Introduction The myth of American(USA) superiority and exceptionalism has existed since the early foundation days. The rush towards the Pacific provided an easy way to sustain this theory, and for a long time it was assumed that westward growth was the best sign of success. In fact, some of the earliest films to hold captive the American citizens were spectacles of U.S. positivism, where good always triumphed over evil. By adapting the standard Hollywood ‘road’ movie narrative (east to west), incorporating modern music as non-diegetic sound and utilizing shocking scenes – both socially and in terms of ignoring every written and unwritten filming law - Dennis Hopper’s Easy Rider stands as a testament to the changes going on in the US during the late 1960s and creates a certain distance to the previous way of seeing America. Background Behind the Movie With the collaboration of Denis Hopper …show more content…
Apart of being a solid picture in and of itself, this is a film that is important for historical and artistic reasons and like The Godfather or Star Wars(1977) are, it is an essential piece of American film history. It shows the divergence in society and how it’s handled by the different communities. So this movie doesn’t only still thrive from the film critical viewpoint but also still reflects human social behaviors that didn’t change in the last 40 years. The only continuity during the movie is brought by the bikes and costumes of the three main characters, with the only omission being the missing motorcycles in the campfire scene due to a theft of the bikes during the last weeks of filming. After Billy gets hit and Captain America hands down is jacket to cover him, he drives of for aid and gets consequently executed himself and his motorcycle bursts in pieces. The continuity is broken, they tried to grasp for freedom and unleash the chains of society, still society found them and got them
During the Talladega 500, Cal Naughton Jr., Ricky Bobby's former best friend, pulled ahead of Ricky, allowing him to slingshot around his car and pass Jean Girard. Though Cal and Girard were teammates at Dennit Racing, Cal disregarded this and jeopardized his team's success to aid Ricky in the movie Talledega Nights: The Ballad of Ricky Bobby. This moment was crucial to Ricky, he having fallen from grace, going from NASCAR's top driver to being let go by Dennit Racing. The love Cal exhibited was a selfless form of love that was centered entirely around Ricky's happiness, not his own. Because of this selflessness, Cal compromised his own agenda, winning for Dennit, and disregarded personal consequence in hopes that Ricky would win the race. If you truly love someone as Cal loved Ricky, you must sometimes compromise your own interests for their benefit.
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
In the article “The Thematic Paradigm” exerted from his book, A Certain Tendency of the Hollywood Cinema, Robert Ray provides a description of the two types of heroes depicted in American film: the outlaw hero and the official hero. Although the outlaw hero is more risky and lonely, he cherishes liberty and sovereignty. The official hero on the other hand, generally poses the role of an average ordinary person, claiming an image of a “civilized person.” While the outlaw hero creates an image of a rough-cut person likely to commit a crime, the official hero has a legend perception. In this essay, I will reflect on Ray’s work, along with demonstrating where I observe ideologies and themes.
I chose to view and analyze the film The Boondock Saints. There were many different things I focused on while viewing the film. I decided to brake them down into the following categories: narrative, theatrical elements, cinematography, sound, and the overall experience. I will begin with stating my personal interpretations and understandings of the narrative.
Tindall, George, and David Shi. America: A Narrative History. Ed. 9, Vol. 1. New York: WW. Norton & Company, 2013. 185,193. Print.
Throughout history, the United States had come off as a stubborn nation that would take what they wanted at any cost. This was prevalent in both cases of expansion as the Americans risked war and national safety for the sake of gaining land, or even merely for proving a point. During the early years of expansion, the Americans had pushed aside the Native Americans and whoever else inhabited the land they wanted. They believed that the land was rightfully theirs and that everyone else was merely squatting on their territory. This idea continued into the early twentieth century as the Americans looked to the oceans for new territories to their kingdom.
Americans throughout history have always felt that they were superior. The concept of “Manifest Destiny” has been the fuel to the fire of superiority. Manifest Destiny is the belief that it is American’s are the chosen ones and have the obvious right to conquer and own land between the eastern and western seaboards and that such expansion was inevitable. Manifest Destiny along with Christianity were two reasons that drove and encouraged both expansion within North Amer...
Tindall, George B., and David E. Shi. America: A Narrative History. 7th ed. New York: W.W. Norton & Company Inc., 2007.
Jacobs, Lewis. “Refinements in Technique.” The Rise of the American Film. New York: Teachers College Press, 1974. 433-452. Print.
This supports Lipset’s claim of egalitarianism being one of the key components of American ideology as he gives a specific historical example of how the United States differed from the majority of other powerful nations at the time because these nations had very established social structures going back hundreds of years. While the United States was a new nation isolated from these other monarchial cultures, and that allowed America to mold its own unique independent path. This supports Lipset’s point of view concerning America being an exceptional nation as the country’s birth
It is the belief that America expresses its cultural superiority through its wealth and dominance, and its superiority is measured in military strength. Using the appeal of logos, he states, “to the idea that its power is a sign of God 's favor, conferring upon it a special responsibility for other nations— to make them richer and happier and wiser, to remake them, that is, in its own shining image” (Fulbright 1). This belief that “the United States has a divinely ordained role to play in the sacred drama of the world history” (Lears 33) is one that Fulbright argues must not succeed. According to “The Arrogance of Power Revisited” by Jackson Lears, Fulbright was concerned that “America was losing its perspective on what was within its capacity to control and what was beyond it”
The United States expansionism during the late nineteenth-century and early twentieth-century kept the main objective the same as the manifest destiny during the 1840s; American expansionism, however, was departing from its earlier principle in that, instead of expanding the nation westward across the continental of North America, America sought to extend its civilization to overseas territories, and to influence on other nations culturally, economically, politically, and militarily. With the idea of expanding the nation into a world power, the U.S. looked into extending its power onto foreign lands, such as the islands of Hawaii, Cuba, and the Philippines. Along with becoming an imperial republic, and being able to play a major role in the world politics, America saw its responsibility to bring benefits of its civilization to less advanced peoples in the in world, specifically Latin America and Asia. Conversely, many in the U.S., like the Anti-Imperialist League, argued that annexation would violate America’s long-standing commitment to basic freedoms. However, the Imperialistic Era was a departure from the earlier expansionism, in that the U.S. was now expanding its influence and power overseas, along with its influence on geopolitics and regional economics.
... An American History of the World. 4th ed. of the book. W.W. Norton, 2012, 671. 2.)
“We are the nation of human progress, and who will, what can, set limits to our onward march?” (Denial) noted writer John O’Sullivan in 1839, but in fact, there was one limit: territory. Some people believed that in order to spread democracy, it was America’s manifest destiny, or obvious fate, to inhabit the entire North American continent. It had a major impact on American society by it being the cause of social change in the US, it economically revamped America, and lastly, it altered America politically. Manifest destiny caused the change of America socially due to the economic transition from a local market economy to a national market economy. Manifest destiny has also impacted America’s society economically by the large increase in territory gained to profit off of. But, it also altered America politically by causing further division of the North and South which led to a great drama of regional conflict. These social, political, and economical changes in the United States were certainly results of the initiation and usage of manifest destiny.
American exceptionalism is a belief that the United States is different from other nations around the world and as such superior; the term was coined by Alexis de Tocqueville in 1831, yet the philosophy of American superiority can be traced all the way back to the days before the United States was even an idea. They saw their new culture as “A city upon a hill” and sought to achieve moral and spiritual perfection. With this moral superiority the colonists, later Americans, saw a duty presented upon them by God and nature to instill such superior values into other cultures and the world. One such example can be clearly seen in the work of St. John de Crèvecoeur in Letters from an American Farmer where the narrator “Farmer James” states his belief