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Eudora welty + literary criticism
Symbolism and interpretation
Essays on symbolism in literature
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Flowers and Fairytale By the school, there is a little garden with a water fountain and several little trees around it. Each tree is grounded in a two-foot high cement block. The tree is covered with leaves, and the leaves have scattered flowers around them. The fountain contains several little water shooters, shooting out forms of water, which resembles the flower as a dancing fairy. The flowers start at the bottom of the tree. The ring of flowers surround the tree. They are made up of many bright colors of red, pink, violet, blue and white. From a distance there appears to be a swarm of them. The flowers’ petals are soft and sweet smelling. They don’t suffocate my senses, though. The flowers are like a weak perfume. They are gentle and subtle. When I touched one of the flowers in my hand, it was as soft as silk. I realized that they were so fragile, because they sliced apart very easily. The flowers are held captive by the army of leaves. The green leaves are mixed in with the flowers. The shades of the green leaves range from light yellowish green to dark bluish green. Most of them are shaped like tiny bananas and others are wider, like pears or apples. The crashing water near by drowns out the scent of the leaves’ chlorophyll. Some of the leaves are almost as smooth as the flowers, but some are rough, similar to a rug. The leaves are grouped together like many little trees. The trees and leaves cover the soil and the bottom part of the tree—like a drooping green gown. The tree is very much like a queen, wearing its dress of leaves. I would not reach out and touch it—because it would be rude. At the shoulders of the tree—the branches fork off into three directions. The thick branches hold up more green leaves—the delicate kind—shaping the head of the tree like a mushroom. The tree resembles a green Queen Amadalia—young and bright. When I looked up at her, you see the sunlight reflect off her hair—the leaves—creating a peaceful glow. It blurs everything, however, and I had to stop looking. The wind does blow the leaves, but it is so lightly that you can barely tell. The fountain near by spurts out water in this direction. I look over there and see groups of dancing water in the wide square pool.
Analysis: This setting shows in detail a location which is directly tied to the author. He remembers the tree in such detail because this was the place were the main conflict in his life took place.
Lehner, Ernst, and Johanna Lehner. Folklore and Symbolism of Flowers, Plants and Trees. New York: Tudor. 1960
...ots her memory, the blossoms her dreams, and the branches her vision. After each unsuccessful marriage, she waits for the springtime pollen to be sprinkled over her life once again. Even after Tea Cake's death, she has a garden of her own to sit and revel in.
Today we can see items of clothing that are commonly worn that have grown out of this initial innovation of freeing a woman’s body. This can be seen in clothing from the Spring 2017 New York Fashion week (see Figure 2), as the model’s bodies are freed by the more minimal use of material. The lowering of necklines and the increase in skin shown in haute couture over the decades is owed to Art Deco fashion and is symbolic of the rise of women’s rights over the years, as the physical discomfort and restrictions that the tight corsets of previous eras could be considered of women’s place in society. The new style being a stance against the oppression. It dictates that a persons own comfort and style is to the upmost importance, not to contort one’s body into something it is not meant to. Today it is shown in loose and cropped pants, shorts, low necklines, cropped tops, and various other clothing that reveals skin that was once covered. Art Deco fashion is also seen today through “chic garçonne” ideal that emerged out of early feminism that made women want to do the same things that men could, and so adopted smoking, sport, an interest in vehicles, a flirty sense of
1. The tree is the crucial symbol in the novel. The tree represents the enormous fear in which Gene lived at school, from the summer of 1942 until the spring of 1943. When he was a student at Devon, the tree seemed "tremendous" to Gene, "an irate, steely black steeple beside the river." When Gene does climb the tree, he enters into "a mild state of shock." He jumps from the tree "with the sensation that I was throwing my life away . . . ." Finally Gene returns to The Devon School after fifteen years and the tree is the main focus of his visit. Going to the river, Gene has trouble even differentiating it from the other trees. When he does identify it, the tree seems smaller to Gene, "shrunken by age." It seems "weary from age, enfeebled, dry...
When a person walks through this garden, the first sense that is triggered is the sense of sound, for the walkway is wooden at the beginning of the garden path. Since this garden is situated on a steep hillside, the walkway needs to be level and built up next to the hillside, with steps going down leading to the next level walkway. The garden path continues, winding back and forth to the bottom of the hill. The entrance to this garden is to the west of the north wall, and the first realization that one is in the garden is the aroma of the mints lining the edges of the walkway on the hillside. Wooden railings line either side of the walkway to help guide the visitor, and the person would be able to touch, smell, and even taste the different mint plants lining this area of the garden. The different mints would include chocolate mint, pineapple mint, spearmint, and peppermint.
In “The Flowers,” by Alice Walker, the flowers are used throughout the story to symbolize the beauty and naivety of childhood. In the beginning of the story the author shows the main character Myop walking down a path along the fence of her farm. Myop sees “an armful of strange blue flowers with velvety ridges…” The flowers are bright and colorful, reminding the reader of an innocent type of beauty often associated with them. This suggests the flowers were inserted in the story by Walker to reveal how young and innocent Myop appears to be. Later in the story, after Myop had discovered the dead body of a man who seemed to have been hung “Myop laid down her flowers,”. As Myop put down the flowers she was also putting down the last of her innocence.
Humans are self-centered beings at their core, no matter how ‘good’ a person really is. One can be as kind a person as possible, but in reality, they often will still put their own interests before others. Self-deception at is essence is a poison of the mind, hindering one from having a realistic understanding of the world that surrounds them. When people put themselves before others, consciously or not, they are often neglecting the best interests of the people in their lives. In the book Leadership and Self-Deception, the Arbinger Institution discusses the difficult problem of self-centered behavior that often is unnoticed. The book uses an example of a box – a box of blindness to the crippling self-deception many of us exhibit – to illustrate the fact that people are metaphorically trapped in the box of self-destructive hubris. Through the narrative of Bud Jefferson, vice president of Zagrum Company, the book illustrates the negative outcomes this self-centered behavior “inside the box” can bring, and points to ways to work on “getting outside of the box”.
Kluth, P. (2003). You're going to love this kid! Teaching students with Autism in, the
In the 1940’s women needed a minimal wardrobe, this meant clothes needed to have maximum versatility. Clothes were mostly hand-made due to rationing however, women still created exciting and innovative
The 1960’s was a time filled with vibrant colors, tie-dye apparel, bell bottom jeans, psychedelic prints, and also a time well known for social movements. The feminist movement of the 1960’s concentrated on the inconsistency of how women were undesired in the work force, and paid a lower salary compared to men. During this time, women were expected to marry at a young age, start a family, and to become the lady of the house. Fashion helped women to break away from these stereotypes. Women in this era, were seen in more unisex clothing such as denim jeans, t-shirts, and fringed vests. This helped women to become more casual, carefree, and to display their individuality.
Now that the official is in office and is sworn in, people now uphold you as the elected official to those promi...
In "Kew Gardens," the narrator follows different visitors to the gardens, giving the reader brief snapshots of their lives through small descriptions as they reach the same flowerbed. The story begins with a description of the oval-shaped flowerbed. The flowers are red, yellow, and blue. They have petals that are heart or tongue shaped. As the petals fall to the ground, they stain the earth with these colors for a moment. Petals from the flowers soar through the sky in the summer breeze. The flowers' colors flash in the air. On this July day, men, women, and children walk through the gardens. As the people move through the gardens, their movements resemble butterflies. They zigzag in all directions to get a better view of the flowers.
The 1960’s was the first time in history that clothing was geared towards the youth market. In result, the industry broke many fashion traditions and ignored many other “social laws”. In the past, fashion houses designed for the mature and elite members of society; however, many agents began to realize that the power of the teenage and young adult market was too great to ignore and they were too smart not to capitalize on such an opportunity. As a response to this information, new and radically innovative fashion styles were introduced into modern society. Prior to the 1960s there were the silk bows, small buckles, and dark colors of the 1900s, "Flapper" fashion took over the 1920s Among these were the little girl/woman androgynous looks for women, the pillbox hat, suits (usually in pastel colors) for women, short boxy jackets, over-sized buttons were used, simple/geometric dresses (or shifts). As for everyday styles, full-skirted formal gowns which often had a low decolletage and had close-fitting waists were worn as evening wear and outfits paired with capri trousers were worn as casual wear for women...
Many sands had the tree known; many green neighbors had come and gone, yet the tree remained. The mighty roots had endured such whips and scorns as had been cast upon it, but the old tree had survived, a pillar of twisted iron and horn against the now sickly sky. In the waning light of evening, the tree waited.