the king the respect due to him as an aged King, causing the King to wonder at his worthiness. The fool also makes light of Lear’s qualms making snide remarks in response to Lear’s ruminations. When Lear asks Edgar cryptically, “wouldst thou give ‘em all?” the Fool responds, “Nay, he reserved a blanket, else we had been all shamed” (3.4.69-72). The Fool’s snide remarks do little to maintain Lear’s fragile control of his faculties. However, the Fool speaks to the king candidly, a rare occasion in Lear’s life. Even Kent acknowledges the truth of the Fool’s statements, saying, “This is not altogether fool, my lord” (1.4.155).
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
Many characters present in William Shakespeare’s, Hamlet, showcase their intelligence in a variety of ways throughout the play. One character in particular is the greatest example of this familiar quality. Through a variety of mediums such as deceit, schemes, and personal development, Hamlet, the Prince of Denmark, proves himself as an exceptionally intelligent character. Initially, Hamlet’s intelligence is displayed through his development of schemes such as calculated false madness, and staged traps. Secondly, through knowing which colleagues to trust, and mentally distancing himself from those whom he cannot, Hamlet’s superior intellect is seen utilized once again.
Not surprisingly, the main character of the play Hamlet becomes the master of disguise and deception. Hamlet seeks revenge against Claudius shortly after he learns of the King’s involvement in his father’s death, a “murder most foul” (Act I, Sc. 5, 27). The revenge by Hamlet will take some time to execute; therefore Hamlet must devise a plan to divert attention away from himself. He does so by pretending to act in a mad manner such that his intended subjects (i.e. Claudius, Polonius, Gertrude, and Ophelia) will be completely unsuspecting.
The only one that can hold a mirror, telling the king the truth about his behaviour is the Fool. He is allowed to say anything of criticism without fear of retributions. He is actually Lear’s external conscience, speaking the truth about his three daughters. The Fool has greater wisdom about the world and s...
Therefore, if the sane characters commit foolish actions, obeying the same paradox, the implications are that Tom o’Bedlam and the fool have to be wise. The role of the fool in the play is to remind Lear of his foolish behaviour in giving everything to his two daughters and in banishing Cordelia. The audience can get much insight in the words of the fool. This was not new to the Elizabethan audience as it was a theatrical convention that the fool would speak the truth. Likewise is poor Tom o’Bedlam (Edgar in disguise). In him Lear finds reason and calls him philosopher.
By being very precise in his portrayal of which characters are witty and which are not, Shakespeare helps the audience differentiate between the various strong personalities present in the play. Naturally, major characters such as Hamlet and Polonius are affected by this development. In Act IV, Hamlet’s
The.. In conclusion, Twelfth Night is full of lighthearted moments and this. is expressed through both the main and the subplots, in which the fool. is the one to control comedy and humour in the play. Feste's role in the.
In Elizabethan times, the role of a fool, or court jester, was to professionally entertain others, specifically the king. In essence, fools were hired to make mistakes. Fools may have been mentally retarded youths kept for the court’s amusement, or more often they were singing, dancing stand up comedians. In William Shakespeare’s King Lear the fool plays many important roles. When Cordelia, Lear’s only well-intentioned daughter, is banished from the kingdom Fool immediately assumes her role as Lear’s protector. The fool is the king’s advocate, honest and loyal and through his use of irony sarcasm and humour he is able to point out Lear’s faults. Functioning much as a chorus would in a Greek tragedy, the fool comments on events in the play, the king’s actions and acts as Lear’s conscience. As he is the only character who is able to confront Lear directly without risk of punishment, he is able to moderate the king’s behaviour.
The Role of the Fairies in A Midsummer Nights Dream Introduction = == == == ==