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Strategies for effective listening skills
Strategies for effective listening skills
Strategies for effective listening skills
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Recommended: Strategies for effective listening skills
Lesson focus: Reading Class level: Primary 1
Learning Outcomes: By the end of the lesson, pupils will be able to:
1. Use visual cues to infer and predict episodes in a children’s narrative
2. Use knowledge of the episodic sequence in the book to infer and predict repeated action in a children’s narrative
3. Recall the sequence of episodes in a children’s narrative
Beginning stage of lesson
Description of lesson
Teacher and pupils discuss the picture and title
Teacher creates interest in the book by relating to pupils’ past experiences
Teacher asks pupils to predict the content of the narrative Rationale/Teacher Language
Let’s look at the picture, tell me what you can see.
What is the girl doing?
What are some silly things that you have done?
What silly things do you think Sally will do?
Where do you think she is going?
During stage of lesson
Description of lesson
“Silly Sally went to town, walking backwards, upside down”
“On the way she met a pig, a silly pig, they danced a jig.”
“Silly Sally went to town, dancing backwards, upside down.”
“On the way she met a dog, a silly dog, they played leapfrog.”
“Silly Sally went to town, leaping backwards, upside down.”
“On the way she met a loon, a silly loon, they sang a tune.”
“Silly Sally went to town, singing backwards, upside down.”
“On the way, she met a sheep, a silly sheep, they fell asleep.”
“Now how did Sally get to town, sleeping backwards, upside down?”
“Along came Neddy Buttercup, walking forwards, right side up.”
“He tickled the pig who danced a jig. He tickled the dog who played leapfrog.”
“He tickled the loon who sang a tune. He tickled the sheep who fell asleep.”
“He tickled Sally, who woke right up. She tickled Neddy Buttercup.”
...
... middle of paper ...
...at actions did these friends do with Sally?
We will now act out the story based on the sequence that we have read in the book.
Resources and materials
List the materials (clean and piloted copies) and refer to the appendix where they may be found.
Appendix A – Friends and action extracts (to be used for labelling the chart later on)
Appendix B – Clean copy of the chart for the post reading activity
Appendix C – Piloted copy of the chart (filled-up with the proper sequence of friends and actions)
Shared Book Approach Day Two
Learning Outcomes: By the end of the lesson, pupils will be able to:
1. Recognise and demonstrate understanding of rhymes in words
2. Recognise and demonstrate understanding of the regular past tense verb
3. Recognise the demonstrate understanding of the function of punctuation (comma, full stop, question mark) in a children’s narrative
The two stories “War” and “About Effie” from Timothy Findley’s Dinner Along the Amazon are both told by the same child narrator, Neil. In each of the stories Neil attempts to make sense of a mystery of the adult world. In “War” Neil tries to understand the adult world of war, and explain why it seems that his father has betrayed him, and in “About Effie” Neil tries to understand the mystery of Effie’s strange need to wait for a man in a thunderstorm. Neil reaches an understanding of each of these mysteries in a similar way: through observation of non-verbal clues from adults. However, Neil’s own attempts to communicate non-verbally through his behaviour are unsuccessful. Taken as a whole, these two stories show how very important non-verbal communication is in child-adult relationships.
Myers, David G. “Chapter 14: Social Psychology.” Psychology. 10th ed. New York, NY US: Worth
Harvey, P. D., Moriarty, P. J., Friedman, J. I., White, L., Parrella, M., Mohs, R. C., & Davis, K.
1. How does the opening scene contrast with what happens at the end of the story?
...er introduction is the main reason why the foreshadowing is necessary for the reader. Therefore, this extract sets the tone for the rest of the book, a constant suspense on what will happen to Lennie and Curley's wife.
Rizzo, A. S., Difede, J., Rothbaum, B. O., Reger, G., Spitalnick, J., Cukor, J., & McLay, R.
Gilovich, T., Keltner, D., Chen, S., Nisbett, R. E. (2013). Social psychology. New York, NY:
Young, D. J., Bebbington, A., Anderson, A., Ravine, D., Ellaway, C., Kulkarni, A., & ...
I never realized when I played Peek-A-Boo with different infants in my family, that I was teaching them one of the most valuable lessons in their life. I just thought it was a game that infants liked to play and it made them laugh. I didn’t know that this was so funny to them because they were fascinated with the fact that for one moment I wasn’t there and a moment later I popped back up. Little did I know I was teaching them one of their most important accomplishments.
Tallichet, S, and C. Hensley. (2008). The Social and Emotional Conte. International Journal of Offen, 53 (5), pp. 596-606.
... off; who can make me laugh, and I choke it back in my throat; who
3) Gleitman, H., Fridlun, A., and Reisberg, D. Psychology. Fifth Edition. New York. W.W. Norton & Company. 1999
Nicklas, T., Jahns, L., Bogle, M., Chester, D., Giovanni, M., Klurfeld, D., Laugero, K., Liu, Y.,
...and through an unfolding of events display to the reader how their childhoods and families past actions unquestionably, leads to their stance at the end of the novel.
Another example of childlike thinking can be found in the description of a tuba. In the parade there is a man walking with a tuba. Wole makes the association of the bell of the tuba and the bell part of a gramophone. Young Wole says, "Tinu and I had long rejected the story that the music which came from the gramophone was made by a special singing dog locked in the machine. We never saw it fed, so it would have long starved to death. I had not yet found the means of opening up the machine, so the mystery remained" (41). Here we find child-like reasoning at its finest.