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City of god summary
City of god summary
City of god analysis essay
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City of God is an action-packed, drama-filled, Brazilian crime film that follows the lives of several young men whose lives all take a drastic turn as the city they once knew falls to drugs, crime, violence and corruption. In my essay I will focus on three young men in particular who all seemed to be consumed by the chaos that surrounds them. Through a series of hard hitting edits, sharp camera cuts, intense imagery and vivid storytelling, the film comes to life to portray the reality of life in the slums of Rio de Janeiro, and also helps to develop each characters persona.
The film’s opening sequence commences with an extreme close-up shot of what seems to be a very sharp blade scraping against a rock to make it sharper. The camera cuts back and forth from a blank screen to the blade making it difficult to completely shown in its entirety, but very easy to hear which leaves the audience in suspense, not knowing what the blade will be used for. Along with the sound of the blade sharpening, up-tempo Spanish music, paired with other string instruments can be heard playing in the background. As the scene develops the audience gets more cross cuts and close up shots of what looks to be the preparation of a meal; carrots peeling, water boiling, chickens getting skinned and other things of that nature. Turns out that the blade was actually being used to kill chickens for this meal, suggesting that the film must take place in rural area or somewhere far from civilization where the people must fend for themselves. Shots of people shuffling their bare feet in dirt to the rhythm of the music also let the audience know that the film may take place in an impoverished location, possibly even a slum. Drinks are being served and people are da...
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...limited. For most it was either kill or be killed. Rocket and Lil Z’ were both from the same place, born with the same advantages and disadvantages yet took two very different paths in life. One went down a very dark and cold path, while the other was headed towards something much brighter. Ned was like a combination of Rocket and Lil Z’, but the city ended up changing him for the worse. The frantic cutting from shot-to-shot was done to both demonstrate the chaos within the slums, but also to keep the attention of viewers. The fast pace editing and other cinematographic elements all helped to reveal each of the characters true identities. The film transforms every detail of the narration into a scene filled with details and rich composition where viewers are able to follow with ease what seems to be a complicated storyline filled with gangsters, crime and violence.
New Jack City, noted as ‘the crime film of the 90’s’,serves as an important episode for African-American people in America. Set in New York city, the film depicts the story of a success-driven antagonist Nino Brown (Wesley Snipes) who builds an empire powered by organized crime, drug trafficking, and Black delinquent young adults trapped in the cycle of crime. Ronald Reagan’s economic policy coupled with the popularity of crack-cocaine in the inner city creates inconsistencies and untapped markets in the poor community which Nino Brown brilliantly capitalizes on and exploits. His empire is able to successfully cut out the middle men in the drug trafficking market and centralize their operation in a single low-income housing complex inhabited
1 Corinthians 9: 25-27 states “All athletes are disciplined in their training. They do it to win a prize that will fade away, but we do it for an eternal prize. So I run with purpose in every step. I am not just shadowboxing. I discipline my body like an athlete, training it to do what it should. Otherwise, I fear that after preaching to others I myself might be disqualified” (NLT).
In the favela of São Paulo, Brazil, 1958, Carolina Maria de Jesus rewrote the words of a famous poet, “In this era it is necessary to say: ‘Cry, child. Life is bitter,’” (de Jesus 27). Her sentiments reflected the cruel truth of the favelas, the location where the city’s impoverished inhabited small shacks. Because of housing developments, poor families were pushed to the outskirts of the city into shanty towns. Within the favelas, the infant mortality rate was high, there was no indoor plumbing or electricity, drug lords were governing forces, drug addiction was rampant, and people were starving to death. Child of the Dark, a diary written by Carolina Maria de Jesus from 1955 to 1960, provides a unique view from inside Brazil’s favelas, discussing the perceptions of good
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Film Analysis of All That Heaven Allows Chosen sequence: Golden Rain Tree/Cary's bedroom scene. Before the emergence of 'auteur theory' the director Douglas Sirk was a renowned exponent of classical Hollywood narrative, particularly in the genre of romantic melodrama, of which his film All That Heaven Allows is a classic example. However, he is now regarded as a master of mise-en-scene, one of the few tools left to a director working within the constraints of the Hollywood studio/institutional system who is now thought to have been highly critical of American mainstream culture and society in this prosperous era. 1, 2 The 'Golden Rain Tree' sequence occurs early on in the film after the opening panoramic, establishing shot - showing the scene of the action, a small middle-class New England town in autumn. The main protagonists are soon introduced of which the prime causal agent is an unsettled woman, Cary Scott (Jane Wyman), in keeping with romantic melodrama.
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
The movie “Rain Man” was released in 1988. This movie is basically about two brothers who go on an adventure together, but not just for good intentions. This movie stars Tom Cruise, who plays as the character Charlie Babbit, and Dustin Hoffman, who plays as the character Raymond. In the beginning of the movie, one would have never thought that Charlie Babbitt had a brother. Charlie Babbitt owned his own automobile company. He appeared successful and very self-centered. Charlie Babbit’s automobile company is in trouble. He is in serious debt.
The director Antoine Fuqua vision for this film was to bring that intense love-hate relationship onto the big screen and showcase it for the world to see. To ensure a convincing film setting, Fuqua shot on location in some of the most hardcore neighborhoods in Los Angeles. Fuqua also wanted to show the daily struggles of officers tasked to work in the rougher neighborhoods of cities and how easy it can be to get caught up in a street life filled with killers and drug dealers. Overall the film displayed the city of Los Angeles in a different perspective. One which m...
When the audience keeps jumping to ideas it makes the movie very intersecting because everyone has different ideas of who can be under the mask and what is their motive of purging. So when the end of the movie it ends of being the neighbors because they hate how this family lives and how perfect their life’s are. They kill the father at the end and are about to kill the mother but the guy the little boy help saves her and the family. At the end when the man that was save comes out again makes the viewers wonder where he was through the whole movie. It gives the movie a different kind of twist to the movie, because he only appears couple of times in the movie, and hi saving the family is like thanking them for saving him from being killed.
The City of God is based on actual events that occurred in Rio de Janeiro during the 1960’s and 1970’s. The movie is about the rise and fall of a fearsome sociopath gang leader Li’l Ze, who reigned as king of the drug lords during the 70’s. The first part of the movie illustrates some of the forces that mold Li’l Ze into the man he becomes, while the second half shows his ruthless leap to power, followed by the war he wages against opposing gang leaders Carrot and Knockout Ned. The film is narrated by Rocket, a photographer who exists on the outskirts of Li’l Ze’s circle of dominance and control. In the film the city is filled with ruthless acts of delinquency and is basically in chaos. There are two theories that I would like to discuss in relation to the city’s unusually high criminal acts.
Christians uses the term “Children of God” to imply to all human beings that we are all God’s children. Children of God, formed and composed by Bahamian motion picture maker Kareem Mortimer, is one of the primary Caribbean films to deal unequivocally with homophobia and sexual minorities in the region. The film relates the account of an interracial gay slant between two youthful colleagues, Johnny and Romeo, and the fomented marriage between traditionalist evangelist Ralph and his wife Lena. The film bases on the bashful and conflicted white skilled worker Johnny, who leaves on a trek to get himself and work on his claim to fame. He meets Romeo, a young dim entertainer, on the boat ride from the capital city Nassau to adjoining island Eleuthera,
Pedro Almodovar’s 1997 film Live Flesh (Carne Tremula), is rich in both visual and story elements, making in the perfect candidate for a scene analysis. Upon writing this paper, however, this was almost to my disadvantage. I watched it through and whittled it down to about five scenes I considered analyzing. This self-challenge is a testament to not only this film, but Almodovar’s whole body of work; he has created so many thoughtful, intricate, and all together entertaining films in his career, I had to somehow forgive myself for just choosing one short scene out of only one of his movies for analysis. So, without further ado, here is an analysis of a scene from Live Flesh.
City of Angels (1998), was a Warner Brother film that was about an angel named Seth had fell in love with surgeon named Maggie, but Seth could not be with Maggie because he was immortal. The only possible way Seth could be with Maggie was if he becomes a human since she could not see immortals. According to David Bordwell, Janet Staiger, and Kristin Thompson, there are seven characteristics of classical Hollywood cinema. The first characteristic of classical Hollywood is set up for point-of-view shots. An example that was displayed to the audience was when Seth fell from a construction building. While Seth was falling slowly to Earth, viewers seen Seth memories that he had with Maggie as well as other memories like a person jumping out
In the film “The Passion of the Christ” by Mel Gibson the life of Jesus Christ is portrayed to the audience using his interpretation of the historical moment in which Jesus Christ was crucified. In the Gospels: Matthew, Mark, Luke, and John the stories recounted about the life of Jesus Christ are different, because each one was centered to the particular needs of their community. By not following the Gospels word for word Mel Gibson is able to dramatically depict the mercy, love, and salvation Jesus Christ had for the children of God. In doing so Mel Gibson was also able to impact people and have them reflect on the sins they have inflicted on God.