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Sociological movie analysis
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“Catch Me If You Can” is a film about the main character, Frank Abagnale Jr., who manages to successfully present himself as a teacher, pilot, doctor, and prosecutor in order to perform cons worth millions of dollars all before the age of nineteen. Frank is doing so by primarily cashing fraud cheques which help make him one of the youngest con artists to ever exist in the U.S. Though Frank uses many forms of deceptions in the film, Frank mainly lies using facades, delusions, and deflections to achieve his status which ultimately hinders him throughout his life. First and foremost, Frank uses facades throughout his whole criminal career in order to cover up for who he actually is. As Frank impersonates to be a sub teacher for his class, an airline pilot, a doctor named Dr. Frank Connors, or a lawyer, he disables himself from having any kind of relationship with the …show more content…
Frank chooses women he can charm and easily manipulate so that he can make them provide him information about how the banks handle the cheques. When Frank is telling those young women that they have beautiful eyes and asks them out for dinner, Frank redirects their attention from the information they are providing him. Frank manages to gain valuable knowledge which helps him become an expert cheque forger and continue to steal millions of dollars while he is on the run. Frank becomes even more advantageous with his knowledge when he is rewarded with an FBI job and serves only four years in prison instead of twelve years. The skills Frank develops help him later on in his life as he helps catch some of the world’s most known money forgers and makes millions of dollars for the unforgeable cheques he has created. All in all, the film demonstrates that while lying may seem beneficial in some ways, it is essentially causing more harm than good. This is specifically shown when Frank uses his deceptions and lies throughout his
Person vs. Society: Frank must learn to cope with the people who are unforgiving of his mistake and think he should receive further punishment. It is difficult for him to hear negative remarks and ruthless comments for strangers saying he should have greater consequences, even though he is paralyzed for life.
Other than trying to make it day to day at their company Frank is one of the things these three ladies have in common. Frank is their sexist, egotistical, lying, hypocritical, bigot of a boss. He lusts after most of the women under his authority at the office but has taken a special liking to Doralee, who despises him. Though despicable as a man he has just been promoted to Head of that division. He has a loving wife who ends up divorcing him to be with one of his associates. He gets another promotion and has to leave the country, he is never to be heard from again.
He uses every single penny they have at the pubs. It drives Frank mad and he loses all respect for him. Frank completely loathes his father when he upsets his mother. He makes her angry, which Frank cannot stand. “My heart is banging away in my chest and I don’t know what to do.
The film, Fruitvale Station, is based upon a true story of a young, unarmed African American male, Oscar, who was shot by a Caucasian BART police officer. The film displays the final twenty-fours of Oscar Grant’s lives going through his struggles, triumphs, and eager search to change his life around. There will be an analysis of the sociological aspects displayed throughout the movie that show racism, prejudice, and discrimination.
He’s living a double life as well, he’s having an affair with his babysitter and he is lying about it. Frank has been lying about his double life to everybody, especially to his wife. The only person he has told was Kenny and Kenny doesn’t know how to keep his mouth closed. Frank finally admits to Tub at the restaurant about his lifestyle he has been living back at home with his baby’s babysitter, Roxanne Brewer, whose only fifteen years old. Frank claims he’s in love with this young lady and admits that his wife at the time was on thirteen when they first got together. The situation that Frank’s self-absorption is dealing with is the kind where he is going to keep all the secrets to himself because he doesn’t want to be judged by everyone else. He rather keep his life a secret because he knows what the outcome would be if he tells everyone what’s really going on behind closed doors. He would most definitely be called a pedophile. By him finally telling Tub about this he finally feels like a burden is taken off his shoulders by not keeping this secret no
Frank Wheeler yearns to appear mysterious, intelligent, and manly, causing him to gloss over his true identity and lose touch with himself. In his youth, he dreams of riding the railroad, going so far as to plan different routes for his trip on a railroad map. He rehearses how he will act, talk, and interact with other people and buys outfits from an Army and Navy Store that perfectly convey a rugged image. Frank conceals the signs of his true self—Boy Scout emblems and the immaturity of adolescence—in exchange for this foreign identity. Others knock him down because they doubt he will play the role well, but from that point onward, Frank aims to become a man. His life in New York City reflects this goal: Frank, a war veteran, shares a one-room apartment with his friends which he uses with the girls he brings home. With increasi...
Opinion: Why do you think Frank has confessed at this time? What is his motive? Has he underestimated his brother, or has he estimated correctly?
Living in poverty and not being able to meet basic needs leads the characters to result to desperate measures such as stopping Frank McCourt’s education and taking a job to support the family. Frank is forced to take the job mostly because his father is an alcoholic and uses all the dole money and his wages to buy beer instead of feeding his family. Frank describes this pattern of drinking away the money by saying " When Dad comes home with the drink smell there is no money and Mam screams at him till the Twins cry."(42) This situation lasts until Mr.McCourt leaves to work in England and is never heard from again which forces Frank to take a job at fourteen years old. Frank takes on the role of the head of the family proudly and comments " Its hard to sleep when you know you know the next day you’re fourteen and starting your first job as a man." (p.309) Frank’s ability to provide financial stability leads to greater comfort and living conditions for the family.
Frank must be commended as well for his will power and want to survive. If he didn’t start out with that then nothing could have helped him. He may not have been a strong boy physically buy psychologically he was powerful. Although Frank barely had a shirt on his back, he had something that made him rich in another way…his mind.
As a fan of cinema, I was excited to do this project on what I had remembered as a touching portrait on racism in our modern society. Writer/Director Paul Haggis deliberately depicts his characters in Crash within the context of many typical ethnic stereotypes that exist in our world today -- a "gangbanger" Latino with a shaved head and tattoos, an upper-class white woman who is discomforted by the sight of two young Black kids, and so on -- and causes them to rethink their own prejudices during their "crash moment" when they realize the racism that exists within themselves.
Frank often finds himself forced to stay late at the office, swamped with work. One night when Frank is working late, Cathy decides to bring his dinner. She walks in on him kissing a man. Frank confesses having "problems" as a young man, and agrees to sign up for therapy.
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
... the officials. The reverend helps Frank, by giving him money as well as shoes, because he was bare foot. Good Samaritans also help Frank by providing him with sumptuous clothing and bus fares to get hi m to his next destination. These smaller resolutions allowed Frank to accomplish is larger resolution to find his sister.
Set on a remote, unnamed Scottish peninsula, Frank is isolated from the rest of society and rarely interacts with other people, especially his own age: “I didn’t grow up with anybody of my own age […]” and thus lacks being socially educated due to his Father’s choice of educating Frank himself, giving him the opportunity to manipulate his understanding of the world in which he lives: “For years I believed Pathos was one of the Three Musketeers, Fellatio was a character in Hamlet […]” In society’s eyes, Frank doesn’t exist: “I was never registered. […] nothing to say I’m alive or ever existed.” And constantly hides from Diggs, who can be seen as a representation of society. Due to his non-existence, Frank can never have aspirations outside of the island, thus making his life hopeless. The few people that are aware he exists are either related to him, disabled or have been lied to and believe his cover story. Another example of how Banks uses hope throughout the novel is using victims as a representation. In this novel’s case, the victims are utterly innocent, so when Frank kills the children, he is actually killing symbols of hope. The murder of his younger brother, Paul, shows the destruction of innocence due to Banks’ use of language, describing him as having “a podgy hand.” Emphasising how undefined and young he is. Through being chemically wounded by his father, Frank “naturally”
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?