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The role of women characters in shakespearean tragedy
The role of women characters in shakespearean tragedy
The role of women characters in shakespearean tragedy
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Dean college students held “Five Women Wearing the Same Dress” the author by Alan Ball at Performing Arts Studio on April 21st, 2017 director was Ali Angelone. “Five Women Wearing the Same Dress” is a hilarious and funny comedy. The story takes place in an upstairs above of a bedroom at a Knoxville, Tennessee. Five women: Frances, Meredith, Trisha, Georgeanne, Mindy. They have very difference do not want to participate the wedding reception are hiding room. The women talk, laugh, argue, cry, they find common bonds and become friends.
The set design in the play “Five Women Wearing the Same Dress” was one pinky bed, one white dresser, two doors, a CD player, jewelry box on a white shelf and there is a window between a door and a bed. Because of the room is girl’s room color was used pink, white and light purple. In addition, a Blanket pattern of the bed was drawn pink flowers, a curtain of the window was used lace and most of the furniture were used antique, these shows femininity. But the room has the poster
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Themes are love friendship, jealousy, gender, insecurity. For example, insecurity is Trisha thinks she will never be with a good man. Friendship is all of the girls found that they have one thing in common which is that they hate Tracy. This helps the girls to realize that they have more in common then. After talking, drinking and smoking pot all day they start to like each other and they become friends. In addition, Frances is jealous of all of Tracy’s jewelry and her fancy wedding. She tries on all of Tracy’s jewelry. In “Five Women Wearing the Same Dress” have a conflict Man vs. Man because they always arguing each other and then each character also have conflicts with themselves, for example, Meredith does conflict to herself she shows tough attitude but she has a lot of insecurity to hide. Trish conflict with herself because of about man, Georgeanne conflict herself because of her marriage fell down the reason for her
The most notable theme is how the prejudice of people can never be overcome. This is weaved into the story by the relationship of Danny and Miss Schwartz working well together until the very end when Danny is stopped from going to Miss Schwartz because of other peoples prejudice. Bernard MacLaverty has focused mostly on this theme because of Danny and Miss Schwartz being the main characters so by focusing the theme with them it allows the readers to read more about the prejudice of people. The barriers of social class is another theme I noticed in the story due to the disliking of Danny’s father towards the local Blacksmith. I noticed that Danny’s father doesn’t like the blacksmith because he says “If he’s pouring the same poison into your ear, son, as he’s been spewing out in the pub he’s a bad influence” Danny’s father and the Blacksmiths feuds also represent some civil conflict between people in the story. The theme of friendship is also included in the story because Danny and Miss Schwartz do have a good friendship going through most of the story and there is also a bit of love in the story because Danny seems to have a bit of a crush on Miss Schwartz. I can see that Danny has a slight crush on Miss Schwartz because on page 10 it says, “In the darkness Danny had to get close to look along the line of her arm. He smelt her perfume and the slightest taint of her own smell, felt his face brush the texture of her clothing”. The language used in that phrase is what you would expect from someone who is in love with someone. The writer has chosen these themes to make the story more enjoyable and to spice up the relationships and characteristics of characters and has developed them with the growing of Danny.
She gets dressed up for a car trip so that, on the off chance that they would be in a car wreck and that in that wreck she would be thrown from the car and laying on the pavement, she would be happy because the people passing would think that she is a lady. This represents us as humans because daily we choose to be way too self-conscience. Think about females and make-up. Make-up is a perfect example of us caring a great deal about what others think of us. She is also very selfish in her endeavors. Instead of caring about what is best for the family, she wants to go to Tennessee because she has friends there whom she would like to see.
Another symbolic part of the play is when the men overhear the women talking about Mrs. Wright’s quilt, wondering if she was going to quilt it or knot it, and they laugh at them. Mrs. Hale is immediately offended by the way they laughed at them where Mrs. Peters is apologizing for them because "they have a lot on their minds".
Throughout history, a woman's role is to be an obedient and respectful wife. Her main obligation is to support, serve, and live for her husband and children. In Henrik Ibsen's A Doll's House and Susan Glaspell's Trifles, two different women make a decision to take matters into their own hands by doing what they want to do, no matter what the outcome may be and in spite of what society thinks. These two women come from different homes and lead very different lives yet, these two women share similar situations--both are victims, both are seeking individuality, and initially, both women end up alone. There are many ways that Nora and Mrs. Wright differ. First of all, both come from completely different households. Nora's home is "tastefully [. . .] furnished" and always "pleasant"(917). She lives in a lavish home eating macaroons, drinking champagne, and hosting banquets. Nora often has guests at the house and there are even maids to watch her children. Her husband, Torvald, is often home and has guests over. On the other hand, Mrs. Wright's home is unpleasant, in an "abandoned farmhouse"(977) in a secluded area. Mrs. Wright seldom has company, nor does she have any children. She does not leave the house very often and her husband, Mr. Wright, wants no outside interference. Mr. Wright refuses to get a "party telephone"(978) because he enjoys his "peace and quiet"(978). It is obvious that these two women lead different lives with different types of people, yet they share similar situations that are not so obvious.
The plays, Trifles and A Dollhouse use the literary tool of symbolism to portray the way women were treated throughout the nineteenth century. Susan Glaspell uses the bird cage and the dead bird to signify the role and life of women in marriage and society, whereas Henrik Ibsen uses the dollhouse. These symbols allow the reader to recognize the plays main similarities in the treatment of women, such as men dismissing women as trivial and treating them like property; however, the plays portray the women’s lifestyles as different which seal their fates.
The right side is almost purely white, with blue and gray shadows; the rest of the body is black, dark brown, and navy. The profile of a white woman obscures the left half of the black face, facing to the right of the piece; her hair is in a large braid and she wears a simple pearl earring. The black woman has long, flowing, bright blue hair, as well as full red lips. The black woman’s body has a rose over it, and the white woman is wearing what looks like a straw bikini; the figure is wrapped in a thick rope from the waist down. The stark contrast between the white and black meet with a definitive line; there is no blending between the two colors, which amplifies the feelings of separation and difference between the two halves of the woman’s
During this time period women did not encompass the same rights as their male counterparts, nor where they encouraged to participate in the same activities as they. Gillman describes the yellow wallpaper to the readers as a rationalization of what it means to be a woman during this time period. Women were expected to be child-like and fragile as noted, within the text, “What is it child(Gilman, 1998)?” The color yellow is often associated with sickness; in Gilman’s case her sudden illness refers to oppression. She notes as the story, progresses the wallpaper makes her feel sick. Gilman notes, “I never saw a worse paper in my life,” as a symbol in which refers to the restrictions and norms society places on women. Within her literature she addresses restrictions placed on women. Gilman states, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.” Meaning, she believed men denying women the right to equality was absurd, and when they did grant women’s freedom it was not equivalent rather a “slap in the face [it knocks] you down and tramples you (Gilman, 1998).” Through her essay she consistently refers to a figure behind the wallpaper. “The faint figure behind seemed to shake the pattern, just as if she wanted to get out (Gilman, 1998).” Meaning, women during this time period seek to feel free from oppression. The women behind the wallpaper represents the need to speak out, “you have to creep on the ground, and everything is green instead of yellow (Gilman,1998).” Creeping placed significance on the experience of being a woman in regards to, how they should think, feel, act, dress, and express themselves. Gilman notes, “And I 've pulled off most of the paper, so you can 't put me back! " The author used this quote to signify, the woman realized she was
The Yellow Wallpaper was written as a realism story. It showed how woman felt they had the same opportunities as men in their personal choices. In this story, the woman expressed her worries to her husband who through good intentions, required that his wife stay in bed 24/7, and not do any of the things she would normally do. In effect his wife became worse until she reached the limit. The behavior of the husband at this time was completely normal. Men were the higher power over women and women, like the one in this story, felt that they couldn?t stand count for themselves.
The central characters in both “The Yellow Wallpaper” and A Doll’s House are fully aware of their niche in society. In “The Yellow Wallpaper”, the narrator’s husband believes her illness to be a slight depression, and although she states "personally, I disagree with their ideas,” she knows she must acquiesce their requests anyway (Gilman 1). She says, “What is one to do?” (Gilman 1) The narrator continues to follow her husband’s ideals, although she knows them to be incorrect. She feels trapped in her relationship with her husband, as she has no free will and must stay in the nursery all day. She projects these feelings of entrapment onto the yellow wallpaper. She sees a complex and frustrating pattern, and hidden in the pattern are herself and othe...
When observing television shows and movies, many stereotypes of women commonly exist such as a mother, a dutiful wife or a sex object. Many of these movies and television shows display women as prize for men to compete for by generalizing their abilities and feelings. While it is typical for a woman to play a lead role in a romance film with some sort of fairy-tale ending, Bridesmaids defies the typical by portraying women as main characters in a comedy. Bridesmaids, the movie, focuses in on the struggling life of the maid of honor, Annie, who is competing with another bridesmaid, Helen, for attention from the soon to be bride, Lillian. Annie’s life happens to also be spiraling out of control after losing bother her jobs as a baker and a jewelry
The yellow wallpaper itself is one of the largest symbols in the story. It can be interpreted to symbolize many things about the narrator. The wallpaper symbolizes the mental block mean attempted to place on women during the 1800s. The color yellow is often associated with sickness or weakness, and the narrator’s mysterious illness is an example of the male oppression on the narrator. The wallpaper in fact makes the narrator more “sick” as the story progresses. The yellow wallpaper, of which the writer declares, “I never saw a worse paper in my life,” is a symbol of the mental screen that men attempted to enforce upon women. Gilman writes, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing” this is a symbolic metaphor for restrictions placed on women. The author is saying subliminally that the denial of equality for women by men is a “hideous” act, and that when men do seem to grant women some measure of that equality, it is often “unreliable.” The use of the words “infuriating” and “torturing” are also descriptions of the feelings of women in 19th century society.
In this play, the men and women characters are separated even from their first entrance onto the stage. To the intuitive reader (or playgoer), the gender differences are immediately apparent when the men walk confidently into the room and over to the heater while the women timidly creep only through the door and stand huddled together. This separation between genders becomes more apparent when the characters proceed in investigating the murder. The men focus on means while the women focus on motive: action vs. emotion. While the men...
...demonstrates the oppression that women had to face in society during the nineteenth century. The nursery room, the yellow wallpaper, and the windows, all symbolize in some way the oppression of women done by men. She bases the story on one of her life experiences. Charlotte Gilman wrote the story because she believed that men and women should be treated equally.
The first example of an element of fiction used in The Yellow Wallpaper is symbolism. One symbol is the room. There is are bars on the windows to make the reader feel that the narrator is more than likely staying in psychiatric holding room than a room where she can get over her anxious condition. In most sanitariums, there are bars on the windows. The narrator’s husband went against her wishes to stay in the room downstairs with open windows and a view of the garden and put her in a barred prison cell contributing to the theme freedom and confinement. The second symbol is the bed. The bed is big, chained, and nailed to the floor. The reader could say the bed symbolizes sexual repression because a bed is where it happened during the 1900s and with a bed of such large size being nailed and chained down can represent sexual repression.
Henrik Ibsen catches the world off guard with his play A Doll House. The world is in what is known as the Victorian era and women and men have specific roles. The way the story unravels takes the reader by surprise. Ibsen wanted to write a play that would challenge the social norms and that would show the world that no matter how hard they press, they would not always win. Ibsen uses society’s customs, deception, and symbolism to keep the reader on their feet and bring them a play that they would never forget.