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Food industry animal abuse
Industrialized food system
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Today’s modern society focuses on the need for bigger, better, and faster things. For filmmaker Robert Kenner there is no place this trait of greedy progress is more obvious than the modern food system. Robert Kenner’s film, food Inc., uncovers the unwanted truth behind the effects of the industrial food system, ranging from the abuse of the animals and workers to the destruction of the environment and public health. Kenner uses striking imagery and distinct comparisons to create and defend his claim that the industrialization of the farming process has negatively affected the animals, the workers, and the general public.
Imagery is used to appeal to the 5 senses, in this case, Kenner uses it to appeal to the audience's emotions. Imagery
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is immediately introduced to the audience in the opening scene of the movie and continues throughout. For example, when looking at the picture perfect farm the music is slightly cheerful and upbeat. With the sudden change to graphic images of the disgusting reality of a farm, Keeners choice in music becomes more harsh, using minor chords to put the audience on edge. This causes the audience to connect the uncomfortable on edge feeling, caused by the choice of music, with the negative images of farms. When the music changes the scene changes to disturbing images of the disgusting living conditions of the animals. The use of these images affects how the audience views the companies that produce meat. Overall these examples of imagery evoke pathos in the audience and help strengthen Kenners overall argument by making the audience feel sympathetic to the animals, and hateful towards the industrial companies that are mass producing meat. To truly show the depth of the issues faced in the food industries Kenner does not only show the images of the harsh environments but also compares and contrasts these images with positive examples of organic free range farms.
Featured in this film for exactly this reason is Joel Salatin, the owner of an organic farm,. His family’s farm, Polyface Farm, is a dreamlike place, full of idyllic green fields and healthy normal animals. The use of these images strengthens Kenner’s claim because there is a significant difference between the images of bright colors, greenery, and cleanliness and the prior images of death, metal, and darkness. There is also a difference in the background music played. The softer and happier music played behind the footage of Salatin’s farm contrasts with the unsettling music played behind the footage of the mass producing slaughterhouses. The sights of happy workers and animals, with the sounds of open farmland and upbeat cheerful music amplify the anger and shock felt by the audience when these clips follow very closely to the alarming footage of slaughterhouses and disgusting images of animals being mistreated. This juxtaposition creates logos for the argument as it presents evidence that the violent slaughterhouses are not the only option. That there is a way to avoid the abuse of animals, workers, and the public health, that the mass producing industrial farms cause. It is these images that cause viewers to question the necessity of the current system when there is obviously another, better way to do
it. The documentary film Food Inc. employs the rhetorical strategies of imagery and compare and contrast to support and prove that the modern mass producing industrial farming system is terrible in the treatment of animals, workers, and the general public. After viewing this film the audience is left with little trust in the supermarket foods they are used to. But Kenner ends the film with a small piece of hope for the audience, reminding them that they have the ability to shape tomorrow through the purchases they make today.
imagery illustrates the scene and tone of the speaker. The use of personification portrays the
In his 2009 article “The Omnivore’s Delusion”, Blake Hurst takes a stand against the numerous non-farmers who are attempting, and in some cases succeeding, to degrade and ‘clean’ the farming industry. Hurst’s main points of contention are the lack of true knowledge these intellectuals have on the inner workings of today’s farms and their insistent belief that the farmers themselves “…are too stupid to farm sustainably, too cruel to treat their animals well, and too careless to worry about their communities, their health, and their families” (24).
A good example of imagery can be found at the end of the story in the last paragraph. For this part of imagery, the main character Jackson Jackson has received his grandmother’s regalia from the pawn shop employee without having to pay the total of $999 he originally had to pay. (Alexie) “I took my grandmother’s regalia and walked outside. I knew that solitary yellow bead was part of me. I knew I was that yellow bead in part. Outside, I wrapped myself in my grandmother’s regalia and breathed her in. I stepped off the sidewalk and into the intersection. Pedestrians stopped. Cars stopped. The city stopped. They all watched me dance with my grandmother. I was my grandmother, dancing.” This statement made at the end of the story indicates a strong sense of imagery that details Jackson’s emotions towards getting his grandmother’s regalia from the pawn shop. The yellow bead he mentions was his strongest symbol of feeling toward his grandmother, feeling as if he were a part of that yellow bead, in this case, his grandmother. Jackson describes in more detail of how he felt more like his grandmother after he wrapped the regalia around him. The pedestrians, city, everything around him was watching him feel like his grandmother, like some sort of flashback he could be
Moreover, this system of mass farming leads to single crop farms, which are ecologically unsafe, and the unnatural treatment of animals (Kingsolver 14). These facts are presented to force the reader to consider their own actions when purchasing their own food because of the huge economic impact that their purchases can have. Kingsolver demonstrates this impact by stating that “every U.S. citizen ate just one meal a week (any meal) composed of locally and organically raised meats and produce, we
Berry does not hesitate in using harsh words and metaphors like “the hamburger she is eating came from a steer who spent much of his life standing deep in his own excrement in a feedlot”(Berry 10). This provokes the readers to feeling horrible about industrial eating. He uses our pride while pointing to the lies of the make-up of industrial foods. He plays on human self-preservation when writing about chemicals in plants and animals which is out of the consumer’s control. He tries to spark a curiosity and enthusiasm, describing his own passion of farming, animal husbandry, horticulture, and gardening.
Imagery is when the author presents a mental image through descriptive words. One prime example of imagery that the author uses is in paragraph 3; where she tells of a moment between a man and a woman. In this narration she states the time, year, outfit of each character described, and what the female character was doing. These details might come across as irrelevant, or unnecessary, but this is Didions way of showing what the blueprint of notebook it. Using imagery reinforces the foundation of the essay, and what the essay’s mission was.
In the documentary, Food Inc., we get an inside look at the secrets and horrors of the food industry. The director, Robert Kenner, argues that most Americans have no idea where their food comes from or what happens to it before they put it in their bodies. To him, this is a major issue and a great danger to society as a whole. One of the conclusions of this documentary is that we should not blindly trust the food companies, and we should ultimately be more concerned with what we are eating and feeding to our children. Through his investigations, he hopes to lift the veil from the hidden world of food.
After reading McKibben and Hurst’s articles in the book Food Matters, both authors present arguments on “industrial farming”, and although Hurst provides a realistic sense on farming, McKibben’s suggestions should be what we think about.
Imagery is when the author uses detail to paint a picture of what’s happening. This is shown when Kendra is looking out of the window, “...fixed her gaze on a particular tree, following it as it slowly approached, streaked past, and then gradually receded behind her..” (1). This is imagery because you can imagine the tree flying past. These literary devices help deepen the plot of the
Our current system of corporate-dominated, industrial-style farming might not resemble the old-fashioned farms of yore, but the modern method of raising food has been a surprisingly long time in the making. That's one of the astonishing revelations found in Christopher D. Cook's "Diet for a Dead Planet: Big Business and the Coming Food Crisis" (2004, 2006, The New Press), which explores in great detail the often unappealing, yet largely unseen, underbelly of today's food production and processing machine. While some of the material will be familiar to those who've read Michael Pollan's "The Omnivore's Dilemma" or Eric Schlosser's "Fast-Food Nation," Cook's work provides many new insights for anyone who's concerned about how and what we eat,
Foer provides us with countless information regarding the cruelty animals face, a result of factory farming. The living conditions for animals in this industry can be very disturbing and inhumane, and the slaughtering process of these animals is just as bad. In the “Hiding / Seeking” chapter, Foer shares with his readers the degradation of the animals he encounters at factory farms he’s investigated. He uses imagery to colorfully recount his experiences on these farms “There are tens of thousands of turkey chicks. Fist-sized, with feathers the color of sawdust, they’re nearly invisible on the sawdust floor.” (Foer, pg. 88) Here Foer is giving us a visual that emphases the horror these animals face. As his investigation prolongs he stumbles upon a locked door, Foer says “nothing will unsettle me more than the locked doors. Nothing will better capture the whole sad business of...
Imagery is the use of symbols to convey an idea or to create a specific atmosphere for the audience. Shakespeare uses imagery in Macbeth often, the most prevalent one, is blood. I believe he uses this as a way to convey guilt, murder, betrayal, treachery and evil, and to symbolize forewarning of events.
The writer uses imagery, because he wants to let the readers into his mind. By describing the scene for the readers, makes the readers fell like they were there. Therefore, it gives us a better ability to emphasize with him.
And, because food now comes at a low cost, it has become cheaper in quality and therefore potentially dangerous to the consumer’s health. These problems surrounding the ethics and the procedures of the instantaneous food system are left unchanged due to the obliviousness of the consumers and the dollar signs in the eyes of the government and big business. The problem begins with the mistreatment and exploitation of farmers. Farmers are essentially the backbone of the entire food system. Large-scale family farms account for 10% of all farms, but 75% of overall food production (CSS statistics).
Factory farms have portrayed cruelty to animals in a way that is horrific; unfortunately the public often does not see what really goes on inside these “farms.” In order to understand the conditions present in these factory farms, it must first be examined what the animals in these factory farms are eating. Some of the ingredients commonly used in feeding the animals inside factory farms include the following: animal byproducts, plastic, drugs and chemicals, excessive grains, and meat from members of the same species. (Adams, 2007) These animals are tortured and used for purely slaughter in order to be fed on. Typically large numbers of animals are kept in closed and tight confinements, having only little room to move around, if even that. These confinements can lead to suffocation and death and is not rare. Evidence fr...