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Star wars
Star wars
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Let me begin by saying that Liam Neeson is one of my favorite actors – and as far as I’m concerned everything he touches turns to pure gold. He became a full-blown household name after his masterful work in Schindler’s List, but in my book, he will forever be etched in my imagination as Qui-Gon Jinn from Star Wars: The Phantom Menace. Don’t get me wrong – he’s been apart of some historically terrible movies, including The Phantom Menace, along with films like Battleship, The Haunting, and The Nut Job. Still, Neeson’s best work outweighs the duds. And, even though his role in Non-Stop is far from memorable, he rarely ever fails to entertain.
Directed by Jaume Collet-Serra (Unknown, House of Wax), Non-Stop stars Liam Neeson as Bill Marks – a U.S. federal air marshal secretly patrolling a commercial airliner from New York to London. Early into the flight, Marks is sent a text message over a secure channel from someone anonymously demanding $150 million – or someone aboard the plane will die every 20 minutes.
Originally believing it to be a prank from fellow federal air marshal, Jack Hammond (Anson Mount), it quickly becomes clear that the anonymous terrorist is not messing around when passengers are abruptly murdered. Matters turn even more bothersome when the mystery man behind the plot starts framing Marks – making it look like he’s the one doing the hijacking.
With only a handful of people to aid him, including a fellow passenger, Jen Summers (Julianne Moore) and a flight attendant, Nancy Hoffman (Michelle Dockery), Marks attempts to discover who is behind this elaborate plot – while also attempting to stop passengers from turning up dead. On this plane, though, everyone is a suspect, but when the occupants of the plane ...
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... an acting capacity. Both are brilliant actors, but this is not the type of film that highlights acting ability.
Overall, Non-Stop is not unlike its title in the sense that the film is rarely ever slow-paced or uninteresting. To that end, you could easily say the film features non-stop action, even though the action doesn’t always come in the form of the usual “shoot first, ask questions later” mentality. Some scenes are more thrilling than others, basically depending on how much you care about certain characters when the time comes from them to bite the bullet. Regardless, there isn’t a bad thing to say about Liam Neeson’s portrayal and when this film hits home video – there will definitely be an open spot waiting on my shelf. Die-hard fans of Liam Neeson, and even causal action flick lovers, shouldn’t hesitate to devote their undivided attention to Non-Stop.
The movie Shock Doctrine revolves around the concept of the same name. The film begins by discussing psychological research on the effects of shock therapy. It is evident that a person under extreme stress and anxiety commonly experienced during a crisis functions and performs inadequately. It is noted that the studies are conducted by a man by the name of Milton Friedman, from the University of Chicago; the studies took place in the past, and some of the subjects are still recovering in the aftermath. From this research, interrogation techniques were learned and the concept of the shock doctrine was formed. Essentially through causing a crisis, the population of a country can be shocked into complying with accepting laws that favors the United States and capitalism. This theory coexists with Friedman’s belief in that government regulation is bad, and through a crisis a country would better itself with deregulation. The video uses Chile as an example and shows how America allowed a crisis to occur in Chile, through coups, interrogations and subterfuge. In the end a new government is formed that allows capitalism. Unfortunately afterwards violence and riots occur, as the rich gain most of the wealth and poverty rises. In addition to Chile, Argentina, Russia and even Iraq underwent the shock doctrine. Almost in every account, poverty rises and violence ends up erupting. The movie ends by showing how the US was in the process of the shock doctrine, and still is but the population has taken notice. Protests such as Occupy Wall Street are some of the initiatives necessary to bring awareness to the problems of class inequalities in order to prevent capitalism from benefitting the rich and increasing the wealth gap among the classes.
Acting of movie is very basic for todays standards. The actions of the Miles Bennell aren’t believable or logical. At some points the women of the movie tend of over action simple scenes. The rest of the cast is monotone and have little emotion.It ok casting, but they could of done better. You find yourself laughing at serious point in the film due to the poor acting. This movie could be recut to become a comedy movie, just based off their facial expression.
Lawrence is not part of the movie as much as one would like, but once she is in the scene, she is convincing and perfect for the part she is playing.
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
Enter the United States Government and CIA that set forth a plan to rescue the six Americans. Different plans were discussed, when Tony Mendez, played by Ben Affleck, devised a plan
... The Movie. Dir. Arne Johnson, Shane King. Perf. Carrie Brownstein, Beth Ditto. Ro*co Films. 2008. DVD.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
Roswell. By Melinda Metz. Dir. Patrick R. Norris. Perf. Jason Behr, Katherine Heigl, Brendan Fehr, Emille De Ravin, Majandra Delfino, Nick Wechsler, Colin Hanks, Adam Rodriguez, William Sadler Shiri Appeleby. Prod. Barry Pullman John Heath. 1999.
A League of Their Own (Marshall, 1992) explicitly characterizes an American era when a woman’s place was in the home. Even our modern perspective implicitly follows suit. Although women have gained rights and freedoms since the 1930’s, sexism remains prevalent in America. This film offers an illustration when men went to war and big business men utilized women as temporary replacements in factories, sports, and so on. Here, course concepts, such as gender socialization, gender expressions, role stereotypes, emotion expressions, and language, correspond to the film’s characters and themes.
The Three Here’s for Cooking The romantic comedy, Today’s Special, expressed the worries of Indian parents becoming at ease. Also, expressed the struggles a parent faces in search of a better life, the passion and dedication going unnoticed in the work field, and the connection between friends, a lover, and family. However, the film centered its attention more on the development of Samir’s “cold” cooking within the Indian food, with the help of Akbar. In addition, the main actors in the film looked the part and associated with the main idea of the culture of an Indian family. For instance, Samir’s appearance showed he had drifted away from his family’s culture and developed a professional understanding and love for the cooking industry.
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
...p; Perhaps Branagh used these actors for their names to help pull in the ratings. If this is the case, the ratings would have been high without them. Perhaps, he used them to get the image of them as “uneducated stars'; out of peoples’ minds. Or perhaps they used him for the dame reason. Either way, their parts do not fit the roles they played. Regardless the movie was excellent and it was immensely enjoyed.
All the actors did an astonishing job. Tobin Bell has a loathsome attitude that is right for this character Jigsaw, a creepy serial killer who plays with his victims lives. Shawnee Smith?s performance was unpredictable, it kept you on the edge of your seat. A role women rarely have the opportunity to play. She plays an insecure, emotional woman with a self-destructive personality. Angus MacFadyen is a phenomenal underrated actor who has yet had...
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?
...n (Director) mistakenly seems to believe can carry the whole film. On the strength "based on a true story", he has rejected attention-grabbing characters, an imaginative plot, and unforgettable villains.