Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The Sound of Music musical analysis
Austria 'S Involvment In World War 1
The Sound of Music musical analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The Sound of Music musical analysis
The first of the five films I picked is The Sound of Music. In this film, an Austrian becomes the governess to the many children of a widowed Naval officer. The audience for The Sound of Music is certainly the family. The element in the story which leads me to believe this is the fact that it is a musical. Nothing terrible happens to anyone in the film. The worst that happens is they flee Austria as the Nazis are coming to power, but they do so successfully. The emotion I normally experience when watching this film is joy and happiness. I especially like the opening scene where Maria is frolicking in the fields of Austria. I really enjoy hiking in my home state of Maine, so it reminds me of that. The message of the film is that children need love and affection for a healthy childhood. Before Maria’s entrance to the film, the children often behaved immorally and the home …show more content…
In this film, a reserved man with scissors for fingers is taken from his isolated castle and introduced to the people in the town below. The audience for this film is teens and adults. The themes are too dark for children, but can easily be comprehended by teenagers. Watching this films evokes the emotion of joy and humor. I think the aspect which makes me joyful is the score. Partially because it is such a great score, but also partially because I have great memories watching this film with family. The film is also full of funny situations such as Edward sleeping on a waterbed. The message of the film is just because a person is different, it doesn’t mean it should make them an outcast. I’ve come to this conclusion because Edward is clearly an outcast. Regardless, the family takes him in and treats him as one of theirs. But still, some in the community fear that he is dangerous solely because of his looks. The one person who does attack him because out his outcast status ends up dead. Suggesting that being hostile to outsiders leads to bad
It is an animated documentary film released in 2011 that displays the harsh reality of the Colombian youth narrated by children themselves (ages 8-13). The directors use only interviews and drawings produced by children that have suffered by the violence of the armed conflict. The end result is an innovative animation movie that allows to look at the Colombian current reality from a child`s point of view: full of innocence and sweetness, not ready for the violence that surrounds them.
...on social conventions. In addition red signifies energy and passion, the girl be identified as a symbol of these values. “Harder. Go. Do. Cut. Harder.” Juxtaposed against her afraid, depressed mother, her energy is emphasised. In addition, dedication is a recurring value held by the girl throughout the text. “Every night after school, the girl trained in the swimming squad”, “Be an engine.” She is portrayed as greatly desiring and as a result exceedingly determined. Similarly, ambition is a prominent value obtained by the girl. “Be an engine…don’t think, breathe!” and “Pushing out, she knew that as soon as she was old enough she would leave her mother.” She is portrayed as immensely focused. Therefore, many values and attitudes are explored in this text, such as determination, anger, aspiration, desperation and evil, all of which are represented by the colour red.
Often when children are spoiled, they develop a sense of superiority to those around them. However, after leaving the closed environment of a household, the need for authority and supremacy can create unintended consequences imbedded with sorrow. The fallout from this misfortune is seen in “Why I Live at the P.O.” in the family quarrel that ensues due to the return of Stella-Rondo. Throughout the narration, the author asserts that because, the world is apathetic to one’s dilemmas, a shielded and pampered upbringing can only hamper personal development. Through the denial of truth that the family exhibits in attempts to improve relations and through the jealousy that Sister experiences as inferior to Stella-Rondo, the source of hindered maturity is exemplified.
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
...s Antonio, and she teaches him to look beyond what he first sees. She shows that everything connects, that even his parents’ different live styles rely on each other. Her recognition of this connection “profoundly changes a boy who has lived in fear of his environment” (Novoa 4). This lesson is repeated throughout the novel.
When several films, including “A Raisin in the Sun” and “A Tree Grows in Brooklyn,” make the focus of films working for and acquiring his or her dreams, despite being made almost twenty years apart. A main factor in these films typically comes motherly support. Many times, you see the mother sacrificing her wants and needs in order to help her children succeed and achieve their dreams. Since the theme is common over time, it is relatable to the audience of the films and is a way to capture the audience and keep them focused on the film. Due to the similarities in both the theme of the role of the mother and achieving his or her dream, it can be shown that over decades, these themes remain constant, though the dreams, race, gender, and stories can change.
This story makes the reader wonder, why must parents do this to their children, what kinds of motifs do they have for essentially ruining their child’s life. I believe
It is much the same in the movie "Edward Scissorhands" all he really wants is to be accepted. For a time he is excepted because of all of the wonderful things he can do. It seems as long as he is doing what they want him to do like trimming their dogs and hedges and cutting their hair he is all right but at the first sign of trouble they all turn on him. A good example of this is when Edward is in the beauty shop with Joyce Monroe and she wants to have her way with him, he leaves. But because Joyce feels rejected she tells everyone that Edward molested her and because he is different everyone is quick to believe it. Another example is when Jim has Edward break into his father's den, when Edward gets caught it is easy for everyone to believe he is guilty because he is different.
The most appealing films are those that keep audiences guessing, surprise them at the most unexpected times and break conventional film boundaries. Edward Scissorhands (1990) directed by Tim Burton, is a feature film that does exactly that. It blends a fairy tale story with a gothic horror film, to engage the viewer right from beginning until the resolution. It tells the tale of Edward, who was the creation of an inventor who died before he could give Edward proper hands, and was left with scissors as hands. When he was taken from his gothic mansion, into a “normal” suburban community, he was at first welcomed, but then heartbreakingly rejected when things went wrong. The character of the “monster” is an important feature to many gothic horror texts, and examining Edward and other various characters helps to bring about interesting ideas and concepts about this key role. Burton also draws on the relationship between the princess and the prince, commonly found in fairy tales. By using various features found in the gothic horror genre and the fairy tale genre, Edward Scissorhands is able to sway us to think about the consequences of judging people who are different, it influences us to question what true love is and changes the way we view who can be the prince and princess.
One of the issues that was raised is the idea of the relationship between femininty, technology and sexuality. The relationship between all of these qualities converse in one character, Maria. The real Maria has many roles thoughout the movie, including one who cares for the workers children, a preacher of peace for the workers, and one who loves Freder. The machi...
The children in the story give the other people like Joana and Florian hope which drives
Have you ever seen Edward Scissorhands, Charlie and the Chocolate Factory, or Sleepy Hollows? If you have seen those, you should know, Tim Burton loves to keep his audience on their feet. Tim Burton has an impressive list of dark-themed and mysterious movies that are fans’ favorite. He uses many cinematic techniques to keep his audience thrilled with bone-chilling vibes. The creative use of his cinematic techniques are shown in movies such us Charlie and the Chocolate Factory and Edward Scissorhands.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
When women are kept in their classical role of mother and caretaker, all is well and their lives are simple. Children relate positively to their mothers in this typical setting; while Dantés was in prison, during a time of distress, he remembered something his mother had done for him. For example, Dumas writes, “He remembered the prayers his mother had taught him and found meanings in them which he had formerly been unaware.” (41). Mothers teach their children to the best of their ability, evidenced in Dantés, as well as when Caderousse says Mercédès is instructing her son, Albert. It is in these moments that a mother’s love, compassion, and necessity are revealed. Lives are calm and enriched as long as women are in their niche. This includes non-maternal nurturing roles, for example, Mercédès attentiveness to Dantés father and Valentine’s special ability to care for Nortier. This loyalty is valued and shown as essential for the stability of life. Though The Count of Monte Cristo depicted women as best suited to the home, they intermittently stepped further out of that r...
This film really focuses on the characters. Their thoughts, anger, distress, and mistakes become part of your mistakes. This deals with a father’s s priority and how he will achieve that priority by using unethical ways like torturing an innocent man. Bringing up child abduction and torture are